SKU: BR.EB-9260
World premiere: Stockholm (Festival O/MODERNT), June 19, 2017
ISBN 9790004185605. 9 x 12 inches.
When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.
SKU: BR.EB-9259
ISBN 9790004185599. 9 x 12 inches.
SKU: HL.49018856
ISBN 9790220133244. UPC: 884088675028. 9.0x12.0x0.204 inches.
Although this is technically Cowie's seventh string quartet, it replaces his earlier fourth quartet, which he came to feel no longer fit with his compositional voice. The quartet fluctuates between a slow, luminous sound and fast, agitated music. Unlike much of Cowie's work, this music is abstracted from his usual preoccupation with the natural world, turning instead to look at an inner landscape. The composer describes the emotional force behind his quartet: The year 2009 was a terrible year in which I lost three close friends to cancer and an elder brother to Alzheimer's disease. It was also a year in which my wife was diagnosed with breast cancer; something from which she has thankfully made a great recovery. At times like these, emotions are sorely tested and highlighted. Four people I loved have gone, so this music must remain as testament not to death, but to the magnificent fragility and loveliness of life. It closes with a gentle and almost vaporising 'benediction' a kind of 'amen' if you like.
SKU: HL.51481272
UPC: 840126989250. 9.0x12.0x0.348 inches.
Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the “more progressive†Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg, he never did take the latter's radical step into dodecaphony. At the same time, he composed works that were no less original or fully fledged. Composed between 1913 and 1915, his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1,200 measures, this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited a critical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time, too, the metronome markings that survive only in one of Zemlinsky's letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.
About Henle Urtext
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SKU: HL.51487272
UPC: 840126989366. 6.75x9.5x0.245 inches.
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