|
| Mark Hayes : Requiem
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Beckenhorst Press
By Mark Hayes. For baritone voice solo, mixed choir and piano accompaniment. Cho...(+)
By Mark Hayes. For baritone voice solo, mixed choir and piano accompaniment. Choral score. Duration 35 minutes. Published by Beckenhorst Press
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Stabat Mater
Soli, Mixted choir and accompaniment [Vocal Score]
Oxford University Press
By Cecilia Mcdowall. For baritone voice solo, SATB chorus, children's choir (or ...(+)
By Cecilia Mcdowall. For baritone voice solo, SATB chorus, children's choir (or semi-chorus), and small orchestra (or piano/organ) (flute, clarinet, bassoon, 2 horns, harp, strings). Contemporary. Vocal score. Duration 30 minutes. Published by Oxford Uni
$18.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| HANSEL AND GRETEL: Rallalala, Rallalala (Mezzo, Baritone)
Soli, Mixted choir and accompaniment [Score]
Lucks Music Library
(2+1.2.2.2/4.2.3.1,3 perc,str,MezBar soli) SKU: TM.14454SC Composed by En...(+)
(2+1.2.2.2/4.2.3.1,3 perc,str,MezBar soli) SKU: TM.14454SC Composed by Engelbert Humperdinck. Score. Published by Lucks Music Library (TM.14454SC). Father's Aria. Act I Scene 3 (end of Act I). Peter (Baritone) and Gertrude (Mezzo). Score pgs 70-107; reh. numbers 34-60. $30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| HANSEL AND GRETEL: Rallalala, Rallalala (Mezzo, Baritone)
Soli, Mixted choir and accompaniment
Lucks Music Library
(2+1.2.2.2/4.2.3.1,3 perc,str,MezBar soli) SKU: TM.14454SET Composed by E...(+)
(2+1.2.2.2/4.2.3.1,3 perc,str,MezBar soli) SKU: TM.14454SET Composed by Engelbert Humperdinck. Set Type: D. Set of parts. Published by Lucks Music Library (TM.14454SET). Father's Aria. Act I Scene 3 (end of Act I). Peter (Baritone) and Gertrude (Mezzo). Score pgs 70-107; reh. numbers 34-60. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| CARMEN: Je suis Escamillo (Tenor, Baritone)
Soli, Mixted choir and accompaniment
Lucks Music Library
(1D1.2.2.2/4.2.3.0,timp,s tr,STBar soli) SKU: TM.03376SET Composed by Geo...(+)
(1D1.2.2.2/4.2.3.0,timp,str,STBar soli) SKU: TM.03376SET Composed by Georges Bizet. Set Type: D. Set of parts. Lucks Music Library #A3432. Published by Lucks Music Library (TM.03376SET). Tenor and Baritone duet. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| CARMEN: Je suis Escamillo (Tenor, Baritone)
Soli, Mixted choir and accompaniment [Score]
Lucks Music Library
(1D1.2.2.2/4.2.3.0,timp,s tr,STBar soli) SKU: TM.03376SC Composed by Geor...(+)
(1D1.2.2.2/4.2.3.0,timp,str,STBar soli) SKU: TM.03376SC Composed by Georges Bizet. Score. Lucks Music Library #A3432. Published by Lucks Music Library (TM.03376SC). Tenor and Baritone duet. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Pour les Funerailles d'un Soldat (Baritone)
Soli, Mixted choir and accompaniment
Lucks Music Library
(2.2+1.2+1.2+1/4.2+2.3.1, timp,perc,2hp,str,Bar solo,SATB chorus) SKU: TM.069...(+)
(2.2+1.2+1.2+1/4.2+2.3.1,timp,perc,2hp,str,Bar solo,SATB chorus) SKU: TM.06935SET Composed by Juliette Marie Olga (Lili) Boulanger. Set Type: D. Set of parts. Published by Lucks Music Library (TM.06935SET). Solo = Baritone Solo. Chorus I = Soprano/Alto; Chorus II = Tenor/Bass. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Pour les Funerailles d'un Soldat (Baritone)
Soli, Mixted choir and accompaniment [Score]
Lucks Music Library
