| GYPSY LOVE: Lied and Czardas (Csardas) Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2/2.2.3.0,timp,per c,hp,str) SKU: TM.12307SET Composed by Franz Le...(+)
(2.2.2.2/2.2.3.0,timp,perc,hp,str) SKU: TM.12307SET Composed by Franz Lehar. Set Type: D. Set of parts. Lucks Music Library #A8025. Published by Lucks Music Library (TM.12307SET). Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G's. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G's for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg's Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York's classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed. $65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| GYPSY LOVE: Selection Soli, Mixted choir and accompaniment Lucks Music Library
(1.1.2.1/2.0+2.1.0,2 perc,str) SKU: TM.06074SET Composed by Franz Lehar. ...(+)
(1.1.2.1/2.0+2.1.0,2 perc,str) SKU: TM.06074SET Composed by Franz Lehar. Arranged by Deshon. Set Type: D. Set of parts. Published by Lucks Music Library (TM.06074SET). Lessons in Love, I Will Give You All for Love, There is a Land of Fancy, Melody of Love, Love's Sorcery, Love for a Year, Love is Like a Rose. P/C in set. $50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| GYPSY LOVE: Waltz Soli, Mixted choir and accompaniment Lucks Music Library
(1+1.2.2.1/2.0+1.3.0,timp ,2 perc,hp,pf,str) SKU: TM.08819SET Composed by...(+)
(1+1.2.2.1/2.0+1.3.0,timp,2 perc,hp,pf,str) SKU: TM.08819SET Composed by Franz Lehar. Set Type: D. Set of parts. Published by Lucks Music Library (TM.08819SET). Zigeurierliebe-Valse. On Melodies from Gypsy Love. P/C in set. $75.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Songs: True Love; Lullaby; In Summer Fields Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2+1/4.2.3.0,timp,s tr) SKU: TM.07338SET Composed by Johannes Brahm...(+)
(2.2.2.2+1/4.2.3.0,timp,str) SKU: TM.07338SET Composed by Johannes Brahms. Set Type: D. Set of parts. Lucks Music Library #A2698. Published by Lucks Music Library (TM.07338SET). Liebestreu(True Love) Op. 3 No. 1 in d, Lullaby Op. 49 No. 4 in Eb, Feldeinsamkeit(In Summer Fields) Op. 86 No. 2 in F. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Songs: True Love; Lullaby; In Summer Fields Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(2.2.2.2+1/4.2.3.0,timp,s tr) SKU: TM.07338SC Composed by Johannes Brahms...(+)
(2.2.2.2+1/4.2.3.0,timp,str) SKU: TM.07338SC Composed by Johannes Brahms. Score. Lucks Music Library #A2698. Published by Lucks Music Library (TM.07338SC). Liebestreu(True Love) Op. 3 No. 1 in d, Lullaby Op. 49 No. 4 in Eb, Feldeinsamkeit(In Summer Fields) Op. 86 No. 2 in F. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Feel the Spirit Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Vocal Score] Oxford University Press
(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voic...(+)
(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voice solo, SATB choir, large orchestra/chamber orchestra. Mixed Voices. Vocal score. Duration 30 minutes. Published by Oxford University Press
$13.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sacra in C minor Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score and Parts] - Easy Carus Verlag
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Tim...(+)
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3 SKU: CA.4068719 Composed by Robert Schumann. Edited by Hansjörg Ewert. Set of Orchestra Parts. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068719. Published by Carus Verlag (CA.4068719). ISBN 9790007311384. Key: C minor. Latin. A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâs time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be âfashioned with great loveâ. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâs partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).
. Score and parts available separately - see item CA.4068700. $317.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sacra in C minor Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score and Parts] - Easy Carus Verlag
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Tim...(+)
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3 SKU: CA.4068709 Composed by Robert Schumann. Edited by Hansjörg Ewert. Set of Orchestra Parts. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068709. Published by Carus Verlag (CA.4068709). ISBN 9790007311322. Key: C minor. Latin. A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâs time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be âfashioned with great loveâ. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâs partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).
. Score and parts available separately - see item CA.4068700. $103.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sacra in C minor Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra - Easy Carus Verlag
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Tim...(+)
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3 SKU: CA.4068706 Composed by Robert Schumann. Edited by Hansjörg Ewert. Choral Score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068706. Published by Carus Verlag (CA.4068706). ISBN 9790007239725. Key: C minor. Latin. A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâs time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be âfashioned with great loveâ. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâs partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).
