SKU: CL.083-0041-33
Trumpet solo with piano accompaniment.
SKU: CY.CC2863
Liszt composed the Romance oubliee around 1844 for Piano. It was forgotten until he heard Violist Hermann Ritter at the first performance of Wagner's Der Ring des Nibelungen at Bayreuth. He fashioned for Ritter a transcription of the work for Viola and Piano as well as ones for the Piano, Violin and Violoncello.In this short work, the listener hears the agonies of a troubled soul, beginning with a rhapsodic passage, continuing with a cadenza-like section, then a section with arpeggiated figures, finally settling into a peaceful ending.This 4 minute work is appropriate for advanced performers. With Mr. Sauer's arrangement we now have this lovely version for Trombone and Piano.
SKU: CY.CC2565
Haydn composed over 100 compositions, each in three movements, for his wealthy employer Nicolas Esterhazy, who played the six-string instrument called a Baryton, which in shape looked much like our modern day cello, but, of course, with six rather the cello four strings. His original scores were composed of three lines: the solo part, an inner filler part for viola and a bass part. I have realized the piano part. These transcriptions were created to give the solo trombonist an experience with classical music.The music is in an elegant style and a joy to perform as arranged by Mr. Trevarthen.The six works included in the collection are as follows:No. 2 in G (Theme and Variations)No. 26 in FNo. 49 in FNo. 55 in FNo. 77 in FNo. 95 in B-flatThe works are between 6 and 9 minutes in length each and suitable for moderately advanced performers.
SKU: CY.CC2819
Elegie, Op. 44 was composed in 1893 originally for Viola and Piano. It is thought to be a memorial for either Anton Rubinstein and/or Tchaikovsky, both of whom died the year before.The 6-minute work very nicely arranged by Dr. Cory Mixdorf is an Allegretto in 9/8 meter, poignantly lyrical, of somber mood and appropriate for advanced performers.
SKU: CY.CC2405
Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy Francois Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
SKU: IM.2662
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