(2.2+1.2+1.2+1/4.2+2.3.1, timp,perc,2hp,str,Bar solo,SATB chorus) SKU: TM.069...(+)
(2.2+1.2+1.2+1/4.2+2.3.1,timp,perc,2hp,str,Bar solo,SATB chorus) SKU: TM.06935SC Composed by Juliette Marie Olga (Lili) Boulanger. Score. Published by Lucks Music Library (TM.06935SC). Solo = Baritone Solo. Chorus I = Soprano/Alto; Chorus II = Tenor/Bass. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Biblical Songs, Op. 99 (CRITICAL) (Alto or Baritone)
Soli, Mixted choir and accompaniment [Score]
Lucks Music Library
(2.0.2.0/2.2.0.0,timp,tri angle,hp,str,Alto/Bariton e voice) SKU: TM.02040SC<...(+)
(2.0.2.0/2.2.0.0,timp,triangle,hp,str,Alto/Baritone voice) SKU: TM.02040SC Composed by Antonin Dvorak. Score. Lucks Music Library #A7481. Published by Lucks Music Library (TM.02040SC). #1-G, #2-e, #3-Bb, #4-B, #5-Ab, #6-D, #7-Eb, #8-ab, #9-F, #10-F. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Biblical Songs, Op. 99 (CRITICAL) (Alto or Baritone)
Soli, Mixted choir and accompaniment
Lucks Music Library
(2.0.2.0/2.2.0.0,timp,tri angle,hp,str,Alto/Bariton e voice) SKU: TM.02040SET...(+)
(2.0.2.0/2.2.0.0,timp,triangle,hp,str,Alto/Baritone voice) SKU: TM.02040SET Composed by Antonin Dvorak. Set Type: D. Set of parts. Lucks Music Library #A7481. Published by Lucks Music Library (TM.02040SET). #1-G, #2-e, #3-Bb, #4-B, #5-Ab, #6-D, #7-Eb, #8-ab, #9-F, #10-F. $85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Ave verum, op. 65/1 N 123
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra - Easy
Barenreiter
Solo voices, SATB chorus,organ,double bass ad lib (Soprano solo or Alto solo (or...(+)
Solo voices, SATB chorus,organ,double bass ad lib (Soprano solo or Alto solo (or Female choir (2voices)) or Tenor solo, Baritone solo, Organ, Double bass ad libitum) - Level 2 SKU: BA.BA25144 Motet for Soprano or Alto (or two-part Female Choir) or Tenor and Baritone, Organ and optional Double Bass. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Folded. Barenreiter Urtext. Singing Score. Opus 65/1. 4 pages. Baerenreiter Verlag #BA25144_00. Published by Baerenreiter Verlag (BA.BA25144). ISBN 9790006575107. 29.7 x 21 cm inches. Text Language: Latin. The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.
Numerous gems such as the â??Cantique de Jean Racineâ? or the â??Messe basseâ? are published in performing editions based on the musical text of the â??Gabriel Faur â?? Å?uvres complètesâ?.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| The Seven Last Words of Christ
Soli, Mixted choir and accompaniment [Vocal Score]
Theodore Presser Co.
A Sacred Cantata for Soli, Chorus and Orchestra. By Francois Clement Theodore Du...(+)
A Sacred Cantata for Soli, Chorus and Orchestra. By Francois Clement Theodore Dubois. Arranged by Nicholas Douty. Published by Theodore Presser Company.
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Pietro Mascagni: Cavalleria Rusticana
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano [Vocal Score] - Advanced
Schirmer
Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano vo...(+)
Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano voice solo, contra alto voice solo, baritone voice solo, tenor voice solo, mezzo soprano voice solo and piano accompaniment. With vocal score, lyrics, piano reduction and introductory text. Series: G. Schirmer Opera Score Editions. Text language Italian and English. Translated by Machlis. 146 pages. Published by G. Schirmer, Inc.
