SKU: BA.BA09193
ISBN 9790006561421. 29.8 x 21.2 cm inches. Preface: Bouissou, Sylvie / Dratwicki, Benoît / Dubruque, Julien.
Volume 3 for soprano contains the first half of the large-scale arias and ariettas that Rameau composed for lyric soprano (the 18th-century equivalent of today’s lyric coloratura soprano) in his prologues and divertissements. Each number is accompanied by a keyboard reduction and is introduced by a brief account of the dramatic situation as well as an English translation of the vocal text.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA08166
ISBN 9790006563340. 29.7 x 21 cm inches. Text Language: French.
This edition contains French arias for soprano from operas composed by the opera reformer Christoph Willibald Gluck for the Paris Opera:Iphignie en Aulide (1774)Orphe et Euridice (1774)Lâarbre enchant (1775)Cythère assige (1775)Armide (1777)Ãcho et Narcisse (1779)The edition includes an informative text section containing a Foreword (Fr/Eng), a brief account of the dramatic situation as well as a literal English translation of every aria.About the series: Christoph Willibald Gluck. Airs dâopra français / French Operatic AriasIn collaboration with the Centre de musique baroque de Versailles (CMBV), all arias from Christoph Willibald Gluckâs French operas will be published for the first time in a collection of four volumes, ordered by voice type.With their wide variety of arias and informative texts, these volumes constitute a valuable resource of works by one of the preeminent opera composers of the 18th century. They are suitable for opera singers and voice students and can be used in lessons, auditions and recitals.
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