(1.3.0.1/0.0.0.0,ob d'Amore,ob da Caccia,va da gamba,cem,str=1-1-1.1.1-1.0)

SKU: TM.01536SET

Composed by Johann Sebastian Bach. Set Type: M. Set of parts. Lucks Music Library #A3032. Published by Lucks Music Library (TM.01536SET).

Does not incl #12 Trio Sonata (see #650-5603). No. 1 Ricercar, No. 2 Canon perpetuus super Thema Regium, No. 3 Canon 1 a 2, No. 4 Canon 2 a 2 Violini in Unisono, No. 5 Canon 3 a 2 per Motum contrarium, No. 6 Canon 4 a 2 per Augmentationem contrario Motu, No. 7 Canon 5 a 2, No. 8 Fuga canonica in Epidiapente, No. 9 Ricercar a 6, No. 10 Canon a 2 Quaerendo invenietis, No. 11 Canon a 4, No. 12 Sonata Siehe die gesondert beiliegende Stimme, No. 13 Canon perpetuus.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507549

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios. Single Part, Organ. Composed 1736/1751. HWV 75. 60 pages. Duration 85 minutes. Carus Verlag #CV 55.075/49. Published by Carus Verlag (CA.5507549).

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507509

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. 2x 55.075/21 2 flutes, 1x 55.075/22 oboe 1, 1x 55.075/23 oboe 2, 3x 55.075/24 3 bassoons, 2x 55.075/31 2 horns, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets. Stuttgart Urtext Edition: Handel. Harmony parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/09. Published by Carus Verlag (CA.5507509).

ISBN 9790007226794. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoon, 2 horns, 2 trumpets, timpani, 2 (3) violin, 2 violas, cello, basso continuo

SKU: CA.5507500

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Full score. Composed 1736/1751. HWV 75. 184 pages. Duration 85 minutes. Carus Verlag #CV 55.075/00. Published by Carus Verlag (CA.5507500).

ISBN 9790007167769. Language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300713

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Viola. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/13. Published by Carus Verlag (CA.2300713).

ISBN 9790007037703. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300709

Composed by Anton Diabelli. 1x 23.007/21 flute, 1x 23.007/22 clarinet 1, 1x 23.007/23 clarinet 2, 1x 23.007/31 trumpet 1, 1x 23.007/32 trumpet 2, 1x 23.007/33 horn 1, 1x 23.007/34 horn 2, 1x 23.007/41 timpani. German title: Messe in Es 8. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 107. 44 pages. Duration 25 minutes. Carus Verlag #CV 23.007/09. Published by Carus Verlag (CA.2300709).

ISBN 9790007037673. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and parts available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300711

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/11. Published by Carus Verlag (CA.2300711).

ISBN 9790007037680. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.