| L'Étoile Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voi...(+)
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voice Solos, 2 speaker, Mixed choir, 2 Fl(2 Fl-picc), Ob, 2 clarinet, bassoon, 2 Horn, 2 Corenets, trombone, timpani, Gl, Tr-B, Be, Tri, 2 Violin, Viola, Cello, Double Bass) SKU: BA.BA08708-01 Opéra-bouffe in three acts. Composed by Alexis Emmanuel Chabrier. Edited by Hugh MacDonald and Paul Prévost. This edition: complete edition, urtext edition. Linen. L'Opera francais. Complete edition, Score. Duration 2 hours, 15 minutes. Baerenreiter Verlag #BA08708_01. Published by Baerenreiter Verlag (BA.BA08708-01). ISBN 9790006537846. 33 x 27 cm inches. Text Language: French. Preface: Prévost, Paul / Macdonald, Hugh. Text: Leterrier, Eugène / Vanloo, Albert. WithL'Etoile, Chabrier composed a light-hearted opera which has increasingly enjoyed revivals in recent years. The plot is introduced by King Ouf I who offers his subjects an execution every year on his birthday. Unfortunately the problem now arises that no crime has recently been committed which might serve as a reason for an execution. Finally, he finds a would-be victim in the young Lazuli. However, according to predictions by the astrologer Siroco, Lazuli's fate is closely linked to the king's own life. The comic opera is further bolstered by a story of mistaken identities which involves a great deal of diplomacy, a love story and a large number of refined, yet catchy melodies. Chabrier was a master of the sensitive and complicated art of musical comedy, a field where he can be compared in equal measure to Offenbach, Rossini and Mozart.
This vocal score is based on the full score edited by Hugh Macdonald which is published as part of the seriesL'Opera francais. - Authoritative Urtext edition based on the seriesL'Opera francais - Original French text with a German singing translation - Comprehensive foreword (Ger/Eng/Fr)
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$773.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Lord said unto my Lord Soli, Mixted choir and accompaniment - Intermediate Carus Verlag
Composed by Antonio Vivaldi (1678-1741). For SATB vocal soli, SATB/SATB choir, 2...(+)
Composed by Antonio Vivaldi (1678-1741). For SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2 violins, viola, basso continuo, [timpani]. Stuttgart Urtext Edition. German title: Dixit Dominus. Cantatas, Motets, Epiphany, Daily hours. Level 4. Complete orchestral parts. Language: Latin/English. RV 594. Duration 25 minutes. Published by Carus Verlag
$169.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon...(+)
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3106961 Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. BWV BWV 69a. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.069/61. Published by Carus Verlag (CA.3106961). ISBN 9790007206697. Text language: German/English. Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon...(+)
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3106964 Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. BWV BWV 69a. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.069/64. Published by Carus Verlag (CA.3106964). ISBN 9790007206727. Text language: German/English. Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon...(+)
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3106962 Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. BWV BWV 69a. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.069/62. Published by Carus Verlag (CA.3106962). ISBN 9790007206703. Text language: German/English. Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon...(+)
SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3106963 Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. BWV BWV 69a. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.069/63. Published by Carus Verlag (CA.3106963). ISBN 9790007206710. Text language: German/English. Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Semele, HWV 58 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel-Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01). ISBN 9790006443222. 33 x 26 cm inches. Text Language: English. Handelâ??s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.
Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.
Handelâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.
$861.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3116414 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun. Single Part, basso continuo. Composed 1725. BWV 164. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.164/14. Published by Carus Verlag (CA.3116414). ISBN 9790007209056. Text language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3116412 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/12. Published by Carus Verlag (CA.3116412). ISBN 9790007209032. Text language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3116413 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1725. BWV 164. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.164/13. Published by Carus Verlag (CA.3116413). ISBN 9790007209049. Text language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3116411 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/11. Published by Carus Verlag (CA.3116411). ISBN 9790007209025. Text language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa solemnis, op. 123 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] Barenreiter
Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass so...(+)
Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) SKU: BA.BA09038 Composed by Ludwig van Beethoven. Edited by Barry Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 123. Baerenreiter Verlag #BA09038_00. Published by Baerenreiter Verlag (BA.BA09038). ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper. Beethoven described his grandly conceived â??Missa solemnisâ? as â??my greatest workâ? and sold manuscript copies to some of the subscribers even before it had appeared in print.
This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the â??Sanctusâ?, where the choir enters instead of the soloists, rather than coming in at â??Pleni sunt coeliâ?. No less worthy of mention is the addition of the soloists to the choir in most of the â??Credoâ?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).
The appendix contains Beethovenâ??s arrangement of the Gregorian chant â??Tantum ergoâ? for the first time. This was composed at the same time as the â??Missa solemnisâ? and most probably stands in a close relation to it.
This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$145.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A German Requiem Op. 45 Soli, Mixted choir and accompaniment Breitkopf & Härtel
Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. ...(+)
Solo voices, mixed choir,
orchestra
Urtext based on the new
Complete Edition. Composed by
Johannes Brahms (1833-1897).
Edited by Michael Musgrave
and Michael Struck. Breitkopf
and Haertel #OB 16109-30.