. Score available separately - see item CA.4068700. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Acis and Galatea HWV 49b (2nd version) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3Alto Voice Solo, Tenor Voi...(+)
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SATTB, Flauti1(Fl-picc, recorder1, Fl), Flauti2 (Fl-picc, recorder2 , Fl), 2 Ob, 2 Hn, Trp, 2 V, Va, Bassi(Vc, double bass, bassoon)Continuo(Erzlaute, harpisc., Org)) SKU: BA.BA10700 Serenade in three parts. Composed by George Frideric Handel. Edited by Artie Heinrich. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) I, 9.2. 2nd version. Complete edition, Score. HWV 49. Duration 1 hour, 20 minutes. Baerenreiter Verlag #BA10700_00. Published by Baerenreiter Verlag (BA.BA10700). ISBN 9790006550135. 33 x 26 cm inches. Text Language: English, Italian. Preface: Heinrich, Artie. Text: Gay, John / Hughes, John / Pope, Alexander / Giuvo, Nicola. Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s “Metamorphoses†a total of three times: in the cantata “Aci, Galatea e Polifemo†HWV 72 (1708), the masque “Acis and Galatea†HWV 49a (1718) and finally the pasticcio-like serenata “Acis and Galatea†HWV 49b (1732) of which the original version is now made available in its complete form for the first time.
A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel’s Italian singers were criticised for their poor command of English, – so in the end, many numbers were sung in Italian.
The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$638.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| L'Étoile Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voi...(+)
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voice Solos, 2 speaker, Mixed choir, 2 Fl(2 Fl-picc), Ob, 2 clarinet, bassoon, 2 Horn, 2 Corenets, trombone, timpani, Gl, Tr-B, Be, Tri, 2 Violin, Viola, Cello, Double Bass) SKU: BA.BA08708-01 Opéra-bouffe in three acts. Composed by Alexis Emmanuel Chabrier. Edited by Hugh MacDonald and Paul Prévost. This edition: complete edition, urtext edition. Linen. L'Opera francais. Complete edition, Score. Duration 2 hours, 15 minutes. Baerenreiter Verlag #BA08708_01. Published by Baerenreiter Verlag (BA.BA08708-01). ISBN 9790006537846. 33 x 27 cm inches. Text Language: French. Preface: Prévost, Paul / Macdonald, Hugh. Text: Leterrier, Eugène / Vanloo, Albert. WithL'Etoile, Chabrier composed a light-hearted opera which has increasingly enjoyed revivals in recent years. The plot is introduced by King Ouf I who offers his subjects an execution every year on his birthday. Unfortunately the problem now arises that no crime has recently been committed which might serve as a reason for an execution. Finally, he finds a would-be victim in the young Lazuli. However, according to predictions by the astrologer Siroco, Lazuli's fate is closely linked to the king's own life. The comic opera is further bolstered by a story of mistaken identities which involves a great deal of diplomacy, a love story and a large number of refined, yet catchy melodies. Chabrier was a master of the sensitive and complicated art of musical comedy, a field where he can be compared in equal measure to Offenbach, Rossini and Mozart.
This vocal score is based on the full score edited by Hugh Macdonald which is published as part of the seriesL'Opera francais. - Authoritative Urtext edition based on the seriesL'Opera francais - Original French text with a German singing translation - Comprehensive foreword (Ger/Eng/Fr)
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$773.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo SKU: CA.9700312 Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/12. Published by Carus Verlag (CA.9700312). ISBN 9790007238766. Language: Latin. Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo SKU: CA.9700313 Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/13. Published by Carus Verlag (CA.9700313). ISBN 9790007238773. Language: Latin. Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo SKU: CA.9700349 Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1736/1800/1843. 28 pages. Duration 35 minutes. Carus Verlag #CV 97.003/49. Published by Carus Verlag (CA.9700349). ISBN 9790007238797. Language: Latin. Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo SKU: CA.9700314 Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/14. Published by Carus Verlag (CA.9700314). ISBN 9790007238780. Language: Latin. Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo SKU: CA.9700311 Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1736/1800/1843. 16 pages. Duration 35 minutes. Carus Verlag #CV 97.003/11. Published by Carus Verlag (CA.9700311). ISBN 9790007238759. Language: Latin. Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo SKU: CA.9700319 Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1736/1800/1843. Duration 35 minutes. Carus Verlag #CV 97.003/19. Published by Carus Verlag (CA.9700319). ISBN 9790007133757. Language: Latin. Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and parts available separately - see item CA.9700300. $186.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo SKU: CA.9700305 Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1736/1800/1843. 12 pages. Duration 35 minutes. Carus Verlag #CV 97.003/05. Published by Carus Verlag (CA.9700305). ISBN 9790007131777. Language: Latin. Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score available separately - see item CA.9700300. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat mater Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, basso continuo SKU: CA.9700300 Viennese version. Composed by Giovanni Battista Pergolesi. Edited by Martin Haselbock. Arranged by Ignaz Xaver Ritter von Seyfried, Joseph Leopold Eybler, and Otto Nicolai. This edition: Paperbound. German title: Stabat Mater (Satb Arr.Salieri) Spira. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Composed 1736/1800/1843. 128 pages. Duration 35 minutes. Carus Verlag #CV 97.003/00. Published by Carus Verlag (CA.9700300). ISBN 9790007113124. Language: Latin. Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. $77.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Semele, HWV 58 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel-Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01). ISBN 9790006443222. 33 x 26 cm inches. Text Language: English. Handelâ??s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.
Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.
Handelâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.
$861.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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