SKU: TM.07313SET
No score.
SKU: TM.06765SET
Sol in P/C, 1 copy in set.
SKU: BA.BA04590-01
ISBN 9790006451296. 33 x 26 cm inches. Text Language: Italian. Text: Giovanni de Gamerra.
On 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770-71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770, and the premiere duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771-72 Carneval season in Milan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba, K. 111.)
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: TM.10682SET
Trans: Tpt. Rest in modern keys/clefs; opt Tpt instead of Hn. Cem and org on same part. Organ is realized.
SKU: TM.02287SET
P/C = vocal score; 1 copy in set. Key of D.
SKU: TM.09991SET
Choral parts in C clef in score; vocal score in modern clefs (choral parts in Barenreiter edition (#02545) score and vocal score in modern clefs).
SKU: TM.03364SC
Chrysander. Ed. by Seiffert. Soprano in score only.
SKU: TM.14119SC
Key of E, but Score in F only. Alternate key from complete opera parts. Starts at Cavatina Casta Diva on score page 124. See #14796 for Recitative (first part of No. 4) Sediziosi Voce.
SKU: CA.3101111
ISBN 9790007042035. Key: D major. Language: German.
Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100.
SKU: TM.02124SC
Solo = 3 Trombone (AD LIB) - sold separately from set of parts. (optional doubling of ATB chorus).
SKU: TM.03504SET
Recit.= Forse la Soglia Attinse; key of Eb (original). Ricardo's Aria. Act III Scene 2.
SKU: TM.02816SC
To the Sons of Art, Op.68. Key of Bb.
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