SKU: CF.CAS10
ISBN 9780825847615. UPC: 798408047610. 8.5 X 11 inches. Key: G major.
With this arrangement, my goal is to maintain the integrity of the original work, while making it accessible to the younger orchestra. An important aspect of the successful performance of this piece is maintaining an energetic tempo. The repeated eighth notes in the accompaniment should be played cleanly and crisply to maintain momentum. There are many places where abrupt changes in dynamics occur. For example, m. 1 begins with a string unison forte, which suddenly drops to piano at m. 11. Accents, staccatos, and other articulations should be carefully observed. To be effective, crescendos should begin at a reasonable volume, so they have somewhere to go dynamically. I hope you and the orchestra enjoy this arrangement.With this arrangement, my goal is to maintain the integrity of the original work, while making it accessible to the younger orchestra. An important aspect of the successful performance of this piece is maintaining an energetic tempo. The repeated eighth notes in the accompaniment should be played cleanly and crisply to maintain momentum. There are many places where abrupt changes in dynamics occur. For example, m. 1 begins with a string unisonA forte, which suddenly drops toA piano at m. 11. Accents, staccatos, and other articulations should be carefully observed. To be effective, crescendos should begin at a reasonable volume, so they have somewhere to go dynamically. I hope you and the orchestra enjoy this arrangement.With this arrangement, my goal is to maintain the integrity of the original work, while making it accessible to the younger orchestra. An important aspect of the successful performance of this piece is maintaining an energetic tempo. The repeated eighth notes in the accompaniment should be played cleanly and crisply to maintain momentum. There are many places where abrupt changes in dynamics occur. For example, m. 1 begins with a string unison forte, which suddenly drops to piano at m. 11. Accents, staccatos, and other articulations should be carefully observed. To be effective, crescendos should begin at a reasonable volume, so they have somewhere to go dynamically. I hope you and the orchestra enjoy this arrangement.With this arrangement, my goal is to maintain the integrity of the original work, while making it accessible to the younger orchestra. An important aspect of the successful performance of this piece is maintaining an energetic tempo. The repeated eighth notes in the accompaniment should be played cleanly and crisply to maintain momentum. There are many places where abrupt changes in dynamics occur. For example, m. 1 begins with a string unison forte, which suddenly drops to piano at m. 11. Accents, staccatos, and other articulations should be carefully observed. To be effective, crescendos should begin at a reasonable volume, so they have somewhere to go dynamically. I hope you and the orchestra enjoy this arrangement.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: AP.36-52250936
ISBN 9781628766424. UPC: 746241252067. English.
Here's a lighter number that's ideal for pops concerts, multicultural events, or any time you want to program a little Latin music into your concerts! Calling for optional percussion part of guiro, this music features a syncopated melody that uses lots of "off-the-string" bowing. It's sure to make your strings produce a clean, crisp sound.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.29760S
UPC: 038081320786. English. Traditional.
New Orleans is a destination for tourists and the Mississippi River, but it is also the headstream of much of jazz and blues music. This is a setting of two great traditional New Orleans melodies, Joe Turner and Worried Man Blues. The cellos state the first theme and then the chart expands with each section playing an important role. An exciting ensemble section provides a spot for improvisation or performing the written solos that are included. (4:45).
SKU: CF.BAS18F
ISBN 9780825851780. UPC: 798408051785. 8.5 X 11 inches. Key: D major.
The dignity and pageantry of so much British music for orchestra is capÂtured in this solid work for strings. The straightforward melodic lines are supported by clean, full harmonies; and the polyphonic texture is highlightÂed in a contrasting key in the middle portion of the work. Strong lines and rhythms bring the piece to a solid conclusion.String editing by Amy Rosen.
About Carl Fischer Beginning String Orchestra Series
This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:
SKU: KJ.SO239C
UPC: 8402701730.
Mr. Mosier has skillfully crafted this new arrangement from Duetto II for Two Flutes or Violins, Op. 27 by Carl Stamitz. In three movements, this work truly captures the essence of the Classical Period, and provides an opportunity for string orchestras to focus on developing a clean and tight ensemble sound.
SKU: FJ.ST6260S
English.
Experience the Spanish styles of the late 19th century in this clever original for strings! Melodies are shared equally across the ensemble without sounding contrived, and there are many stylistic teaching opportunities ranging from a warm legato sound to a clean staccato bow stroke. Sure to be a hit with both your ensemble and audience!
About FJH Beginning Strings
Appropriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
