SKU: BA.BA11310-90

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

SKU: TM.14735SET

Act II-follows Scene III. No. 13 in score. Contains 7 dances: No. 4 = the famous Dance of the Little Swans. See #14429 for Dance of the Little Swans from Act IV. Pas d'Action with Tschaikowsky's ending. See #06921 Swan Lake Suite for Pas d'Action with Drigo ending. This edition is extracted from the Original manuscript ballet #13811. See #14036 for the edition edited by Simpson.

SKU: CA.3119814

ISBN 9790007210625. Text language: German/English.

Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.

SKU: TM.06921SET

8 Movement version Suite (1954). For original 6 Movement version (1900), use Movements 1-5 + #14565 Movement 6 Scene and Finale. 8 Movements: Scene, Valse, Dance of the Swans (including the famous Pas de Quatre Dance of Little Swans No. 4), Scene (Pas d'Action), Czardas, Spanish Dance, Neapolitan Dance, Mazurka. Transposed: Cl 1&2, Tpt 1&2, Cor 1&2, Tbn 1&2; Hns orig in F. #298892 Dover score does not match these parts. Clothbound score. No. 4 Scene (Pas d'Action) contains Drigo ending. See #14036 Dance of the Swans for Pas d'Action with Tschaikowsky's ending.

SKU: TM.11861SC

Original ballet No. 5 version. Parts include Drigo ending for No. 2 Andante (not the original Tschaikowsky ending). Score doesn't match - contains original Tschaikowsky ending. See #12116 for Alternate (Appendix) version (White Swan).

SKU: TM.08319SET

Liebestreu(True Love) Op. 3 No. 1 in d, Lullaby Op. 49 No. 4 in Eb, Feldeinsamkeit(In Summer Fields) Op. 86 No. 2 in F.

SKU: TM.14479SET

Not included in the complete ballet #07206. Arr. for orchestra by Drigo (from Tschaikowsky Op. 72 No. 12). See #14513 for Variation II Valse Bluette Op. 72 No. 11, #08632 for Variation III Un Poco Di Chopin Op. 72 No. 15.

SKU: TM.13811SET

Contains the 3 Drigo orchestrated Variations in the Appendix. See #07206 for Simpson edition.