SKU: FJ.ST6412S
English.
This inventive and stunning composition is a modernized version of the original concerto grosso dating back to the Baroque era. Written for soloists on electric instruments, it is also possible to do acoustically. An ideal way to feature guest soloists, faculty members or talented students, the music explores a wide range of styles. At times, the piece sounds like Stravinsky. At other times, with the use of distortion pedals, the audience will feel like they are at a heavy metal concert (of course, backed by an orchestra!). Incredibly unique, and guaranteed to bring down the house!
About FJH String Orchestra
More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up
SKU: FJ.ST6316S
Showcase the spectacular music of Respighi in this uncompromising arrangement. The broad, open harmonies, melodies and rhythms are reminiscent of the Renaissance, yet incorporate the modern compositional style of a master composer. A win all around!
SKU: AP.36-52255350
ISBN 9781628769289. English.
With ancestors of Ireland as the inspiration, this work is a case of jig meets the modern string orchestra. Interesting harmonies and rugged rhythms propel this music forward. Your students will love playing this one.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-52250492
ISBN 9781628764772. UPC: 660355038037. English.
This work is an energetic introduction to "Sturm und Drang" style written by the father of modern astronomy. Dotted rhythms, hooked bowings, and detailed attention to dynamic changes allow for many opportunities to work on fundamentals. Chromatic fingerings are a must: violin 1 uses third position, and all other parts use extensions.
SKU: AP.36-52255492
ISBN 9781628764789. English.
This work is an energetic introduction to Sturm und Drang style written by the father of modern astronomy. Dotted rhythms, hooked bowings, and detailed attention to dynamic changes allow for many opportunities to work on fundamentals. Chromatic fingerings are a must: violin 1 uses third position, and all other parts use extensions.
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