| Betulia liberata, KV 118 (74c) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] Barenreiter
Azione sacra in two parts. Composed by Wolfgang Amadeus Mozart (1756-1791...(+)
Azione sacra in two parts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. This edition: complete edition, urtext edition. Linen. New Mozart Edition. Series I, Section 4/2. Kirchenmusik, Klassik (Sacred, Classical). Score. KV 118 (74c). Duration 2 hours, 10 minutes. Published by Baerenreiter Verlag (BA.BA4521-01).
$247.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The newly born child Soli, Mixted choir and accompaniment [Vocal Score] Carus Verlag
(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (168...(+)
(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Christiane Hausmann. Arranged by Paul Horn. For SATB vocal soli, 3 recorders, 2 oboes, english horn, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Das neugeborne Kindelein. Cantatas, Christmas. Vocal score. Language: German/English. Composed 1724. BWV 122. 20 pages. Duration 16 minutes. Published by Carus Verlag
$10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat in D (Magnificat in D) (Magnificat en re majeur) Soli, Mixted choir and accompaniment [Score] Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. Arranged by P...(+)
By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. Arranged by Paul Horn. For Soli SSATB, SSATB Choir, 3 Trumpets, Timpani, 2 Flutes, 2 Oboes, 2 Violins, Viola, Basso continuo. This edition: paperbound. BWV 243. Full score available separately - see item CA.3124300. Magnificat; Stuttgart Urtext editions; Use during church year: Christmas. Piano/Vocal score. Language: Latin. 52 pages
$11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. Matthew Passion Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Set of Parts] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edi...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Matthauspassion. Passions, Lent and Passiontide. Complete orchestral parts. BWV 244. Duration 175 minutes. Published by Carus Verlag (CA.3124419).
$553.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Il trionfo del Tempo e della Verità, HWV 46 b Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three parts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: Complete edition. Linen. Complete edition, Score. HWV 46. Baerenreiter Verlag #BA10726-01. Published by Baerenreiter Verlag (BA.BA10726-01). ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael. In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.
In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.
The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
$527.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| St. Matthew Passion Soli, Mixted choir and accompaniment [Score] Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For vocal soli, S...(+)
By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For vocal soli, SATB/SATB choir, soprano voice in ripieno (Cantus-firmus-Chor fur Sopran), 2 orchestras - I: 2 recorders, 2 flutes, 2 oboes (2 oboe d'amore, 2 oboe d'caccia/english horn), viola da gamba, 2 violins, viola, basso continuo (cello, violone/double. This edition: Clothbound edition. Stuttgart Urtext editions. Passions, Lent and Passiontide. Full score (clothbound edition). Language: German/English. BWV 244. 296 pages. Duration 175 min. Published by Carus Verlag
$172.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dixit Dominus HWV 232 Soli, Mixted choir and accompaniment [Score] Barenreiter
By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano ...(+)
By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al
$51.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Meine Seele erhebt den Herrn (All my spirit exalts) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] Carus Verlag
Deutsches Magnificat. By Georg Philipp Telemann. Edited by Klaus Hofmann. Arrang...(+)
Deutsches Magnificat. By Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For Soli SATB, SATB Choir, 2 Oboes, 2 Recorders f1, 2 Violins, Viola, Basso continuo. TVWV 9:18. Magnificat; Stuttgart Urtext editions; Use during church year: Christmas. Score. Language: German/English. 72 pages. Duration 25 min. Published by Carus Verlag (German import).
