Chamber Music String Quartet

SKU: PR.164002720

Cassatt. Composed by Dan Welcher. Spiral and Saddle. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. WRT11142. 52+16+16+16+16 pages. Duration 24 minutes. Theodore Presser Company #164-00272. Published by Theodore Presser Company (PR.164002720).

UPC: 680160573042. 8.5 x 11 inches.

My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change.   I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania]   The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla.   Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional.   II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts]   This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture.   This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream.   III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts]   The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this.   Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1.   String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet.

String Quartet

SKU: FG.55011-677-1

Composed by Seppo Pohjola. Arranged by A. E. Westerlind. Classical. Score and Parts. Fennica Gehrman #55011-677-1. Published by Fennica Gehrman (FG.55011-677-1).

According to Jouni Kaipainen, the fourth string quartet (2006) is one of key works of Seppo Pohjola (b. 1965) and holds a place as a landmark in Finnish quartet literature. Of the composer's five string quartets, it is the longest and has the widest thematic arcs of his quartets. Seppo Pohjola has gone through a variety of styles in his musical career. He began as a strict Modernist, progressed towards Expressionism and took on board Romantic influences before ending up in the early 2000s in (a reformed brand of) Modernism again. Osmo Tapio Raihala describes the end result thus: The 'new' Pohjola often anchors his style in a frenetic pulse through which he builds musical processes. Duration c. 33 minutes. Score (A4) and parts (B4).

Violin 1, Violin 2, Viola, Cello - Grade 3.5

SKU: AP.36-52703154

Composed by Johann Sebastian Bach. Arranged by Lynne Latham. Performance Music Ensemble; String Quartet. Ludwig Masters. Score and Part(s). Latham Music Enterprises #36-52703154. Published by Latham Music Enterprises (AP.36-52703154).

ISBN 9781628761146. UPC: 660355021411. English.

Bach's famous "Brandenburg Concertos" are considered by many to be the pinnacle of the Baroque Concerto Grosso style. These arrangements of the "Brandenburgs" for string quartet by Lynne Latham have become much-used by professionals and students alike.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Violin 1, Violin 2, Viola, Cello - Grade 3.5

SKU: AP.36-52703138

Composed by Johann Sebastian Bach. Arranged by Lynne Latham. Performance Music Ensemble; String Quartet. Ludwig Masters. Score and Part(s). Latham Music Enterprises #36-52703138. Published by Latham Music Enterprises (AP.36-52703138).

ISBN 9781628761023. UPC: 679360713846. English.

Bach's famous "Brandenburg Concerti" are considered by many to be the pinnacle of the Baroque Concerto Grosso style. These arrangements of the "Brandenburgs" for string quartet by Lynne Latham have become much-used by professionals and students alike.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Violin 1, Violin 2, Viola, Cello

SKU: AP.36-52703155

Composed by Johann Sebastian Bach. Arranged by Lynne Latham. This edition: Latham Music. Performance Music Ensemble. LudwigMasters - Latham Music. Score. LudwigMasters Publications #36-52703155. Published by LudwigMasters Publications (AP.36-52703155).

ISBN 9781628761153. UPC: 654690583673. English.

Bach's famous "Brandenburg Concertos" are considered by many to be the pinnacle of the Baroque Concerto Grosso style. These arrangements of the "Brandenburgs" for string quartet by Lynne Latham have become much-used by professionals and students alike.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.