String Orchestra

SKU: BT.EMBZ14606A

Serie für Jugendorchester. Composed by Daniel Csengery. EMB Leggiero. Educational Tool. Book Hardcover. Composed 2008. 176 pages. Editio Musica Budapest #EMBZ14606A. Published by Editio Musica Budapest (BT.EMBZ14606A).

Dániel Csengery (b. 1974) wrote his three-movement Concertino in 2006. It is a colourful, carefree-sounding composition with lively rhythms, suitable for intermediate-level pianists and youth orchestras. The viola part may also be played by a third violin section. The music is available in two versions: 14606A - score and parts, 14606B reduction for two pianos.

Das dreisätzige Concertino von Dániel Csengery (1974) entstand 2006. Es ist eine bunte, leicht gestimmte Komposition von lebendiger Rhythmik für fortgeschrittene Pianisten (Z. 14606B) und Jugendorchester (Z. 14606A). Die Bratschenstimme kann auch von einer dritten Geige gespielt werden.

String orchestra - easy to intermediate

SKU: HL.49002136

Composed by Milko Kelemen. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 20 pages. Duration 5'. Schott Music #CON 88. Published by Schott Music (HL.49002136).

ISBN 9790001022736.

The four movements of the Yougoslavian composer and pupil of Fortner are easy but demand an elegant leggiero manner of bowing from the violinists. A cheerful and very instructive piece.

String orchestra - intermediate

SKU: HL.49002151

Composed by Philipp Mohler. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. Op. 27. 60 pages. Duration 10'. Schott Music #CON 96. Published by Schott Music (HL.49002151).

ISBN 9790001022873.

Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The Heitere Suite was created in 1945. After a slow introduction (quasi rezitativo) with a viola solo full of suspense, the first violins start playing a succinct, rhythmically accentuated theme dominat-ing the whole movement and appearing in many different forms. Lively intensifications and, not least, the occasional soloistic use of the instruments are giving colour to this work. A valu-able addition to our concert programmes of moderate modern style. (Das Liebhaberorchester).