| Jephta HWV 70 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voi...(+)
Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, Alto Voice Solo, Bass Voice Solo, Mixed choir:SSATB, Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, 3V, Va, Bassi(Vc, double bass, bassoon, harpisc., Org)) SKU: BA.BA04014 Oratorio in three acts. Composed by George Frideric Handel. Edited by Kenneth Nott. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 30. Complete edition, Score. HWV 70. Baerenreiter Verlag #BA04014_00. Published by Baerenreiter Verlag (BA.BA04014). ISBN 9790006442935. 33 x 26 cm inches. Text Language: English. Preface: Nott, Kenneth. Text: Thomas Morell. “Jephtha†is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind. In “Jephthaâ€, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.
The chorus “How Dark, O Lord, are Thy Decrees†at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.
The vocal score is based on volume I/30 of the “Halle Handel Edition†(BA 4014), which contains the complete critical version of the music of the oratorio for the first time.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$541.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Il trionfo del Tempo e della Verità, HWV 46 b Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three parts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: Complete edition. Linen. Complete edition, Score. HWV 46. Baerenreiter Verlag #BA10726-01. Published by Baerenreiter Verlag (BA.BA10726-01). ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael. In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.
In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.
The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
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| Argre dich, o Seele, nicht Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continu...(+)
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo SKU: CA.3118613 Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Single Part, Viola. Composed 1716. BWV 186a. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.186/13. Published by Carus Verlag (CA.3118613). ISBN 9790007050702. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck. Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and part available separately - see item CA.3118600. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Argre dich, o Seele, nicht Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continu...(+)
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo SKU: CA.3118614 Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Single Part, Cello/Double Bass. Composed 1716. BWV 186a. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.186/14. Published by Carus Verlag (CA.3118614). ISBN 9790007050719. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck. Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and part available separately - see item CA.3118600. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Argre dich, o Seele, nicht Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continu...(+)
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo SKU: CA.3118649 Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Single Part, Organ. Composed 1716. BWV 186a. 24 pages. Duration 20 minutes. Carus Verlag #CV 31.186/49. Published by Carus Verlag (CA.3118649). ISBN 9790007050726. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck. Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and part available separately - see item CA.3118600. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Argre dich, o Seele, nicht Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continu...(+)
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo SKU: CA.3118619 Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Set of Orchestra Parts. Composed 1716. BWV 186a. Duration 20 minutes. Carus Verlag #CV 31.186/19. Published by Carus Verlag (CA.3118619). ISBN 9790007136970. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck. Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and parts available separately - see item CA.3118600. $82.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Argre dich, o Seele, nicht Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continu...(+)
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo SKU: CA.3118609 Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. 1x 31.186/21 oboe 1, 1x 31.186/22 oboe 2, 1x 31.186/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Set of Orchestra Parts. Composed 1716. BWV 186a. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.186/09. Published by Carus Verlag (CA.3118609). ISBN 9790007050672. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck. Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and parts available separately - see item CA.3118600. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Argre dich, o Seele, nicht Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continu...(+)
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo SKU: CA.3118600 Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Full score. Composed 1716. BWV 186a. Duration 20 minutes. Carus Verlag #CV 31.186/00. Published by Carus Verlag (CA.3118600). ISBN 9790007050641. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck. Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Argre dich, o Seele, nicht Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continu...(+)
SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo SKU: CA.3118605 Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Choral Score. Composed 1716. BWV 186a. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.186/05. Published by Carus Verlag (CA.3118605). ISBN 9790007050665. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck. Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score available separately - see item CA.3118600. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116809 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. 2x 31.168/21 oboe d'amore 1 + 2. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/09. Published by Carus Verlag (CA.3116809). ISBN 9790007209254. Language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo SKU: CA.3116819 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/19. Published by Carus Verlag (CA.3116819). ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $72.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo SKU: CA.3116803 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1725. BWV 168. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.168/03. Published by Carus Verlag (CA.3116803). ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116805 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Choral Score. Composed 1725. BWV 168. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.168/05. Published by Carus Verlag (CA.3116805). ISBN 9790007166731. Text language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116807 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1725. BWV 168. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.168/07. Published by Carus Verlag (CA.3116807). ISBN 9790007242220. Language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Il Xerse (Venice 1655) Soli, Mixted choir and accompaniment Barenreiter
Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hend...(+)
Dramma per musica. Composed
by Francesco Cavalli (1602-
1676). Edited by Hendrik,
Sara Elisa / Schulze, and
Stangalino. This edition:
Edition of selected works,
Urtext edition. Cloth bound.
Francesco Cavalli. Opere.
Venice 1655. Edition of
Selected Works , Score.
Baerenreiter Verlag #BA08915-
01. Published by Baerenreiter
Verlag
$546.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Les Indes galantes RCT 44 Soli, Mixted choir and accompaniment Barenreiter
Soloists, Choir, Orchestra (7Sg-S-solo,5Sg-T-solo,4S g-B-solo,Mixed Choir-SATB,2...(+)
Soloists, Choir, Orchestra (7Sg-S-solo,5Sg-T-solo,4Sg-B-solo,Mixed Choir-SATB,2Fl-picc,2Fl,2Ob,Muset,2bassoon,2Trp,timp.,2V,Va,Vc,Bc) SKU: BA.BA08860-01 Ballet héroïque with a prologue and four acts. Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/2+7. Version 1736. Complete edition, Score. RCT 44. Baerenreiter Verlag #BA08860_01. Published by Baerenreiter Verlag (BA.BA08860-01). ISBN 9790006558131. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier. The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 complements.
