SKU: AP.1-ADV3111

UPC: 805095031119. English.

Coordination for Trombone Playing: Coordination Training Program is a theory, technique, and practice manual for the growing trombonist that includes exercises, explanations, and more for improvement of technical facility, endurance, range, flexibility, sound, and expression. For jazz and classical and commercial players.

SKU: JK.01948

UPC: 093285019485.

Hymn-Alongs makes playing hymns and primary songs a blast! It is available for almost any instrument and is designed to be simple enough for developing musicians and fun for those advancing in music.
The Accompaniment Book features beautiful, yet simple arrangments for piano, guitar, and voice. Instrumental books are sold separately and can be played together in any combination. All instrument books include a melody part; treble instruments also have a duet part, and bass instruments also include a bass part.
See all Hymn-Alongs Vol. 1 products
Songs included in this Hymn-Alongs Vol. 1:
Come, Follow Me
I Love to See the Temple
Choose the Right
I Am a Child of God
Count Your Blessings
Called to Serve
Joseph Smith's First Prayer
Beautiful Savior
We Thank Thee O God for a Prophet
I'm Trying to Be Like Jesus
Families Can Be Together Forever
He Sent His Son
My Heavenly Father Loves Me
Composer: Various
Arranger: Brent Jorgensen
Difficulty: Easy.

SKU: BT.EMBZ14143

English-German-Hungarian.

The collection of 130 studies published in two volumes was compiled with the aim in mind to meet the demands of trombone instruction from the highest classes of the music schools to the Academy of Music. lt was selected from those 'traditional' studies which played a decisive role in trombone playing and instruction at the turn of the century and have become the most frequently performed studies since then. However old-fashioned these studies may seem, they belong to the best ones with regard to safe, smooth technique and the elaboration of a nice sound and will definitely serve their pur­pose in the future as well. On compiling the volumes, I have attempted to observe not only asequence according to grade of difficulty but the variety of characters as well. I am convinced that these studies are both useful and, when performed sufficiently colorfully, may contribute to overcoming the monotony of technical exercises. The articulation sings and markings of dynamics, which often differ from the original, try to meet this aim.I had already used this collection of studies before it was printed. 1 had to realize soon that the technical level of the first pieces was too high to assure a smooth transition from the trombone tutors written for beginners. As a result, I found it necessary to start the first volume with a shortened and facilitated version of some studies. Since these pieces in question have been changed considerably, a * beside the composer's name refers to the fact in each case that they are arrangements.I recommend my work to my past, present and future pupilsPál Makovecz.