SKU: TM.04925SC
Transposed: Cl 1+2, Bn 1+2, Tpt 1+2, Trbn 1+2. Original Hns in F. Oriental Festmarch, Aladdin's Dream and Dance of the Morning Mist, Hindu Dance, Chinese Dance, Market Place in Ispahan, Prisoner's Dance, Negro Dance. Ed. by Suttle.
SKU: TM.04925SET
SKU: CA.3113213
ISBN 9790007207946. Language: German/English.
Bach's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and part available separately - see item CA.3113200.
SKU: CA.3113214
ISBN 9790007207953. Language: German/English.
SKU: CA.3110611
ISBN 9790007207021. Key: F major. Language: German/English.
The Actus tragicus or Gottes Zeit ist die allerbeste Zeit BWV 106 remains one of Bach's best-known and most admired works, one which continues to resonate to this day - a work of genius such as even great masters seldom achieve (Alfred Durr). The cantata is one of the earliest known vocal works by Johann Sebastian Bach. It was written during his time at Muhlhausen, probably in 1707, when Bach took up the position of organist at the Divi Blasii Church. A possible occasion for its composition may have been the funeral of the mayor of Muhlhausen, Adolph Strecker. The short, slow Sonatina with two recorders, two gambas and continuo gets the listener into the mood of the character of the cantata. This instrumental combination is unique in Bach's vocal output, but could derive from a central German tradition. This new edition is a critical-practical edition which combines both the latest discoveries in Bach research with a detailed Critical Report as well as addressing current questions on performance practice. Score and part available separately - see item CA.3110600.
SKU: CA.3113219
ISBN 9790007136741. Language: German/English.
Bach's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and parts available separately - see item CA.3113200.
SKU: CA.3113211
ISBN 9790007207922. Language: German/English.
SKU: CA.3110612
ISBN 9790007207038. Key: F major. Language: German/English.
SKU: CA.3113212
ISBN 9790007207939. Language: German/English.
SKU: CA.3110649
ISBN 9790007207052. Key: F major. Language: German/English.
SKU: CA.3110609
ISBN 9790007207014. Key: F major. Language: German/English.
The Actus tragicus or Gottes Zeit ist die allerbeste Zeit BWV 106 remains one of Bach's best-known and most admired works, one which continues to resonate to this day - a work of genius such as even great masters seldom achieve (Alfred Durr). The cantata is one of the earliest known vocal works by Johann Sebastian Bach. It was written during his time at Muhlhausen, probably in 1707, when Bach took up the position of organist at the Divi Blasii Church. A possible occasion for its composition may have been the funeral of the mayor of Muhlhausen, Adolph Strecker. The short, slow Sonatina with two recorders, two gambas and continuo gets the listener into the mood of the character of the cantata. This instrumental combination is unique in Bach's vocal output, but could derive from a central German tradition. This new edition is a critical-practical edition which combines both the latest discoveries in Bach research with a detailed Critical Report as well as addressing current questions on performance practice. Score and parts available separately - see item CA.3110600.
SKU: CA.3115113
ISBN 9790007049409. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100.
SKU: CA.3115109
ISBN 9790007208615. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and parts available separately - see item CA.3115100.
SKU: CA.3115149
ISBN 9790007049430. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
SKU: CA.3115114
ISBN 9790007049416. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
SKU: CA.3115111
ISBN 9790007049386. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
SKU: CA.3115112
ISBN 9790007049393. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
SKU: CA.3113205
ISBN 9790007103163. Language: German/English.
Bach's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score available separately - see item CA.3113200.
SKU: CA.3113200
ISBN 9790007090999. Language: German/English.
Bach's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164.
SKU: CA.3115107
ISBN 9790007092474. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score available separately - see item CA.3115100.
SKU: CA.3115105
ISBN 9790007049379. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
SKU: CA.3116214
ISBN 9790007208936. Text language: German/English.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.
SKU: CA.3116211
ISBN 9790007208905. Text language: German/English.
SKU: CA.3116219
ISBN 9790007172244. Language: German/English. Scripture: Matthew 22:1-14.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and parts available separately - see item CA.3116200.
SKU: CA.3116249
ISBN 9790007208943. Language: German/English. Scripture: Matthew 22:1-14.
SKU: CA.3116209
ISBN 9790007208899. Language: German/English. Scripture: Matthew 22:1-14.
SKU: CA.3116213
ISBN 9790007208929. Text language: German/English.
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