Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, 2 Arpe, Org bzw. Soli STB, Coro SATB, 2 Vl, Va, Vc, Cb, 2 (1) Arpe, Org - Level 4

SKU: CA.4064669

Orchestra version. Composed by Cesar Auguste Franck. Edited by Wolfgang Hochstein. Set of Orchestra Parts. Composed 1860. FWV 12. Duration 46 minutes. Carus Verlag #4064600. Published by Carus Verlag (CA.4064669).

ISBN 9790007293598. Key: A major. Latin.

The Mass in A major published here is one of the compositions which Franck wrote for liturgical use at Ste. Clotilde. It received ist first performance there, under the composer's direction, on the 2nd April 1861. Regarding the vocal scoring of the Mass it is noticeable that only a few bars in the Ordinarium movements are expressly given to the solo vooices. Several other passages can, however, by sung by the soloists rather than the choir, and in this edition these are indicated. Score and parts available separately - see item CA.4064600.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500513

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/13. Published by Carus Verlag (CA.3500513).

ISBN 9790007212902. Language: German/English.

Among the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and part available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500519

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Duration 14 minutes. Carus Verlag #CV 35.005/19. Published by Carus Verlag (CA.3500519).

ISBN 9790007144456. Text language: German/English.

Among the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and parts available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500512

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/12. Published by Carus Verlag (CA.3500512).

ISBN 9790007212896. Language: German/English.

Among the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score and part available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500503

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Vocal score. 20 pages. Duration 14 minutes. Carus Verlag #CV 35.005/03. Published by Carus Verlag (CA.3500503).

ISBN 9790007091699. Language: German/English.

Among the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score available separately - see item CA.3500500.

SATB vocal soli, SATB choir, flute, 2 violins, viola, basso continuo

SKU: CA.3500505

Kantate zum 1. Sonntag nach Epiphanias. Composed by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gedenke, Herr, wie es uns gehet. Sacred vocal music, Cantatas, Epiphany. Choral Score. 8 pages. Duration 14 minutes. Carus Verlag #CV 35.005/05. Published by Carus Verlag (CA.3500505).

ISBN 9790007103446. Language: German/English.

Among the vocal compositions incorrectly attributed to Johann Sebastian Bach, the cantata has a place of its own, because its tonal language approaches the unmistakable style of the Thomaskantor. This applies especially to its choral movements and recitatives. In the surviving sources, only one of which dates back to the 18th century, there are certain compositonal errors which cannot possibly be reconciled to Bach's mature style. The implication is that this is not a genuine cantata by the Leipzig Thomaskantor, but an ambitious piece by one of his pupils. Score available separately - see item CA.3500500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119213

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/13. Published by Carus Verlag (CA.3119213).

ISBN 9790007210267. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119211

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/11. Published by Carus Verlag (CA.3119211).

ISBN 9790007210243. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

(2.2.2.2/2.2.3.0,timp,perc,hp,str)

SKU: TM.12307SET

Composed by Franz Lehar. Set Type: D. Set of parts. Lucks Music Library #A8025. Published by Lucks Music Library (TM.12307SET).

Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G's. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G's for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg's Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York's classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed.

SATB vocal soli, SATB choir, 4 (2) oboe, 2 bassoons, 3 trombones, basso continuo

SKU: CA.5425411

Composed by Michael Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Sti Hieronymi Mh 254. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1777. MH 254. 16 pages. Duration 40 minutes. Carus Verlag #CV 54.254/11. Published by Carus Verlag (CA.5425411).

ISBN 9790007226060. Language: Latin.

Just by reason of its scoring the Missa Sancti Hieronymi occupies a special place not only among the settings of the Mass by Haydn, but also in the repertoire of church music at the Royal Court of Salzburg. Other than the Hieronymus Mass and the Proprium motet Timete Dominum MH 256, which is connected with it, there are no additional surviving works in the Salzburg repertoire with this type of instrumentation. The unusual instrumentation, the contrapuntal style in the fugal sections, as well as the melodic invention and harmonic elaboration show that this Mass is a masterpiece. Score and part available separately - see item CA.5425400.

SATB vocal soli, SATB choir, 4 (2) oboe, 2 bassoons, 3 trombones, basso continuo

SKU: CA.5425409

Composed by Michael Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. 2x 54.254/21 oboe 1, 2x 54.254/22 oboe 2, 2x 54.254/23 bassoon, 1x 54.254/31 trombone 1, 1x 54.254/32 trombone 2, 1x 54.254/33 trombone 3. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Sti Hieronymi Mh 254. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1777. MH 254. 140 pages. Duration 40 minutes. Carus Verlag #CV 54.254/09. Published by Carus Verlag (CA.5425409).

ISBN 9790007226053. Language: Latin.

Just by reason of its scoring the Missa Sancti Hieronymi occupies a special place not only among the settings of the Mass by Haydn, but also in the repertoire of church music at the Royal Court of Salzburg. Other than the Hieronymus Mass and the Proprium motet Timete Dominum MH 256, which is connected with it, there are no additional surviving works in the Salzburg repertoire with this type of instrumentation. The unusual instrumentation, the contrapuntal style in the fugal sections, as well as the melodic invention and harmonic elaboration show that this Mass is a masterpiece. Score and parts available separately - see item CA.5425400.

Soprano voice or tenor voice solo, SATB choir, and piano/keyboard - Early Intermediate

SKU: MN.56-0038

Composed by Howard Goodall. Wedding, Classical. Instrument parts. MorningStar Music Publishers #56-0038. Published by MorningStar Music Publishers (MN.56-0038).

UPC: 688670220432. English.

Set for SATB voices, a soprano or tenor soloist, and piano, Goodall’s original text is a promise of constancy from one person to another. Through many kinds of situations and circumstances it is assured that “We’ll walk together stride by stride.” The choral parts are homophonic and approachable, the piano part a bit challenging (there is one section which is essentially a beautiful piano solo with the chorus accompanying on a neutral syllable). An uplifting piece suitable for school, community, or professional choruses.