SKU: CA.2102913
ISBN 9790007198213. Text language: Latin.
Marc-Antoine Charpentier's Christmas mass, the Messe de Minuit, is throughly in the French tradition, celebrating the joyful news of the Birth of Christ with cheerful happiness. In this midnight mass, composed in 1694, ten traditional French Christmas hymns have been rearranged, lending the work a dance-like energy alongside charming tone coloring. In independent movements the relatively small instrumental ensemble consisting of two flutes, strings and organ plays a significant role in the musical events of this mass, alternating with various combinations of the vocal parts. Solo voices are only used together in small ensembles and, in accordance with the practices of the period, the boundaries between solo ensemble and choir are fluid, meaning that these solo passages can also be sung by members of the choir. Score and part available separately - see item CA.2102900.
SKU: CA.2102911
ISBN 9790007198190. Text language: Latin.
SKU: CA.2102914
ISBN 9790007198220. Text language: Latin.
SKU: CA.2705314
ISBN 9790007199593. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.
SKU: CA.2705319
ISBN 9790007133887. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.
SKU: CA.2705349
ISBN 9790007199616. Key: A major. Language: Latin.
SKU: CA.2705309
ISBN 9790007199555. Key: A major. Language: Latin.
SKU: CA.2705313
ISBN 9790007199586. Key: A major. Language: Latin.
SKU: CA.2705315
ISBN 9790007199609. Key: A major. Language: Latin.
SKU: CA.2705311
ISBN 9790007199562. Key: A major. Language: Latin.
SKU: CA.2705312
ISBN 9790007199579. Key: A major. Language: Latin.
SKU: CA.2705305
ISBN 9790007113520. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.
SKU: CA.3110611
ISBN 9790007207021. Key: F major. Language: German/English.
The Actus tragicus or Gottes Zeit ist die allerbeste Zeit BWV 106 remains one of Bach's best-known and most admired works, one which continues to resonate to this day - a work of genius such as even great masters seldom achieve (Alfred Durr). The cantata is one of the earliest known vocal works by Johann Sebastian Bach. It was written during his time at Muhlhausen, probably in 1707, when Bach took up the position of organist at the Divi Blasii Church. A possible occasion for its composition may have been the funeral of the mayor of Muhlhausen, Adolph Strecker. The short, slow Sonatina with two recorders, two gambas and continuo gets the listener into the mood of the character of the cantata. This instrumental combination is unique in Bach's vocal output, but could derive from a central German tradition. This new edition is a critical-practical edition which combines both the latest discoveries in Bach research with a detailed Critical Report as well as addressing current questions on performance practice. Score and part available separately - see item CA.3110600.
SKU: CA.3110612
ISBN 9790007207038. Key: F major. Language: German/English.
SKU: CA.3110649
ISBN 9790007207052. Key: F major. Language: German/English.
SKU: CA.3110609
ISBN 9790007207014. Key: F major. Language: German/English.
The Actus tragicus or Gottes Zeit ist die allerbeste Zeit BWV 106 remains one of Bach's best-known and most admired works, one which continues to resonate to this day - a work of genius such as even great masters seldom achieve (Alfred Durr). The cantata is one of the earliest known vocal works by Johann Sebastian Bach. It was written during his time at Muhlhausen, probably in 1707, when Bach took up the position of organist at the Divi Blasii Church. A possible occasion for its composition may have been the funeral of the mayor of Muhlhausen, Adolph Strecker. The short, slow Sonatina with two recorders, two gambas and continuo gets the listener into the mood of the character of the cantata. This instrumental combination is unique in Bach's vocal output, but could derive from a central German tradition. This new edition is a critical-practical edition which combines both the latest discoveries in Bach research with a detailed Critical Report as well as addressing current questions on performance practice. Score and parts available separately - see item CA.3110600.
SKU: CA.3100613
ISBN 9790007041755. Key: C minor / g minor. Language: German/English.
Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.
SKU: CA.3100614
ISBN 9790007041762. Key: C minor / g minor. Language: German/English.
SKU: CA.3100609
ISBN 9790007041724. Key: C minor / g minor. Language: German/English.
Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.
SKU: CA.3100611
ISBN 9790007041731. Key: C minor / g minor. Language: German/English.
SKU: CA.3100612
ISBN 9790007041748. Key: C minor / g minor. Language: German/English.
SKU: BA.BA09038
ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper.
Beethoven described his grandly conceived â??Missa solemnisâ? as â??my greatest workâ? and sold manuscript copies to some of the subscribers even before it had appeared in print.This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the â??Sanctusâ?, where the choir enters instead of the soloists, rather than coming in at â??Pleni sunt coeliâ?. No less worthy of mention is the addition of the soloists to the choir in most of the â??Credoâ?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).The appendix contains Beethovenâ??s arrangement of the Gregorian chant â??Tantum ergoâ? for the first time. This was composed at the same time as the â??Missa solemnisâ? and most probably stands in a close relation to it.This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: TM.05897SC
Transposed: Cl 1, Bsn I (in Bass Clef), Hns 1-4, Tpt 1+2, Tbn 1+2. Original Clarinet II in Bb. Reh. 90-109. Sandman's Song sung by Sandman (Soprano). Evening Prayer sung by Gretel and Hansel (Soprano, Mezzo). Dream Pantomine is not sung. Voices in score only (in German). For English version, see #04557 Complete Hansel and Gretel vocal score.
SKU: TM.05897SET
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