Sylvie Bouissou's new edition differs markedly from previous modern editions and all existing recordings. With its complements she does justice to the performer's need for Rameau's various revisions while finally making accessible a version actually authorised by Rameau. For the first time it is presented in its complete stylistic and dramatic context.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$722.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O what joy you have (O wie selig seid ihr doch, ihr Frommen) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, ...(+)
SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, organ SKU: CA.5040515 Chorale cantata. Composed by Max Reger. Edited by Gunther Massenkeil. German title: O wie selig seid ihr doch. Sacred vocal music, Mourning, death. Single Part, Double Bass. Composed 1903. Op. WoO V/4 Nr. 2. 2 pages. Duration 15 minutes. Carus Verlag #CV 50.405/15. Published by Carus Verlag (CA.5040515). ISBN 9790007081751. Key: D minor. Language: German/English. The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score and part available separately - see item CA.5040500. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Soli, Mixted choir and accompaniment - Intermediate Carus Verlag
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso...(+)
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3 SKU: CA.3118212 Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 1. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/12. Published by Carus Verlag (CA.3118212). ISBN 9790007050290. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck. Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Orgelsolomesse in C Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins...(+)
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo SKU: CA.4068249 Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1808. 24 pages. Duration 35 minutes. Carus Verlag #CV 40.682/49. Published by Carus Verlag (CA.4068249). ISBN 9790007140069. Key: C major. Language: Latin. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Orgelsolomesse in C Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins...(+)
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo SKU: CA.4068209 Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. 1x 40.682/31 trumpet 1, 1x 40.682/32 trumpet 2, 1x 40.682/41 timpani. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.682/09. Published by Carus Verlag (CA.4068209). ISBN 9790007220228. Key: C major. Language: Latin. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and parts available separately - see item CA.4068200. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Orgelsolomesse in C Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins...(+)
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo SKU: CA.4068211 Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 12 pages. Duration 35 minutes. Carus Verlag #CV 40.682/11. Published by Carus Verlag (CA.4068211). ISBN 9790007220235. Key: C major. Language: Latin. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Orgelsolomesse in C Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins...(+)
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo SKU: CA.4068212 Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 12 pages. Duration 35 minutes. Carus Verlag #CV 40.682/12. Published by Carus Verlag (CA.4068212). ISBN 9790007220242. Key: C major. Language: Latin. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Orgelsolomesse in C Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins...(+)
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo SKU: CA.4068213 Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 16 pages. Duration 35 minutes. Carus Verlag #CV 40.682/13. Published by Carus Verlag (CA.4068213). ISBN 9790007220259. Key: C major. Language: Latin. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Orgelsolomesse in C Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, organ solo, 2 clarinets/trumpets, timpani, 2 violin...(+)
SATB vocal soli, SATB choir, organ solo, 2 clarinets/trumpets, timpani, 2 violins, basso continuo SKU: CA.4068219 Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 35 minutes. Carus Verlag #CV 40.682/19. Published by Carus Verlag (CA.4068219). ISBN 9790007220266. Key: C major. Language: Latin. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and parts available separately - see item CA.4068200. $157.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Orgelsolomesse in C Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins...(+)
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo SKU: CA.4068200 Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. This edition: Paperbound. Sacred vocal music, Mass, latin. German title: Grosse Orgelsolomesse. Sacred vocal music, Masses, Latin. Full score. 72 pages. Duration 35 minutes. Carus Verlag #CV 40.682/00. Published by Carus Verlag (CA.4068200). ISBN 9790007088934. Key: C major. Language: Latin. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. $50.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Orgelsolomesse in C Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins...(+)
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo SKU: CA.4068203 Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. This edition: Paperbound. Sacred vocal music, Masses, Latin. Vocal score. 48 pages. Duration 35 minutes. Carus Verlag #CV 40.682/03. Published by Carus Verlag (CA.4068203). ISBN 9790007018771. Key: C major. Language: Latin. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score available separately - see item CA.4068200. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grosse Orgelsolomesse in C Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins...(+)
SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo SKU: CA.4068205 Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Sacred vocal music, Masses, Latin. Choral Score. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.682/05. Published by Carus Verlag (CA.4068205). ISBN 9790007110130. Key: C major. Language: Latin. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score available separately - see item CA.4068200. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Esther, HWV 50a (First Version 1720) Soli, Mixted choir and accompaniment [Score] Barenreiter
Oratorio in six scenes. Composed by George Frideric Handel (1685-1759). Edited...(+)
Oratorio in six scenes.
Composed by George Frideric
Handel (1685-1759). Edited by
Howard Serwer. This edition:
complete edition, urtext
edition. Linen. Halle Handel
Edition (HHA) Series I,
Volume 8. First version.
Score. Composed 1720. HWV
50a. Baerenreiter Verlag
#BA04047-01. Published by
Baerenreiter Verlag
$306.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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