SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola, basso continuo

SKU: CA.2707111

Messe in A. Composed by Franz Xaver Richter. Edited by Michael Diorio. Messe In A 1788 (Hyemalis). Sacred vocal music, Masses, Latin. Single Part, Violin 1. 24 pages. Duration 35 minutes. Carus Verlag #CV 27.071/11. Published by Carus Verlag (CA.2707111).

ISBN 9790007199951. Key: A major. Language: Latin.

Franz Xaver Richter probably wrote his Missa in A, with the nickname Hyemalis (winter), between 1781 and 1783, during his tenure as Kapellmeister at the Strasbourg Cathedral. This peculiar epithet leads us to presume that the Mass was meant to be performed during a sacred service in a time period between Epiphany and the Sunday before Ash Wednesday (Quinquagesima). The present work, a first edition, is a Messe sollenne senza Trombe, in which Richter achieved a festive character with musical variety by means of a comparably modest ensemble. Score and part available separately - see item CA.2707100.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola, basso continuo

SKU: CA.2707112

Messe in A. Composed by Franz Xaver Richter. Edited by Michael Diorio. Messe In A 1788 (Hyemalis). Sacred vocal music, Masses, Latin. Single Part, Violin 2. 24 pages. Duration 35 minutes. Carus Verlag #CV 27.071/12. Published by Carus Verlag (CA.2707112).

ISBN 9790007199968. Key: A major. Language: Latin.

Franz Xaver Richter probably wrote his Missa in A, with the nickname Hyemalis (winter), between 1781 and 1783, during his tenure as Kapellmeister at the Strasbourg Cathedral. This peculiar epithet leads us to presume that the Mass was meant to be performed during a sacred service in a time period between Epiphany and the Sunday before Ash Wednesday (Quinquagesima). The present work, a first edition, is a Messe sollenne senza Trombe, in which Richter achieved a festive character with musical variety by means of a comparably modest ensemble. Score and part available separately - see item CA.2707100.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola, basso continuo

SKU: CA.2707114

Messe in A. Composed by Franz Xaver Richter. Edited by Michael Diorio. Messe In A 1788 (Hyemalis). Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.071/14. Published by Carus Verlag (CA.2707114).

ISBN 9790007199982. Key: A major. Language: Latin.

Franz Xaver Richter probably wrote his Missa in A, with the nickname Hyemalis (winter), between 1781 and 1783, during his tenure as Kapellmeister at the Strasbourg Cathedral. This peculiar epithet leads us to presume that the Mass was meant to be performed during a sacred service in a time period between Epiphany and the Sunday before Ash Wednesday (Quinquagesima). The present work, a first edition, is a Messe sollenne senza Trombe, in which Richter achieved a festive character with musical variety by means of a comparably modest ensemble. Score and part available separately - see item CA.2707100.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola, basso continuo

SKU: CA.2707103

Messe in A. Composed by Franz Xaver Richter. Edited by Michael Diorio. This edition: Paperbound. Messe In A 1788 (Hyemalis). Sacred vocal music, Masses, Latin. Vocal score. 80 pages. Duration 35 minutes. Carus Verlag #CV 27.071/03. Published by Carus Verlag (CA.2707103).

ISBN 9790007059804. Key: A major. Language: Latin.

Franz Xaver Richter probably wrote his Missa in A, with the nickname Hyemalis (winter), between 1781 and 1783, during his tenure as Kapellmeister at the Strasbourg Cathedral. This peculiar epithet leads us to presume that the Mass was meant to be performed during a sacred service in a time period between Epiphany and the Sunday before Ash Wednesday (Quinquagesima). The present work, a first edition, is a Messe sollenne senza Trombe, in which Richter achieved a festive character with musical variety by means of a comparably modest ensemble. Score available separately - see item CA.2707100.

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel-Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ??s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Handelâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.4068700

Composed by Robert Schumann. Edited by Hansjörg Ewert. Carus digital: Extra digital products. Full Score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068700. Published by Carus Verlag (CA.4068700).

ISBN 9790007239701. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â?? after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâ??s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be â??fashioned with great loveâ?. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâ??s partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

Dramma per musica. Composed by Agostino Steffani and Ortensio Mauro. Edited by Christin Seidenberg, Janette Seuffert, and Matteo Giuggioli. This edition: Edition of selected works, Urtext edition. Linen. Edition of selected works, Score, Critical commentary, USB flash drive. Baerenreiter Verlag #BA08821_01. Published by Baerenreiter Verlag

(2.2.2.0/4.2.0.0,timp,str,SATB chorus)

SKU: TM.11812SET

Composed by Ludwig van Beethoven. Set Type: D. Set of parts. Lucks Music Library #A4568. Published by Lucks Music Library (TM.11812SET).

1)Old Fashioned 2)Blessed 3)Town Piper 4)Old Fashioned 5)Country Bumpkin Dance 6)Handsaw Dance.

(2.2.2.0/4.2.0.0,timp,str,SATB chorus)

SKU: TM.11812SC

Composed by Ludwig van Beethoven. Score. Lucks Music Library #A4568. Published by Lucks Music Library (TM.11812SC).

1)Old Fashioned 2)Blessed 3)Town Piper 4)Old Fashioned 5)Country Bumpkin Dance 6)Handsaw Dance.

A Comic Opera. Edited by Berta / Ozmo, Joncus, Vanessa L., and Zak / Rogers. Arranged by Bickerstaff, Edward, and Isaac / Toms. This edition: Edition of selected works, Urtext edition. Cloth bound. OPERA - Spektrum des europaischen Musiktheaters in Einzeleditionen 4. Edition of Selected Works , Score, Critical Commentary, data carrier (USB) (). Baerenreiter Verlag #BA08814- 01. Published by Baerenreiter Verlag

By Byron Adams. For SATB soli, SATB unaccompanied. Octavo. Published by E.C. Schirmer Publishing