SKU: HL.49004973
9.0x12.0x0.165 inches.
She Must Stay is the final soprano aria from Corigliano's 1991 opera 'The Ghosts of Versailles', sung by Marie Antoinette. The aria is extracted from the newly published first edition of the vocalscore (HL 50482739).
SKU: BT.MUSM570206346
English.
Soprano. Published in 1969. First performed by Jane Manning, BBC, 6th October 1969. Score.
SKU: BT.MUSM570204502
Published 1983. Commissioned by Michiko Hirayama. First performance: Middelburg, 1983, Michiko Hirayama.
SKU: ST.Y341
ISBN 9790220225208.
The anonymous 14th-century poem Yr Alarch ('The Swan') is a striking portrait of 'this being without blemish', conveyed in terms of memorable imagery which has inspired Rhian Samuel's short setting for unaccompanied voice, a true solo song and vocal showcase. This solo soprano version was first performed by Elin Manahan Thomas at Powis Hall, Bangor University, on 3 March 2016, as part of the Bangor Music Festival.
SKU: BT.MUSM570364930
The World In Tune was expertly composed by James Weeks . The World In Tune received its UK premiere on the 18th November 2013 at St Thomas' Church, Huddersfield. This piece has been written for Solo Soprano Voice. James is an active organ recitalist, pianist and writer on contemporary music, and broadcasts regularly on early and new music for BBC Radio 3.
SKU: HL.14042648
ISBN 9788759827970.
From the TV-opera 'Kronike' ('Bikt') Version 2 for soprano and piano: WH29023 Swedish title: 'Mardremmen'.
SKU: OT.28101
ISBN 9789655050752. 8.27 x 11.69 inches.
Song cycle in Ladino for mezzo-soprano and piano. The song cycle Sarina kanta is sung in Ladino and was inspired by Sephardic folk songs. Various folk songs are quoted in the work. The first movement is a fantasia based on a poem by Avner Perez, Sarina kanta romansas, (Sarina sings romances). Sarina is Perez' grandmother, whose memory is recalled in this cycle of poems. The remaining movements are based on songs from the Ladino repertoire. Sarina kanta is also published for soprano and piano, and in the original version for mezzo-soprano and string orchestra. Contents:Sarina kantaUna matika de rudaYa abasha la noviaLa EstreyasYa salio de la marDaniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. FOr many years he chaired the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-1019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.
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