SKU: TM.06234SET
Meeresstille Overture. Revised 1834 edition. See #13053 for both original 1828 version plus 1834 revised edition.
SKU: TM.08999SC
Vocal score = German with piano reduction; Chorus I = English with piano reduction; Chorus II = German with no piano.
SKU: TM.06234SC
SKU: TM.08999SET
SKU: TM.06937SET
SKU: TM.06211SC
Castillane; Andalouse; Argonaise; Aubade, Catalane Madrilene; Navarraise.
SKU: TM.06937SC
SKU: TM.06211SET
SKU: CA.4066050
ISBN 9790007294533. Key: E flat major. Latin.
Schubertâ??s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Vocal scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.
SKU: CA.5165203
ISBN 9790007294243. Key: D minor. Latin.
The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.Armanâ??s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion. For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to SüÃ?mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.- World premiere by the Bavarian Radio Choir- Enthusiastically received by audience and press.
SKU: SU.91770970
An oratorio based on the writings of William Still, a conductor for the Underground Railroad.Libretti by Mark CampbellInstrumentation: Soli, SATB Chorus & Orchestra [2,1 222; 4331; timp, perc, hp; stgs] Duration: 46' Composed: 2017 Published by: Subito Music Publishing Also available:VOCAL SCORE - $39.95 (Item #91770971)CHORUS SCORE - $12.95 (Item #91770972) Performance materials available on rental only: Subito Music Rental Library.
SKU: SU.91770971
An oratorio based on the writings of William Still, a conductor for the Underground Railroad.Libretti by Mark CampbellInstrumentation: Soli, SATB Chorus & Orchestra [2,1 222; 4331; timp, perc, hp; stgs] Duration: 46' Composed: 2017 Published by: Subito Music Publishing Also available:CHORUS SCORE - $12.95 (Item #91770972)STUDY SCORE - $75.00 (Item #91770970)Discount (CHORUS SCORE only) available to organizations renting the orchestra materials. For more information call (973) 857-3440 or email rental@subitomusic.com.
SKU: SU.91770972
An oratorio based on the writings of William Still, a conductor for the Underground Railroad.Libretti by Mark CampbellInstrumentation: Soli, SATB Chorus & Orchestra [2,1 222; 4331; timp, perc, hp; stgs] Duration: 46' Composed: 2017 Published by: Subito Music Publishing Also available:VOCAL SCORE - $39.95 (Item #91770971)STUDY SCORE - $75.00 (Item #91770970)Discount (CHORUS SCORE only) available to organizations renting the orchestra materials. For more information call (973) 857-3440 or email rental@subitomusic.com.
SKU: CA.5162646
Key: D minor. Text language: Latin.
The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score available separately - see item CA.5162600.
SKU: CA.5162647
SKU: CA.5162645
ISBN 9790007171858. Key: D minor. Text language: Latin.
SKU: CA.5162648
SKU: CA.1039700
ISBN 9790007187590. Language: German.
Johannes Brahms's Alto Rhapsody is published here in a new Urtext edition, modernised for present-day performance practice. It is based on the 2nd impression of the first printed edition, as this is regarded as the authentic musical text following the last revisions made by the composer. The musical setting of Goethe's poem Harzreise im Winter opens with a somber beginning, then by turning to divine powers, it arrives at a hopeful new level. The work - which was composed in connection with the marriage of Julie, the daughter of Brahms's revered Clara Schumann, in 1869 - impresses above all with its personal touch as well as its pioneering progressive harmonies and enormous compositional power, which still entice listeners into the concert hall.
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