SKU: MN.56-0055

UPC: 688670220586. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. For soprano solo and SATB choir, this movement begins with the choir on the English text by Phineas Fletcher (1633). A 32-measure soprano solo follows, which covers the majority of the English text. The soloist then begins the “Recordare,” a calm, descending melodic line with the choir singing the opening “Drop, drop” motif as accompaniment. The choir then concludes with the slow, descending lines “Jesu pie, Jesu pie.” Duration 4:04.

SKU: CA.2707111

ISBN 9790007199951. Key: A major. Language: Latin.

Franz Xaver Richter probably wrote his Missa in A, with the nickname Hyemalis (winter), between 1781 and 1783, during his tenure as Kapellmeister at the Strasbourg Cathedral. This peculiar epithet leads us to presume that the Mass was meant to be performed during a sacred service in a time period between Epiphany and the Sunday before Ash Wednesday (Quinquagesima). The present work, a first edition, is a Messe sollenne senza Trombe, in which Richter achieved a festive character with musical variety by means of a comparably modest ensemble. Score and part available separately - see item CA.2707100.

SKU: CA.2707112

ISBN 9790007199968. Key: A major. Language: Latin.

Franz Xaver Richter probably wrote his Missa in A, with the nickname Hyemalis (winter), between 1781 and 1783, during his tenure as Kapellmeister at the Strasbourg Cathedral. This peculiar epithet leads us to presume that the Mass was meant to be performed during a sacred service in a time period between Epiphany and the Sunday before Ash Wednesday (Quinquagesima). The present work, a first edition, is a Messe sollenne senza Trombe, in which Richter achieved a festive character with musical variety by means of a comparably modest ensemble. Score and part available separately - see item CA.2707100.

SKU: CA.2707114

ISBN 9790007199982. Key: A major. Language: Latin.

Franz Xaver Richter probably wrote his Missa in A, with the nickname Hyemalis (winter), between 1781 and 1783, during his tenure as Kapellmeister at the Strasbourg Cathedral. This peculiar epithet leads us to presume that the Mass was meant to be performed during a sacred service in a time period between Epiphany and the Sunday before Ash Wednesday (Quinquagesima). The present work, a first edition, is a Messe sollenne senza Trombe, in which Richter achieved a festive character with musical variety by means of a comparably modest ensemble. Score and part available separately - see item CA.2707100.

SKU: CA.2707103

ISBN 9790007059804. Key: A major. Language: Latin.

Franz Xaver Richter probably wrote his Missa in A, with the nickname Hyemalis (winter), between 1781 and 1783, during his tenure as Kapellmeister at the Strasbourg Cathedral. This peculiar epithet leads us to presume that the Mass was meant to be performed during a sacred service in a time period between Epiphany and the Sunday before Ash Wednesday (Quinquagesima). The present work, a first edition, is a Messe sollenne senza Trombe, in which Richter achieved a festive character with musical variety by means of a comparably modest ensemble. Score available separately - see item CA.2707100.

SKU: CA.4065712

ISBN 9790007085292. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

SKU: CA.4065719

ISBN 9790007134570. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and parts available separately - see item CA.4065700.

SKU: CA.4065713

ISBN 9790007085308. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.

SKU: CA.4065708

ISBN 9790007085261. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and parts available separately - see item CA.4065700.

SKU: CA.4065705

ISBN 9790007085254. Key: B flat major. Language: Latin.

With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score available separately - see item CA.4065700.

SKU: CA.2705109

ISBN 9790007199456. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and parts available separately - see item CA.2705100.

SKU: CA.2705113

ISBN 9790007199487. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and part available separately - see item CA.2705100.

SKU: CA.2705105

ISBN 9790007112448. Language: Latin.

If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score available separately - see item CA.2705100.