$35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lobet Gott in seinen Reichen (Himmelfahrtsoratorium) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3101109 Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. 1x 31.011/21 flute 1, 1x 31.011/22 flute 2, 1x 31.011/23 oboe 1, 1x 31.011/24 oboe 2, 4x 31.011/31 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium /31 4 x liefern = 8. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Set of Orchestra Parts. Composed 1735. BWV 11. 56 pages. Duration 32 minutes. Carus Verlag #CV 31.011/09. Published by Carus Verlag (CA.3101109). ISBN 9790007042028. Key: D major. Language: German. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and parts available separately - see item CA.3101100. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lobet Gott in seinen Reichen (Himmelfahrtsoratorium) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3101149 Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Organ. Composed 1735. BWV 11. 16 pages. Duration 32 minutes. Carus Verlag #CV 31.011/49. Published by Carus Verlag (CA.3101149). ISBN 9790007042073. Key: D major. Language: German. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lobet Gott in seinen Reichen (Himmelfahrtsoratorium) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3101114 Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Cello/Double Bass. Composed 1735. BWV 11. 12 pages. Duration 32 minutes. Carus Verlag #CV 31.011/14. Published by Carus Verlag (CA.3101114). ISBN 9790007042066. Key: D major. Language: German. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lobet Gott in seinen Reichen (Himmelfahrtsoratorium) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3101111 Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Violin 1. Composed 1735. BWV 11. 12 pages. Duration 32 minutes. Carus Verlag #CV 31.011/11. Published by Carus Verlag (CA.3101111). ISBN 9790007042035. Key: D major. Language: German. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lobet Gott in seinen Reichen (Himmelfahrtsoratorium) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3101113 Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Viola. Composed 1735. BWV 11. 8 pages. Duration 32 minutes. Carus Verlag #CV 31.011/13. Published by Carus Verlag (CA.3101113). ISBN 9790007042059. Key: D major. Language: German. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lobet Gott in seinen Reichen (Himmelfahrtsoratorium) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3101112 Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Violin 2. Composed 1735. BWV 11. 12 pages. Duration 32 minutes. Carus Verlag #CV 31.011/12. Published by Carus Verlag (CA.3101112). ISBN 9790007042042. Key: D major. Language: German. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messe a quatre voix Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 tro...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno SKU: CA.2706014 Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violoncello. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Cello. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/14. Published by Carus Verlag (CA.2706014). Text language: Latin. Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messe a quatre voix Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 tro...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno SKU: CA.2706012 Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 2. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 2. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/12. Published by Carus Verlag (CA.2706012). Text language: Latin. Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messe a quatre voix Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 tro...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno SKU: CA.2706011 Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 1. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 1. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/11. Published by Carus Verlag (CA.2706011). Text language: Latin. Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messe a quatre voix Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 tro...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno SKU: CA.2706013 Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Viola. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Viola. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/13. Published by Carus Verlag (CA.2706013). Text language: Latin. Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lobet Gott in seinen Reichen (Himmelfahrtsoratorium) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2441100 Ascension oratorio. Composed by Johann Sebastian Bach. This edition: Paperbound. Oratorios. German title: Himmelfahrtoratorium Faksimile. Oratorios. Facsimile. Composed 1735. BWV 11. 40 pages. Duration 32 minutes. Carus Verlag #CV 24.411/00. Published by Carus Verlag (CA.2441100). ISBN 9790007108953. Key: D major. Language: German. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. $97.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lobet Gott in seinen Reichen (Himmelfahrtsoratorium) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3101105 Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium rev.2000. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Choral Score. Composed 1735. BWV 11. 8 pages. Duration 32 minutes. Carus Verlag #CV 31.011/05. Published by Carus Verlag (CA.3101105). ISBN 9790007042011. Key: D major. Language: German. Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score available separately - see item CA.3101100. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, v...(+)
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3910909 Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. 1x 39.109/21 flute, 3x 39.109/31 trumpet/timpani. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott 4. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. TVWV 1:1166. 26 pages. Duration 15 minutes. Carus Verlag #CV 39.109/09. Published by Carus Verlag (CA.3910909). ISBN 9790007215422. Language: German/English. Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and parts available separately - see item CA.3910900. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, v...(+)
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3910911 Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/11. Published by Carus Verlag (CA.3910911). ISBN 9790007215439. Language: German/English. Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, v...(+)
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3910949 Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Organ. TVWV 1:1166. 12 pages. Duration 15 minutes. Carus Verlag #CV 39.109/49. Published by Carus Verlag (CA.3910949). ISBN 9790007215477. Language: German/English. Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, v...(+)
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3910912 Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/12. Published by Carus Verlag (CA.3910912). ISBN 9790007215446. Language: German/English. Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, v...(+)
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3910919 Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. TVWV 1:1166. Duration 15 minutes. Carus Verlag #CV 39.109/19. Published by Carus Verlag (CA.3910919). ISBN 9790007139278. Language: German/English. Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and parts available separately - see item CA.3910900. $73.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, v...(+)
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3910914 Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Cello. TVWV 1:1166. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.109/14. Published by Carus Verlag (CA.3910914). ISBN 9790007215460. Language: German/English. Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, v...(+)
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3910913 Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/13. Published by Carus Verlag (CA.3910913). ISBN 9790007215453. Language: German/English. Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ein Lammlein geht und tragt die Schuld Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, bas...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo SKU: CA.3710449 Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Single Part, Organ. HoWV I.2. 60 pages. Duration 95 minutes. Carus Verlag #CV 37.104/49. Published by Carus Verlag (CA.3710449). ISBN 9790007091347. Language: German. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
Next page 1 31 61 |