SKU: CA.3103012
ISBN 9790007205416. Text language: German/English.
The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.
SKU: CA.3103009
ISBN 9790007205393. Text language: German/English.
The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and parts available separately - see item CA.3103000.
SKU: CA.3103013
ISBN 9790007205423. Text language: German/English.
SKU: CA.3103014
ISBN 9790007205430. Text language: German/English.
SKU: CA.3103019
ISBN 9790007140229. Text language: German/English.
SKU: CA.3103049
ISBN 9790007205447. Text language: German/English.
SKU: CA.3103005
ISBN 9790007205386. Text language: German/English.
The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score available separately - see item CA.3103000.
SKU: CA.3113949
ISBN 9790007208295. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.
SKU: CA.3113914
ISBN 9790007208271. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113915
ISBN 9790007208288. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113911
ISBN 9790007208240. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113912
ISBN 9790007208257. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113909
ISBN 9790007208233. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.
SKU: CA.3113913
ISBN 9790007208264. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113919
ISBN 9790007181277. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113900
ISBN 9790007170479. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello.
SKU: CA.3113905
ISBN 9790007181093. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.
SKU: CA.2719046
ISBN 9790007310875. Latin.
In the 19th and early 20th centuries, transcriptions of large (choral) symphonic works for two pianos were extremely popular: They enabled a large audience to get to know classical compositions in an age before recorded music. In many cases, world-famous works were first performed in such a version â?? including Brucknerâ??s Te Deum. Unfortunately, only a few bars of this transcription have survived.The Stuttgart composer, pianist and experienced piano-duo performer Sebastian Bartmann was commissioned by the Landesakademie für die musizierende Jugend in Baden-Württemberg Ochsenhausen to newly arrange Brucknerâ??s Te Deum and the Mass in D minor for soloists, choir and two pianos. A timpani part (ad libitum) provides additional color. The arrangements are based on the original Carus editions. The vocal scores and choral scores of the original version can also be used.Today the Te Deum is Brucknerâ??s most frequently performed vocal work. The greatest challenges for any choir are the high register and the enormous orchestration of this extremely effective piece: The singers are often required to declaim against a large orchestra performing forte fortissimo! This problem is resolved in the arrangement for two pianos; moreover, the scaling back of the sonic forces helps reveal compositional structures that otherwise can all too easily get lost in the intoxicating orchestral sound.. Score and parts available separately - see item CA.2719000.
SKU: CA.2719044
ISBN 9790007303327. Latin.
In the 19th and early 20th centuries, transcriptions of large (choral) symphonic works for two pianos were extremely popular: They enabled a large audience to get to know classical compositions in an age before recorded music. In many cases, world-famous works were first performed in such a version ââ¬â including Brucknerââ¬â¢s Te Deum. Unfortunately, only a few bars of this transcription have survived.The Stuttgart composer, pianist and experienced piano-duo performer Sebastian Bartmann was commissioned by the Landesakademie für die musizierende Jugend in Baden-Württemberg Ochsenhausen to newly arrange Brucknerââ¬â¢s Te Deum and the Mass in D minor for soloists, choir and two pianos. A timpani part (ad libitum) provides additional color. The arrangements are based on the original Carus editions. The vocal scores and choral scores of the original version can also be used.Today the Te Deum is Brucknerââ¬â¢s most frequently performed vocal work. The greatest challenges for any choir are the high register and the enormous orchestration of this extremely effective piece: The singers are often required to declaim against a large orchestra performing forte fortissimo! This problem is resolved in the arrangement for two pianos; moreover, the scaling back of the sonic forces helps reveal compositional structures that otherwise can all too easily get lost in the intoxicating orchestral sound.. Score available separately - see item CA.2719000.
SKU: CA.7005311
ISBN 9790007228286. Key: D major. Language: Latin.
With a duration of about 10 minutes, Schubert's Magnificat D 486 in C major is one of the more concise settings of the well-known Marian canticles, originally for the service of Vespers. It was composed in late summer 1815, and is therefore probably one of a series of church music works Schubert wrote in his youth for Lichtenthal Parish Church. The work requires a large-scale orchestra with strings, woodwind, and brass. The four-part choir contrasts with four soloists; this quartet sings the peaceful middle section of the three-section work. For the Carus edition Schubert's own autograph manuscript of his Magnificat was consulted again for the first time since 1888. Until 1989 this had been thought to be lost. This work is now available in carus music, the choir app! Score and part available separately - see item CA.7005300.
SKU: CA.7005312
ISBN 9790007228293. Key: D major. Language: Latin.
SKU: CA.7005313
ISBN 9790007228309. Key: D major. Language: Latin.
SKU: CA.2729305
ISBN 9790007181086. Text language: Latin.
Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.
SKU: CA.2729303
ISBN 9790007171797. Text language: Latin.
SKU: CA.4061818
ISBN 9790007219666. Key: C major. Language: Latin.
Mozart's Missa in C K. 317, erroneously dubbed the Coronation Mass, is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakow. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often help to clarify questions concerning historical performance practice. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4061800.
SKU: CA.4061817
ISBN 9790007219659. Key: C major. Language: Latin.
SKU: CA.3113213
ISBN 9790007207946. Language: German/English.
Bach's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and part available separately - see item CA.3113200.
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