| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103819 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 38. Duration 21 minutes. Carus Verlag #CV 31.038/19. Published by Carus Verlag (CA.3103819). ISBN 9790007136093. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800. $86.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103813 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1724. BWV 38. 2 pages. Duration 21 minutes. Carus Verlag #CV 31.038/13. Published by Carus Verlag (CA.3103813). ISBN 9790007042813. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103811 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1724. BWV 38. 4 pages. Duration 21 minutes. Carus Verlag #CV 31.038/11. Published by Carus Verlag (CA.3103811). ISBN 9790007042790. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103809 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.038/21 oboe 1, 1x 31.038/22 oboe 2, 1x 31.038/31 trumpet 1, 1x 31.038/32 trumpet 2, 1x 31.038/33 trombone 1, 1x 31.038/34 trombone 2, 1x 31.038/35 trombone 3, 1x 31.038/36 trombone 4. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir 8. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 38. 20 pages. Duration 21 minutes. Carus Verlag #CV 31.038/09. Published by Carus Verlag (CA.3103809). ISBN 9790007042783. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103814 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1724. BWV 38. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.038/14. Published by Carus Verlag (CA.3103814). ISBN 9790007042820. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103812 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1724. BWV 38. 2 pages. Duration 21 minutes. Carus Verlag #CV 31.038/12. Published by Carus Verlag (CA.3103812). ISBN 9790007042806. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103805 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Choral Score. Composed 1724. BWV 38. 12 pages. Duration 21 minutes. Carus Verlag #CV 31.038/05. Published by Carus Verlag (CA.3103805). ISBN 9790007042769. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103803 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Vocal score. Composed 1724. BWV 38. 40 pages. Duration 21 minutes. Carus Verlag #CV 31.038/03. Published by Carus Verlag (CA.3103803). ISBN 9790007042752. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103800 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Full score. Composed 1724. BWV 38. 48 pages. Duration 21 minutes. Carus Verlag #CV 31.038/00. Published by Carus Verlag (CA.3103800). ISBN 9790007042745. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3103807 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Study score. Composed 1724. BWV 38. 48 pages. Duration 21 minutes. Carus Verlag #CV 31.038/07. Published by Carus Verlag (CA.3103807). ISBN 9790007042776. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther. The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Occasional Oratorio HWV 62 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice ...(+)
Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SSAATTBB, 2 Ob, 2 bassoon, 2 Hn, 3Trp, timpani, 3V, Va, Bassi, Org) SKU: BA.BA04089 Oratorio in three parts. Composed by George Frideric Handel. Edited by Merlin Channon. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 23. Complete edition, Score. HWV 62. Duration 2 hours, 20 minutes. Baerenreiter Verlag #BA04089_00. Published by Baerenreiter Verlag (BA.BA04089). ISBN 9790006550081. 33 x 26 cm inches. Text Language: English. Text: Newburgh Hamilton. The “Occasional Oratorio†was composed as a reaction to a political event which shook the whole of England : the Jacobite rebellion of 1745-46 against the Hanoverian monarchy was crushed under the leadership of the Duke of Cumberland. Handel, who was working on the oratorio “ Judas Maccabaeus†at the time, composed the oratorio quickly and reused some movements from earlier works. With the choice of a libretto by Newburgh Hamilton he demonstrated his support for the monarchy. The work was first performed on 14 February 1746 at the Covent Garden Theatre in London . For the first time this seldomly performed oratorio which nevertheless contains wonderful music is available in an Urtext edition based on the “ Halle Handel Edition†. All available sources have been consulted. Further movements which Handel added for later performances are included in the appendix.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$592.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem (Arman-Fassung) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165219 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Set of Orchestra Parts. KV 626. Duration 50 minutes. Carus Verlag #5165219. Published by Carus Verlag (CA.5165219). ISBN 9790007313883. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâs Requiem. âAnother one?â you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃmayr version. Yet such is the enormous power of Mozartâs score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâs additions to Mozartâs great original show the requisite care and respect while incorporating many new insights.
Armanâs approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâs brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâs unique sound is given an opportunity to shine. Armanâs Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â in the spirit of Mozart â on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâs fragment ends with the Hostias, and so does Armanâs completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to SüÃmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâs version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â and celebrated as offering a scholarly, entirely fresh perspective on Mozartâs masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $240.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165203 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203). ISBN 9790007294243. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.
Armanâ??s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165205 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Choral Score. KV 626. Duration 50 minutes. Carus Verlag #5165205. Published by Carus Verlag (CA.5165205). ISBN 9790007314286. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâs Requiem. âAnother one?â you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃmayr version. Yet such is the enormous power of Mozartâs score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâs additions to Mozartâs great original show the requisite care and respect while incorporating many new insights.
Armanâs approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâs brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâs unique sound is given an opportunity to shine. Armanâs Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â in the spirit of Mozart â on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâs fragment ends with the Hostias, and so does Armanâs completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to SüÃmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâs version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â and celebrated as offering a scholarly, entirely fresh perspective on Mozartâs masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165209 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Set of Orchestra Parts. KV 626. Duration 50 minutes. Carus Verlag #5165209. Published by Carus Verlag (CA.5165209). ISBN 9790007313838. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartââ¬â¢s Requiem. ââ¬ÅAnother one?ââ¬Â you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozartââ¬â¢s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanââ¬â¢s additions to Mozartââ¬â¢s great original show the requisite care and respect while incorporating many new insights.
Armanââ¬â¢s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartââ¬â¢s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentââ¬â¢s unique sound is given an opportunity to shine. Armanââ¬â¢s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather ââ¬â in the spirit of Mozart ââ¬â on creating a sense of drama and illuminating the theme in all its possible facets. Mozartââ¬â¢s fragment ends with the Hostias, and so does Armanââ¬â¢s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanââ¬â¢s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike ââ¬â and celebrated as offering a scholarly, entirely fresh perspective on Mozartââ¬â¢s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $69.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading Soli, Mixted choir and accompaniment [Vocal Score] Carus Verlag
(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo. This edition: Paperbound. E-Moll (E minor). German title: Jesus schlaft, was soll ich hoffen. Cantatas, Epiphany. Level 3. Vocal score. Language: German/English. Composed 1724. BWV 81. 32 pages. Duration 19 minutes. Published by Carus Verlag
$9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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