SKU: HL.49004443
ISBN 9790001046152. UPC: 073999378870. 9.0x12.0x0.005 inches.
Timpani part for orchestra work.
SKU: SU.50022720
Parts available on rentalCopyright 1974. Published by: Seesaw Music.
SKU: SU.50006670
Copyright 1986. Published by: Seesaw Music.
SKU: BA.BA07678-63
ISBN 9790006541041. 32.5 x 25.5 cm inches. Language: German.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BT.DHP-0991679-401
ISBN 9789043106122. German.
Eine gelungene Einführung in das Paukenspiel mit allen wichtigen Informationen über das Instrument und die Spieltechnik. Die Theorie kommt in dieser Schule ebenfalls nicht zu kurz: Es werden theoretische Grundlagen wie z.B. Notenwerte, Dynamik und einige musiktheoretische Begriffe vermittelt. Beginnen die Schüler in Band 1 mit einfachen Rhythmen und Akzenten, so können sie in Band 2 schon allerlei Wirbel, Triolen und Paradiddles spielen. Zahlreiche Spielstücke helfen dabei, Rhythmusgefühl zu entwickeln und das Gelernte anzuwenden.
SKU: CA.1240442
ISBN 9790007027742.
Score available separately - see item CA.1240400.
SKU: AY.PC3087PM
ISBN 9790543575639.
I spent more time on the creation of the Study in three movements than on other orchestral works that were longer. This usually surprises people who don't write. However, the more instrumental limitations, the more difficult it is to elaborate a wide and coherent musical discourse. That is what I tried to do in this work: to wake up the sleeping giant and let the drums sing reinforcing their tectonic character, their caustic rhythms and their ancestral accents. I kept the purpose of the technique, even if it looked sophisticated and using fresh ideas that are direct and instinctive. Miquel Pardo.
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