Published by Breitkopf and
Haertel
$114.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lucio Silla, KV 135 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed c...(+)
Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed choir, 2 Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, harpisc., Str) SKU: BA.BA04590-01 Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart. Edited by Kathleen Kuzmick Hansell. This edition: complete edition, urtext edition. Linen. Edition in 2 volumes. Complete edition, Score. K. 135. Duration 4 hours. Baerenreiter Verlag #BA04590_01. Published by Baerenreiter Verlag (BA.BA04590-01). ISBN 9790006451296. 33 x 26 cm inches. Text Language: Italian. Text: Giovanni de Gamerra. On 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770-71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770, and the premiere duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771-72 Carneval season in Milan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba, K. 111.)
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$463.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compassion from Invictus: A Passion Soli, Mixted choir and accompaniment [Score and Parts] - Easy MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate SKU: MN.56-0108 Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 19 seconds. MorningStar Music Publishers #56-0108. Published by MorningStar Music Publishers (MN.56-0108). UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56. Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Å»egota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…â€) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19. $3.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Vespers 1610 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Study Score / Miniature] Carus Verlag
Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB voca...(+)
Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB vocal soli, SATB/SATB choir, 2 flutes, 2 fifari, 3 horns, 3 trombones, 2 violins, 3 violas, cello, violone, basso continuo. This edition: paperback. Stuttgart Urtext edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Text language: Latin. No. 206. 192 pages. Duration 90 minutes. Published by Carus Verlag
$34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion O Mensch, bewein , BWV 245.2 (1725) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01). ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel. The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.
This edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.
Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$371.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Te Deum Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra - Easy Carus Verlag
Orchestra (Soli SB, Coro SATB (teilw. geteilt/partly divisi), [Gde/congregation]...(+)
Orchestra (Soli SB, Coro SATB (teilw. geteilt/partly divisi), [Gde/congregation], Tr, Tsax, Pfte, Bass, Glsp, Vib, Drums, Perc, Timp) - Grade 3 SKU: CA.2718803 Composed by Bobbi Fischer. Vocal score. Duration 40 minutes. Carus Verlag #2718803. Published by Carus Verlag (CA.2718803). ISBN 9790007250911. Language: LAT/EN/DT. After Missa Latina and Magnificat, Te Deum is now the third major composition by musician and composer Karl Albrecht âBobbiâ Fischer published by Carus. Fischerâs musical roots lie in classical music, which he combines with jazz elements and Latin American rhythms.
All three styles appear in the Te Deum. In keeping with the proclamation âTe Deum laudamusâ (We praise thee, O God), the work begins with the festive (Cuban) energy, propelled by timpani and trumpet; the choir can also be heard imitating fanfares. Later, a cappella choruses become a recurring element, in which phrases set as Gregorian chant are presented against an ever-changing chordal background. But the score also features elements of swing and rhythm and blues, frenetic choral outbursts of joy, as well as moments of mystic contemplation. Moreover, the instrumentalists are given ample opportunity for improvised solos. Interwoven into the otherwise Latin text is the well-known German chorale GroÃer Gott, wir loben dich. Here several verses can be sung with the congregation; alongside the original German text, the score features the English translation âHoly God, we praise thy nameâ.
- An exciting combination of classical choral music with elements of jazz and Latin American music
- The congregation can take part in the performance (chorale)
- Singers can choose between Latin/German or Latin/English
- Varied mix of styles
- An enrichment of our crossover program
$29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My Song Shall Be Alway Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard [Vocal Score] Novello & Co Ltd.
By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Ch...(+)
By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Choral. Sheet Music. 48 pages. Published by Novello and Co Ltd.
$15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Praise the Lord, O Jerusalem (Preise, Jerusalem, den Herrn) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3111919 Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Set of Orchestra Parts. Composed 1723. BWV 119. Duration 27 minutes. Carus Verlag #CV 31.119/19. Published by Carus Verlag (CA.3111919). ISBN 9790007136673. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and parts available separately - see item CA.3111900. $114.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Praise the Lord, O Jerusalem (Preise, Jerusalem, den Herrn) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3111913 Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Single Part, Viola. Composed 1723. BWV 119. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.119/13. Published by Carus Verlag (CA.3111913). ISBN 9790007048778. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and part available separately - see item CA.3111900. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Praise the Lord, O Jerusalem (Preise, Jerusalem, den Herrn) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3111911 Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Single Part, Violin 1. Composed 1723. BWV 119. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.119/11. Published by Carus Verlag (CA.3111911). ISBN 9790007048754. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and part available separately - see item CA.3111900. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Praise the Lord, O Jerusalem (Preise, Jerusalem, den Herrn) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3111909 Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. 2x 31.119/21 2 flutes, 1x 31.119/22 oboe 1, 1x 31.119/23 oboe 2, 1x 31.119/24 oboe 3, 5x 31.119/31 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Set of Orchestra Parts. Composed 1723. BWV 119. 36 pages. Duration 27 minutes. Carus Verlag #CV 31.119/09. Published by Carus Verlag (CA.3111909). ISBN 9790007048747. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and parts available separately - see item CA.3111900. $46.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Praise the Lord, O Jerusalem (Preise, Jerusalem, den Herrn) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, ob...(+)
SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3111912 Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Single Part, Violin 2. Composed 1723. BWV 119. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.119/12. Published by Carus Verlag (CA.3111912). ISBN 9790007048761. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and part available separately - see item CA.3111900. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
Next page 1 31 61 61 61 |