SKU: CA.1036911
ISBN 9790007190521. Key: F major. Language: German/English.
The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.
SKU: CA.1036912
ISBN 9790007190538. Key: F major. Language: German/English.
SKU: CA.1036900
ISBN 9790007025724. Key: F major. Language: German/English.
The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum).
SKU: CA.1036914
ISBN 9790007190552. Key: F major. Language: German/English.
SKU: CA.3116307
ISBN 9790007141516. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.
SKU: CA.1036913
ISBN 9790007190545. Key: F major. Language: German/English.
SKU: CA.1036949
ISBN 9790007190576. Key: F major. Language: German/English.
SKU: CA.1036905
ISBN 9790007109349. Key: F major. Language: German/English.
The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score available separately - see item CA.1036900.
SKU: CA.3116300
ISBN 9790007097615. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler.
SKU: CA.3116214
ISBN 9790007208936. Text language: German/English.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.
SKU: CA.3116211
ISBN 9790007208905. Text language: German/English.
SKU: CA.3116219
ISBN 9790007172244. Language: German/English. Scripture: Matthew 22:1-14.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and parts available separately - see item CA.3116200.
SKU: CA.3116249
ISBN 9790007208943. Language: German/English. Scripture: Matthew 22:1-14.
SKU: CA.3116203
ISBN 9790007171544. Language: German/English. Scripture: Matthew 22:1-14.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score available separately - see item CA.3116200.
SKU: BA.BA04014
ISBN 9790006442935. 33 x 26 cm inches. Text Language: English. Preface: Nott, Kenneth. Text: Thomas Morell.
“Jephtha” is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.In “Jephtha”, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.The vocal score is based on volume I/30 of the “Halle Handel Edition” (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04661-02
ISBN 9790006565382. 31 x 24.3 cm inches. Key: B-flat major. Text Language: Latin. Preface: Thomas, Gunter / Raab, Armin.
Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag Munchen.
SKU: CA.3116209
ISBN 9790007208899. Language: German/English. Scripture: Matthew 22:1-14.
SKU: CA.3116213
ISBN 9790007208929. Text language: German/English.
SKU: CA.3116200
ISBN 9790007171452. Language: German/English. Scripture: Matthew 22:1-14.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki.
SKU: CA.3116212
ISBN 9790007208912. Text language: German/English.
SKU: TM.01745SC
Typeset. Solo/pf.
SKU: TM.02068SET
Sinfonia: Cello solo in basson part (German text in preface).
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