SKU: MA.EMR-54056
1. Rouge - Red - Rot / 2. Orange / 3. Jaune - Yellow - Gelb / 4. Vert - Green - Grun / 5. Bleu - Blue - Blau / 6. Indigo / 7. Violet - Purple - Lila.
SKU: MA.EMR-57185
G Major.
SKU: MA.EMR-54036
SKU: MA.EMR-47287
Opus 4.
SKU: MA.EMR-57167
Bb Major.
SKU: MA.EMR-51020
1. Polkastrophe / 2. Tacot Walzer / 3. Die Polka der Konig / 4. Yodel a Dede / 5. Warum Nicht.
SKU: MA.EMR-57263
F Major.
SKU: HL.48181911
UPC: 888680852658. 10.5x13.5x0.064 inches.
Marcel Poot: Etude de Concert (Trombone & Piano).
SKU: HL.48182327
UPC: 888680840426. 10.5x13.5x0.069 inches.
1st Movement from the Trombone Concerto.
SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: CL.080-0028-33
Trumpet/Baritone T.C. solo with piano accompaniment.
SKU: CY.CC2813
Drei Stucke (Three Pieces) for Trombone and Piano by Alexander Zemlinsky is an early work composed in 1891, and originally scored for Cello and Piano. It has been beautifully arranged for Trombone and Piano by Eric High.The three movements are titled:I. HumoreskeII. LiedIII. TarantellAbout 8 minutes in length, it is appropriate for advanced performers.
SKU: MA.EMR-30813
Possible instrumentations:Trombone & CD Play Back / Play AlongTrombone & Piano (+ CD Play Back / Play Along optional)Trombone & Piano or CD Play Back / Play Along.
SKU: CY.CC3134
ISBN 9790530111031. 8.5 x 11 in inches.
Fanfare and Processional for Trombone and Piano was written in 1978 for Trombonist Daniel Bochard. The work was first premiered that year in recital at the University of British Columbia's School of Music. The work has two very distinct themes: the 1st theme, Fanfare which consists of dramatic leaps of 4th's and octaves somewhat reminiscent of Hindemith. The 2nd theme: the stately Processional, is based on the first three notes of a diatonic scale. The scale presents itself in many different guises throughout the 5 1/2 minute work. For advanced performers.
SKU: BT.PL2706
SKU: BT.PL2737
SKU: BT.PL2735
SKU: BT.PL2699
SKU: BT.PL2715
SKU: BT.PL2736
SKU: BT.PL2808
SKU: BT.DHP-1104777-401
ISBN 9789043134965. 9x12 inches. International.
Vocalise is the second part of Yagisawa Satoshi's Trombone Concerto. In this additional solo version it can be performed by Trombone or Euphonium and Piano. Vocalise is het tweede deel uit Satoshi Yagisawa's Trombone Concerto voor harmonieorkest. De koraalachtige melodie uit dit deel leent zich uitstekend voor uitvoering met pianobegeleiding. De warme, zachte klank van de tromboneof het euphonium komt hierin volledig tot zijn recht!Vocalise ist der zweite Satz aus Satoshi Yagisawas Trombone Concerto und kann in dieser Fassung von Posaune oder Euphonium mit Klavierbegleitung gespielt werden. Vocalise est le second mouvement extrait du Concerto pour Trombone composé par Satoshi Yagisawa. La musique chemine sur une texture qui sâ??apparente un choral et qui permet au soliste de dévoiler les teintes chaudes et douces de son instrument.
SKU: SU.50021330
Same work as Concerto for Trombone Copyright 1979. Published by: Seesaw Music.
SKU: FL.FX074313
A pleasant habanera to work for for a contest, an exam and a concert. From 4 years of instrument practice. - Jerome NAULAIS ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 15; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.
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