3 CONCERTOS POUR FLUTE A BEC SOPRANINO - Concerto in La minore P.83 - Concerto in Do maggiore P.79 - Concerto in Do maggiore P.78 3 CONCERTOS POUR FLUTE A BEC ALTO - Concerto in Do minore P.440 - Concerto in La minore P.77 - Concerto in Sol maggiore

Twelve Fantasias for treble Recorder solo based on the fantasias for flauto traverso solo TWV 40:2-13. This arrangement of Telemann’s “Twelve Fantasias” for treble Recorder is based on our edition for solo flute BA2971. With the exception of Nos 4 5 & 12 which were transposed up a fourth for the Recorder all other fantasias are transposed up a third following a technique often used in the 18th Century. The Fantasias for Flute without bass address themselves less to the virtuoso than to the amateur flutist who will find everything he wishes in these pieces. Although Telemann himself mayhave lost track of his works the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them.

German baroque composer Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist becoming a composer against his family's wishes. However his musical career saw him hold important positions and to this day he remains a major composer. His sublime 12 Fantasies for Flute is superbly arranged for Recorder by Jean-Claude Veilhan. Telemann composed his 12 Fantasies for solo Flute in 1732-33 in Hamburg. During this time he composed a wealth of solo instrumental music including those for Harpsichord and Violin. Veilhan's arrangement for Recorder of Telemann's12 Fantasies includes adaptions for the instrument such as key signatures and performance directions. Vailhan's rearrangement for the Recorder of Telemann's popular 12 Fantasies makes the popular genre more accessible and versatile.

J. S. Bach's Partita C Minor BWV 1013 for solo Treble Recorder. Originally written for traverse Flute this edition is transposed up a minor third.

Markus Zahnhausen’s Lux Aeterna belongs to a very special category in my repertoire. The tender and dangerous beauty of his music has fascinated me for years. In a contemporary musical language Zahnhausen has managed to bring theinstrument back to what it once was: flauto - the flute! His expressive music never takes the instrument beyond its limits thus avoiding the trap of many a modern work. There is a perfect balance between form content andidiomatic writing that places both his music and the recorder where they belong: in the hearts of the listeners! I have had a tremendous time when studying Lux Aeterna. I sometimes wondered whether I played the piece or the piecewas playing me ... Dan Laurin

Music Minus One Alto Recorder-These marvelous Baroque sonatas by Telemann and Händel bring you together with a harpsichord and viola da gamba for a journey back in time to a genteel age when lovely and delicate music consistently filled the air. Includes detailed notes with printed musical examples on period performance practices and ornamentation. Includes a high-quality printed music score and a compact disc containing two recordings: a complete performance with soloist in split-channel stereo (soloist on the right channel) and a second version in full stereo of the accompaniment minus the soloist. Performed by Jean Antrim flute Accompaniment: Mary Springfels viola da gamba Jocelyn Chaparro harpsichord

4 little pieces-The composer music teacher and Orff pupil Hermann Regner born in 1928 is particularly active in the field of easy-to-play teaching literature. Using simple means of new music he wants to stimulate the players' imagination.These four little pieces (Andante - Con moto - Allegro - Andante) give the soloist the opportunity to make full use of the instrument's mobility. The piano accompaniment adds a bit of spice to the tonal language pushes on and carries the melodies of the flute. This collection is perfect for pupils' auditions and competitions.

First published in 1982 Jean-Claude Veilhan (born in 1940) compiled this enlightening compilation  I Learn The Recorder following his studies of woodwind at the Regional Conservatory of Versailles and a prominent career as a professional Recorder and Clarinet player. As a prominent Recorder player himself Veilhan has performed much of the the repertoire for the instrument and therefore is well acquainted with its workings. I Learn The Recorder encompasses basic theory elements including note values and names as well as helpful labelled diagrams demonstrating fingerings and showing thebeginner how to hold the instrument. This Veilhan book also includes many exercises to aid progression. I Learn The Recorder is essential to beginners of the instrument.

Par BACH JOHANN SEBASTIAN / SANVOISIN. Johann Sebastian Bach: Recorder Solo Parts from Bach's Concertos./ Répertoire / Flûte à Bec Alto

Par VIVALDI ANTONIO. Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition CONCERTO EN LA MINEUR RV 108 / Vivaldi - Flûte à Bec Alto vous retrouverez tout le talent de ce compositeur. Ecrite pour Flûte à bec Alto cette partition a été éditée par les éditions De Haske Publications sous le numéro 1666-09-400 DHE./ Répertoire / Flûte à Bec Alto

Par SANVOISIN MICHEL. English, French and German text/ Méthode / Flûte à Bec Alto

Je Joue en Soliste ! est un cahier destiné aux jeunes débutants qui ont envie de prolonger le plaisir de jouer de la flûte à bec au-delà du cours de musique. Dans des styles très variés, les 15 morceaux proposés sont très plaisants et rivalisent d'intérêt. / Flûte A Bec Alto / niveau : Très Facile - Facile / Partition + Cd