SKU: CF.W2687
ISBN 9781491150955. UPC: 680160908455. 9x12 inches.
This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.
SKU: BT.DHP-1185910-404
ISBN 9789043154703. English.
Look, Listen and Learn has set the standard for contemporary brass and woodwind teaching. These exciting method book/CD packs for beginners engage students and develop their understanding of music and their instrument through songs, puzzles, games and lots of fun pieces to play. Three progressive method books form the basis of the series, enhanced by several corresponding supplementary volumes.
With Play The Beatles, students will embark on a journey through time to the 1960s to get to know one of the most important bands in the history of rock. This pack includes fifteen of the best-known songs by The Beatles, arranged in increasing order of difficulty in such a waythat they can be used in conjunction with all three volumes of Look, Listen and Learn. Authentic-sounding accompaniment tracks are also provided online to download or stream directly.
SKU: BT.DHP-1084522-400
ISBN 9789043130219. 9x12 inches. English-German-French-Dutch.
This book contains 20 vocalises originally intended for the development and training of the singing voice, but which will also encourage many aspects of performance for trombone players, such as tone quality and phrasing. These attractive pieces are not only useful as studies, but also work well as performance pieces - either with a piano accompaniment using the printed score, or playing along with the CD. On the CD Ian Bousfield, principal trombonist of the Vienna Philharmonic, plays all the vocalises. In addition, the CD contains the piano accompaniments to play along with.Dit boek bevat twintig vocalises - die oorspronkelijk zijn ontwikkeld voor de scholing en training van de zangstem, maar ook veel aspecten van het spel van trombonisten zullen bevorderen, zoals toonvorming en frasering. Deze fraaiestukken zijn nietalleen nuttig als etudes, maar doen het ook goed bij optredens - met pianobegeleiding (die is meegeleverd) of met de cd. Naast de meespeeltracks staan op de cd ook de complete vocalises, ingespeeld door Ian Bousfield, solotrombonist van het WienerPhilharmoniker. Dieses Buch enthält 20 Vokalisen, die ursprünglich für die Entwicklung und das Training von Singstimmen gedacht waren, aber auch viele Aspekte des Posaunenspiels, wie z. B. Tonqualität und Phrasierung fördern. Die reizvollen Stücke eignen sich nicht nur zum Ã?ben, sondern können auch sehr gut aufgeführt werden - mit einem Pianisten, der aus den Klaviernoten im Buch spielt oder mit der beiliegenden CD. Auf der CD spielt Ian Bousfield, Soloposaunist der Wiener Philharmoniker, alle Vokalisen vor. AuÃ?erdem enthält die CD alle Klavierbegleitungen.Belcanto for Trombone contient vingt vocalises écrites lâ??origine pour le travail et le développement de la voix chantée. Ces études mélodiques, qui contribuent particulièrement au développement du phrasé et de la musicalité, sont parfaitement adaptées pour le trombone. Plus que de simples exercices, elles constituent dâ??excellentes pièces de récital que lâ??on peut interpréter soit avec un pianiste accompagnateur (accompagnements de piano joints au recueil) soit avec lâ??accompagnement de piano enregistré sur le compact disc. Sur le compact disc inclus, vous trouverez une version intégrale de chaque vocalise, dont lâ??interprétation a été confiée Ian Bousfield,trombone solo de lâ??Orchestre Philharmonique de Vienne. Bel Canto for Trombone racchiude 20 studi melodici scritti originariamente per la voce. Nel CD incluso è presentata sia la versione integrale di tutti i brani che quella col solo accompagnamento (play-along). Gli spartiti del piano sono inclusi nel libro.
SKU: GF.JPTB
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SKU: HL.870077
ISBN 9781705150269. UPC: 196288017004. 9.0x12.0x0.077 inches.
