SKU: CA.5030519
ISBN 9790007145477. Key: C major. Language: Latin.
The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and parts available separately - see item CA.5030500.
SKU: CA.5030549
ISBN 9790007223762. Key: C major. Language: Latin.
The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and part available separately - see item CA.5030500.
SKU: CA.9101811
ISBN 9790007230265. Key: C major. Language: Latin.
Eberlin wrote some 250 church music works at Salzburg, thus creating a repertoire which later strongly influenced Mozart. His masses are distinguished by harmonic and melodic subtleties, but most of them are effective even in performances with restricted resources. This mass is one such work, a rewarding prospect for every church choir. Score and part available separately - see item CA.9101800.
SKU: CA.9101812
ISBN 9790007230272. Key: C major. Language: Latin.
SKU: CA.2710912
ISBN 9790007200473. Language: Latin.
Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart. Score and part available separately - see item CA.2710900.
SKU: CA.2710913
ISBN 9790007200480. Language: Latin.
SKU: CA.2710911
ISBN 9790007200466. Language: Latin.
SKU: CA.2710919
ISBN 9790007200503. Language: Latin.
Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart. Score and parts available separately - see item CA.2710900.
SKU: CA.2710914
ISBN 9790007200497. Language: Latin.
SKU: CA.9101805
ISBN 9790007113926. Key: C major. Language: Latin.
Eberlin wrote some 250 church music works at Salzburg, thus creating a repertoire which later strongly influenced Mozart. His masses are distinguished by harmonic and melodic subtleties, but most of them are effective even in performances with restricted resources. This mass is one such work, a rewarding prospect for every church choir. Score available separately - see item CA.9101800.
SKU: CA.9101800
ISBN 9790007113919. Key: C major. Language: Latin.
Eberlin wrote some 250 church music works at Salzburg, thus creating a repertoire which later strongly influenced Mozart. His masses are distinguished by harmonic and melodic subtleties, but most of them are effective even in performances with restricted resources. This mass is one such work, a rewarding prospect for every church choir.
SKU: CA.4061611
ISBN 9790007073657. Key: C major. Language: Latin.
Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.
SKU: CA.2710900
ISBN 9790007075934. Language: Latin.
Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart.
SKU: CA.4061619
ISBN 9790007133313. Key: C major. Language: Latin.
Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.
SKU: CA.4061649
ISBN 9790007073688. Key: C major. Language: Latin.
SKU: CA.2710905
ISBN 9790007110833. Language: Latin.
Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart. Score available separately - see item CA.2710900.
SKU: CA.4061609
ISBN 9790007073640. Key: C major. Language: Latin.
SKU: CA.2710903
ISBN 9790007077563. Language: Latin.
SKU: CA.4061612
ISBN 9790007073664. Key: C major. Language: Latin.
SKU: CA.4061607
ISBN 9790007073862. Key: C major. Language: Latin.
Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.
SKU: CA.4061605
ISBN 9790007073633. Key: C major. Language: Latin.
SKU: CA.9102711
ISBN 9790007230388. Key: C-dur (c major). Language: Latin.
Score available separately - see item CA.9102700.
SKU: CA.9101911
ISBN 9790007230289. Language: Latin.
Score available separately - see item CA.9101900.
SKU: CA.9103211
ISBN 9790007230463. Key: E major. Language: Latin.
Score available separately - see item CA.9103200.
SKU: CA.9102011
ISBN 9790007230302. Key: G major. Language: Latin.
Score available separately - see item CA.9102000.
SKU: CA.9102611
ISBN 9790007230364. Key: D major. Language: Latin.
Score available separately - see item CA.9102600.
SKU: CA.9102211
ISBN 9790007230340. Key: B flat major. Language: Latin.
Score available separately - see item CA.9102200.
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