SKU: HL.49046394

ISBN 9781540086570. UPC: 840126910186. 9.0x12.0 inches.

In 2010 I lived in Rome as a Villa Massimo scholarship holder. During my time there I came across a few poems by Michelangelo that touched me a lot and soon had the plan to set some of them to music. But I wanted to combine it with something contemporary - just like in Rome the old and the new always meet. The poet Marcel Beyer, whom I met in Rome, then wrote the cycle of poems Die Grillmeisterin for me, which takes up many motifs from the Michelangelo texts (fire, tears, getting burned, loneliness, etc.). I then alternately combined this cycle of poems with the Michelangelo poems. The Italian songs have a sometimes melancholy, sometimes dramatic character, while the German songs are rather bizarre, sometimes even humorous. Despite these contrasts in character, there are also many musical connections between the German and Italian songs. Individual motifs and chord sequences sometimes return in completely different contexts, and there is even a direct connection between the first and last song, in that the same vocal line is underlaid with a completely different text. This creates a musical framework that holds the very heterogeneous selection of texts together. -Anno Schreier.

SKU: HL.48025052

ISBN 9783793143086. UPC: 196288024101. 9.12x0.124 inches.

The five chants, written for a singer friend of mine, span an arc that starts with the self-confident Spanish dancer, through seasonal and naturalistic observations (autumn day, The Panther) to the touching observation of a blind woman, and finally with the philosophical reflection Here is everything Home ends. Putting Rilke's complex poetry into music is a challenge for every composer (and performer). Martin Christoph Redel traces the changing moods; B. through associations with Iberian folklore (Spanish dancer), monotonous circles of constant harmony sequences (The Panther) or the most economical accompaniment as in a prayer recitative (Here be everything to us).