SKU: CA.3103649
ISBN 9790007205690. Language: German/English. Translation: Henry Drinker.
Bach's well-known church cantata Schwingt freudig euch empor BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be traced back to a secular birthday cantata from 1725. The text is now revised to render the events of Advent - the rejoicing of the opening chorus, the loving veneration and the warm-hearted welcome of the three solo arias retained from the original cantata now all apply to the Messiah, who, as once in Jerusalem, should find a place in the hearts of the faithful. However, their unmistakeable Advent character derives from the fact that Bach contrasts the four festive settings from the secular cantata with three strophes from Luther's Advent chorale, Nun komm, der Heiden Heiland, thus at the same time giving a voice to the Mystery of God made man. Score and part available separately - see item CA.3103600.
SKU: CA.3103619
ISBN 9790007172237. Language: German/English. Translation: Henry Drinker.
Bach's well-known church cantata Schwingt freudig euch empor BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be traced back to a secular birthday cantata from 1725. The text is now revised to render the events of Advent - the rejoicing of the opening chorus, the loving veneration and the warm-hearted welcome of the three solo arias retained from the original cantata now all apply to the Messiah, who, as once in Jerusalem, should find a place in the hearts of the faithful. However, their unmistakeable Advent character derives from the fact that Bach contrasts the four festive settings from the secular cantata with three strophes from Luther's Advent chorale, Nun komm, der Heiden Heiland, thus at the same time giving a voice to the Mystery of God made man. Score and parts available separately - see item CA.3103600.
SKU: CA.3103603
ISBN 9790007171605. Language: German/English. Translation: Henry Drinker.
Bach's well-known church cantata Schwingt freudig euch empor BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be traced back to a secular birthday cantata from 1725. The text is now revised to render the events of Advent - the rejoicing of the opening chorus, the loving veneration and the warm-hearted welcome of the three solo arias retained from the original cantata now all apply to the Messiah, who, as once in Jerusalem, should find a place in the hearts of the faithful. However, their unmistakeable Advent character derives from the fact that Bach contrasts the four festive settings from the secular cantata with three strophes from Luther's Advent chorale, Nun komm, der Heiden Heiland, thus at the same time giving a voice to the Mystery of God made man. Score available separately - see item CA.3103600.
SKU: CA.3103607
ISBN 9790007244910. Language: German/English.
SKU: CA.3103605
ISBN 9790007172275. Language: German/English. Translation: Henry Drinker.
SKU: CA.3118314
ISBN 9790007050436. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score and part available separately - see item CA.3118300.
SKU: CA.3118315
ISBN 9790007050443. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3118319
ISBN 9790007136956. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score and parts available separately - see item CA.3118300.
SKU: CA.3118313
ISBN 9790007050429. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3118311
ISBN 9790007050405. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3118309
ISBN 9790007050399. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3118312
ISBN 9790007050412. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3118307
ISBN 9790007050382. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score available separately - see item CA.3118300.
SKU: CA.3118300
ISBN 9790007050351. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale.
SKU: CA.3118305
ISBN 9790007050375. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: BA.BA05452
ISBN 9790006471522. 33 x 26 cm inches.
About Barenreiter Urtext
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.3107719
ISBN 9790007134099. Key: C major / d minor. Language: German/English. Text: Knauer, Johann Oswald. Text: Johann Oswald Knauer.
The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed. Score and parts available separately - see item CA.3107700.
SKU: CA.3107705
ISBN 9790007045029. Key: C major / d minor. Language: German/English. Text: Knauer, Johann Oswald. Text: Johann Oswald Knauer.
The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed. Score available separately - see item CA.3107700.
SKU: CA.3103819
ISBN 9790007136093. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800.
SKU: CA.3103813
ISBN 9790007042813. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.
SKU: CA.3103811
ISBN 9790007042790. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3103809
ISBN 9790007042783. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3103814
ISBN 9790007042820. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3103812
ISBN 9790007042806. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.3103805
ISBN 9790007042769. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800.
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