30 popular melodies at an easy level in solo books for all the instruments in the Essential Elements Band Method. Perfect motivational music for students to play and practice featuring songs by Billie Eilish, Queen, Shawn Mendes, Taylor Swift, Star Wars, The Avengers, and more! Titles include: Believer • Blinding Lights • Don't Stop Believin' • Dynamite • Hallelujah • The Imperial March (Darth Vader's Theme) • Let It Go • Señorita • Seven Nation Army • Sucker • This Is Me • We Are the Champions • Wildest Dreams • You Will Be Found • and more.
SKU: HL.49005365
ISBN 9790001057776. UPC: 073999282375. 7.5x10.75x0.128 inches. German.
Jazz ist Rhythmus und Improvisation. Diese Anleitung will den Weg weisen, wie sich jeder das Improvisieren aneignen kann. Von der einfachen Ubung bis zum vollendeten Chorus sind alle Schwierigkeitsgrade berucksichtigt. Daruber hinaus konnen zwei oder mehr Spieler verschiedener Instrumente sich durch gemeinsames Uben mit der Kollektiv-Improvisation vertraut machen. Fur diesen Zweck weisen die Ubungen gleicher Nummer bei allen Instrumenten dieselbe Harmoniefolge und dieselbe (klingende) Tonart auf.Der Erfolg wird sich einstellen, wenn die Besonderheiten des Rhythmus, die Regeln der Melodiebildung und die harmonischen Grundlagen des Jazz in den den Schriften aus der Jazz-Studio-Reihe beachtet werden.
SKU: BT.EMBZ14143
English-German-Hungarian.
The collection of 130 studies published in two volumes was compiled with the aim in mind to meet the demands of trombone instruction from the highest classes of the music schools to the Academy of Music. lt was selected from those 'traditional' studies which played a decisive role in trombone playing and instruction at the turn of the century and have become the most frequently performed studies since then. However old-fashioned these studies may seem, they belong to the best ones with regard to safe, smooth technique and the elaboration of a nice sound and will definitely serve their purÂpose in the future as well. On compiling the volumes, I have attempted to observe not only asequence according to grade of difficulty but the variety of characters as well. I am convinced that these studies are both useful and, when performed sufficiently colorfully, may contribute to overcoming the monotony of technical exercises. The articulation sings and markings of dynamics, which often differ from the original, try to meet this aim.I had already used this collection of studies before it was printed. 1 had to realize soon that the technical level of the first pieces was too high to assure a smooth transition from the trombone tutors written for beginners. As a result, I found it necessary to start the first volume with a shortened and facilitated version of some studies. Since these pieces in question have been changed considerably, a * beside the composer's name refers to the fact in each case that they are arrangements.I recommend my work to my past, present and future pupilsPál Makovecz.
SKU: M7.AHW-2054
English.
Read below what Roger Smith had to say about completing this momumental work from the manuscripts of Ernest Williams. We are all thankful for his hard work: 'The Ernest S. Williams Modern Method for Trumpet or Cornet is generally recognized by teachers and students alike as the finest and most complete ' School ' for Trumpet and Cornett hat has ever been written. Both the technical and the musical aspects of these volumes reflect the genius of Dr. Williams as a musician, and as a teacher.' 'I was privileged to study both Trombone and Baritone with Dr. Williams, in fact he was my only teacher on either instrument. After graduation from the Ernest Williams School of Music, I became a member of the faculty, and assisted Dr. Williams with the teaching of Brasses, under his direct guidance, and using this material. Dr. Williams commenced the revision of the books at that time for Trombone and Baritone, a task which he was never to complete. This revision, based largely on his manuscripts, is the result of my training as his pupil and assistant, and of my experience as teacher of Trombone at the Juilliard School of Music.' 'The principal problems were two; proper introduction of the positions on the trombone, which are more difficul to learn than the valve combinations on Baritone or Trumpet, and the contrasting techniques of legato and slur on the two instruments. For these reasons some chapters of the book have been revised considerably, and some new material added from time to time.' If you do not know this book, you have to take a look.
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