SKU: KN.12431
UPC: 822795124316.
JAMZ is a collection of 15 full-length solos written in contemporary styles including funk, hip-hop, rock, funk ballad, shuffle and gospel grooves. Appropriate for individual use or in private lessons, these pieces can be played unaccompanied or with the provided backing MP3 tracks recorded by excellent studio musicians. The only thing missing is you!COLLECTION CONTENTSAfter Hours Jam; Back Nine Shuffle; Bounce; Escape Velocity; Eye On The Prize; Fish 'N Grits; I Remember When; Mid City Groove; Never The Same; One Last Time; Steep and Deep; Takin' It Home; Tune For T; Updraft and Wind Dancer.
SKU: GF.JPTB
Milwaukee AvenueOgden AvenueNarragansett AvenueBelden AvenueChicago AvenueQuincy StreetRockwell StreetDearborn StreetFranklin StreetPearson Street
SKU: AP.1-ADV14763
UPC: 805095147636. English.
A new and exciting way for trumpet players to learn and practice basic jazz style. This book/audio download set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Slide Hampton on trombone along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums.The recording features two separate versions of each etude: one with the soloist and rhythm section and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the recordings and learn basic jazz style first-hand.
SKU: AP.1-ADV14783
UPC: 805095147834. English.
Intermediate Jazz Conception: Trombone is another addition to the popular series of etude books created by Jim Snidero, featuring some of the finest jazz musicians in the world. This Book & CD set includes 15 etudes based on standards, modal tunes, and blues, demonstrated by a soloist with the incredible rhythm section of Dave Hazeltine on piano, Peter Washington on bass, and Kenny Washington on drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation, including a scales syllabus, nomenclature, and over 95 lines and ideas extracted for the study of improvisation! The recording features two separate versions of each etude; one with the soloist and rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes, play with or without the soloist on the CD, and learn about both jazz style and improvisation from some of the best. Other series available by Jim Snidero include Easy Jazz Conception and Jazz Conception. English/German Edition.
SKU: OT.NM00908
8.27 x 11.69 inches.
Eliezer Aharoni The Non-Classic Bass Trombone (or Tuba) This book covers every topic the non-classic bass trombone player needs to know, with exercises and examples in styles ranging from jazz to rock and Latin. Contents: Introduction by Alan Raph The Non-Classic Bass Trombone Prominent Bass Trombonists in Jazz and Light Music Bass Trombone in Other Styles Bass Trombone in Small Groups/Ensemble Music with Bass Trombone Equipment Doubling Practicing - Goals and Achievements Some General Topics Bass Lines in Different Styles Characteristic Phrases Studies Guest Composers Section The Mute Shop for Bass Trombone and Multiple Mutes Duets Bibliography and Discography Includes 2 CDs (Demo performance and playbacks) performed by Micha Davis, Bass Trombonist, Israel Philharmonic Orchestra Eliezer Aharoni is the bass trombonist of the Jerusalem Symphony Orchestra Softcover, 160 pages, 2008.
SKU: CF.W2687
ISBN 9781491150955. UPC: 680160908455. 9x12 inches.
This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.
SKU: FL.FX073275
Instruments: 1 Solo Trombone; Difficuly Level: Grade 2; Duration: 3 mn 45 s; Musical Style: Classical, Educational; Category: Arrangement, Republished Master Piece; Composer: Charles GOUNOD; Arranger: Eric VIRETON.
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