SKU: FJ.ST6406S
English.
This new setting of Good King Wenceslas will be a welcome addition to any holiday concert. Students get into that action as they march while playing, and all sections take turns playing the melody. Students and teachers will be merrily surprised at how easily this selection comes together. Happy marching!
About FJH Beginning Strings
Appropriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5
SKU: AP.29730S
UPC: 038081321349. English.
Here's a march that is so much more than a march! This celebratory concert piece contains enthusiastic fanfare, stately march, lyric melodies, rich harmonies, prominent rhythms and gentle pastoral moments. Shifting is required for violin 1, cello and bass, and optional shifting for viola. Students in all sections will experience the full spectrum of expressiveness in dynamics and bowings and will be challenged with intonation and rhythmic clarity. This might be the time to give your traditional graduation march a break! (6:00).
SKU: AP.31596S
UPC: 038081343129. English.
This lively march comes to us from one of Holst's most popular works, the First Suite in E flat for Military Band written in 1909. Two contrasting themes-a crisp, marcato in D and a lyrical, legato theme in G-thrill listeners. The powerful finale of the march, back in D, uses both melodies layered on top of one another. The lyrical section features the cellos and violas and all parts are interesting.
SKU: CF.FAS12
ISBN 9780825845062. UPC: 798408045067. 8.5 X 11 inches. Key: D major.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.The pulse in the opening measures continues through most ofA Country March. The emphasis (accentedA tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should playA p against the solo (orA soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
SKU: KJ.GSO40C
This upbeat march was originally composed for band in 1901 by John Klohr and has since become a popular concert and circus march. Once again, the creative talents of James Res McLeod provides a wonderful arrangement, perfectly suited for High School string players.
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