(1)$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| L'Étoile
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voi...(+)
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voice Solos, 2 speaker, Mixed choir, 2 Fl(2 Fl-picc), Ob, 2 clarinet, bassoon, 2 Horn, 2 Corenets, trombone, timpani, Gl, Tr-B, Be, Tri, 2 Violin, Viola, Cello, Double Bass) SKU: BA.BA08708-01 Opéra-bouffe in three acts. Composed by Alexis Emmanuel Chabrier. Edited by Hugh MacDonald and Paul Prévost. This edition: complete edition, urtext edition. Linen. L'Opera francais. Complete edition, Score. Duration 2 hours, 15 minutes. Baerenreiter Verlag #BA08708_01. Published by Baerenreiter Verlag (BA.BA08708-01). ISBN 9790006537846. 33 x 27 cm inches. Text Language: French. Preface: Prévost, Paul / Macdonald, Hugh. Text: Leterrier, Eugène / Vanloo, Albert. WithL'Etoile, Chabrier composed a light-hearted opera which has increasingly enjoyed revivals in recent years.
The plot is introduced by King Ouf I who offers his subjects an execution every year on his birthday. Unfortunately the problem now arises that no crime has recently been committed which might serve as a reason for an execution. Finally, he finds a would-be victim in the young Lazuli. However, according to predictions by the astrologer Siroco, Lazuli's fate is closely linked to the king's own life. The comic opera is further bolstered by a story of mistaken identities which involves a great deal of diplomacy, a love story and a large number of refined, yet catchy melodies.
Chabrier was a master of the sensitive and complicated art of musical comedy, a field where he can be compared in equal measure to Offenbach, Rossini and Mozart.
This vocal score is based on the full score edited by Hugh Macdonald which is published as part of the seriesL'Opera francais.
- Authoritative Urtext edition based on the seriesL'Opera francais
- Original French text with a German singing translation
- Comprehensive foreword (Ger/Eng/Fr)
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Adrast D 137
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (Soprano Voice Solo, 2 Tenor Voice Solo, Baritone ...(+)
Solo voices, choir, orchestra (Soprano Voice Solo, 2 Tenor Voice Solo, Baritone Voice Solo, TTBB choir, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 2 trombone, timpani, Str) SKU: BA.BA05566 Individual numbers and drafts to a opera. Composed by Franz Schubert. Edited by Mario Aschauer. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series II, Volume 12. Complete edition, Score. Composed 1819/1820? D 137. Baerenreiter Verlag #BA05566_00. Published by Baerenreiter Verlag (BA.BA05566). ISBN 9790006497331. 33 x 25.5 cm inches. Language: German. Preface: Mario Aschauer. Text: Johann Mayrhofer. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Ring Out, Wild Bells - Piano/Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano - Intermediate
Schirmer
By David Conte (1955-). For Tenor and Baritone Vocal Soli, TTBB choir, Piano 4-h...(+)
By David Conte (1955-). For Tenor and Baritone Vocal Soli, TTBB choir, Piano 4-hands, opt. Percussion and Timpani. Choral, general, christmas. Moderately Difficult. Piano/vocal score. Composed 2010. 20 pages. Duration c. 7 minutes. Published by E.C. Schirmer Publishing
$3.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Light of Peace (Full/Choral Score)
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano - Intermediate
MorningStar Music Publishers
Soprano and baritone soli, SATB choir, flute, violin, drum, and piano - Intermed...(+)
Soprano and baritone soli, SATB choir, flute, violin, drum, and piano - Intermediate SKU: MN.70-500 Composed by Karen Marrolli. Advent, Christmas, Christmas-Sacred, Lessons and Carols. MorningStar Music Publishers #70-500. Published by MorningStar Music Publishers (MN.70-500). UPC: 688670705007. English. Contents:
$8.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra [Score and Parts]
Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116809 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. 2x 31.168/21 oboe d'amore 1 + 2. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/09. Published by Carus Verlag (CA.3116809). ISBN 9790007209254. Language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra [Score and Parts]
Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo SKU: CA.3116819 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/19. Published by Carus Verlag (CA.3116819). ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $72.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
|
