SKU: AP.1-ADV14723
UPC: 805095147230. English.
Jazz Conception is an exciting way for players at all levels to learn the language of jazz! Jazz Conception: Trombone Book and CD set features 21 solo etudes based on chord changes to standards and blues. See and hear how a well-known soloist phrases, articulates, and plays along with or without the soloist on the CD. Play along with one of today's finest swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usually more complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. Use the book/MP3 CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the CD (then check against the book), or for just having fun playing along with a great jazz rhythm section. Used as an improvisation study, learning how to construct a swinging, logical solo works especially well in combination with the Study Guide (item #01-ADV14730). Titles: Groove Blues * Amen * A Doll * Total Blues * Grease * Rose * Joe's Thing * Proxy * Father Song * Ind Line * Miles * Blue Minor * Autumn * Friends * Great Love * Two Plus Two * Lunar * Tunesia * Bird Blues * Somewhere * Passage.
SKU: BT.EMBZ14452
Hungarian-English-German-French.
This volume offers etudes and exercises that are recommended for pupils during their first 4 6 years of instrumental study - the pieces are arranged in ascending order of difficulty, with a gradual increase in the range of notes, positions and rhythmic elements used. In addition to etudes originally written for other instruments, the collection includes many (particularly baroque) musical extracts suitable for use as studies, to lend colour to the palette. This volume has been compiled for beginners - the pieces are arranged in ascending order of difficulty, with a gradual increase in the range of notes, positions and rhythmic elements used. In addition to etudes originally written for other instruments, the collection includes many (particularly baroque) musical extracts suitable for use as studies, to lend colour to the palette. 347 Etüden für Posaune ist ein für Anfänger zusammengestellter Band, dessen Stücke in ihrem Schwierigkeitsgrad entsprechend angeordnet sind, wobei der Tonumfang und die Skala der Lagen und der rhythmischen Elemente schrittweise wächst. Neben den ursprünglich für andere Instrumente komponierten Etüden wurden zur Belebung der musikalischen Palette auch viele als Etüden verwendbare (vor allem barocke) musikalische Auszüge in die Sammlung aufgenommen.
SKU: GF.JPTB
Milwaukee AvenueOgden AvenueNarragansett AvenueBelden AvenueChicago AvenueQuincy StreetRockwell StreetDearborn StreetFranklin StreetPearson Street
SKU: GI.G-J158
English.
A revision of this beginning band series makes Jump Right In easier to use and more musical than ever before! Includes high-quality CDs of folk songs that: • Comprise many styles, tonalities, and meters • Span many cultures and many centuries • Are ideal for listening and playing along Features performances by some of the world’s greatest performers: • Artist faculty members from Eastman School of Music • Members of Rochester Philharmonic Orchestra • Rhythm and Brass Helps develop musicianship beyond instrumental classroom with: • Progress from sound to sight in logical, common sense sequence • Opportunities for improvisation from early stages of instruction • Tools to help students learn to read and write with better comprehension • Arrangements of familiar songs in each book Sequential and proven materials are: • Designed specifically to attend to individual differences • Based on current experimental and practical research • Based on the music learning theories of Edwin E. Gordon • Relevant to National Standards and include suggestions for measurement and evaluation Extensive Teacher’s Guide: • Contains lesson plans • Includes teaching procedures • May be used independently or in conjunction with Jump Right In: The Music Curriculum and Developing Musicianship through Improvisation.
SKU: GI.G-J305
ISBN 9781579994369. English.
SKU: FG.55011-487-6
ISBN 9790550114876.
One of the big projects of Kalevi Aho (b. 1949) has been to create a virtuoso solo piece for every central instrument of the symphony orchestra. When the Italian Risuonanza Festival asked for a solo trombone piece, the composer was glad, because the trombone solo was still lacking from the Solo series. Kalevi Aho tells: I like the trombone as an instrument, and I had before the Solo XIII composed already two big trombone works. In my Symphony No. 9 (1994) I have used the trombone as a solo instrument - in the premiere the Swedish trombonist Christian Lindberg played its demanding solo part - and 2010 I composed also a big trombone concerto for the Dutch trombonist Jorgen van Rijen. In Solo XIII (2017) I could utilize my knowledge about the possibilities of the instrument. The piece is in one movement, but it includes several slower and faster sections. It is a virtuoso piece, but the virtuosity comes from the psychological contents of the work and its form is dramaturgically quite clear. Rocco Rescigno played the premiere at the Risuonanze Festival in Pasian di Prato, on 31 May 2019. The duration of the piece is c. 9 minutes.
SKU: SU.80601980
Trombone solo Composed: 2006 Published by: Evan Hause.
SKU: BT.EMBZ14143
English-German-Hungarian.
The collection of 130 studies published in two volumes was compiled with the aim in mind to meet the demands of trombone instruction from the highest classes of the music schools to the Academy of Music. lt was selected from those 'traditional' studies which played a decisive role in trombone playing and instruction at the turn of the century and have become the most frequently performed studies since then. However old-fashioned these studies may seem, they belong to the best ones with regard to safe, smooth technique and the elaboration of a nice sound and will definitely serve their purÂpose in the future as well. On compiling the volumes, I have attempted to observe not only asequence according to grade of difficulty but the variety of characters as well. I am convinced that these studies are both useful and, when performed sufficiently colorfully, may contribute to overcoming the monotony of technical exercises. The articulation sings and markings of dynamics, which often differ from the original, try to meet this aim.I had already used this collection of studies before it was printed. 1 had to realize soon that the technical level of the first pieces was too high to assure a smooth transition from the trombone tutors written for beginners. As a result, I found it necessary to start the first volume with a shortened and facilitated version of some studies. Since these pieces in question have been changed considerably, a * beside the composer's name refers to the fact in each case that they are arrangements.I recommend my work to my past, present and future pupilsPál Makovecz.
SKU: HL.48183756
UPC: 888680859381. 9x12 inches.
“Born in Calais in 1946, Yves Demarle studied at the Paris Conservatoire where he won first prize for Trombone. He then went on to play with the Orchestre de Paris. His Flexibility for Tenor Trombone, therefore, is very well-informed. This volume is essential to trombonists who already have experience of the instrument. Flexibility for Tenor Trombone addresses use of the tongue in conjuction with the air column, and are to be practised alongside the student's usual technical studies. All exercises should be practised up to the seventh position and repeated until they can be played with perfect synchronisation between the lips, tongue and jaw. With detailed instruction in French, English, German and Spanish, Demarle's Flexibility for Tenor Trombone is essential to the progression of technique of all aspiring trombonists.&rdquo.
SKU: AP.1-ADV3104
ISBN 9783892210795. UPC: 805095031041. English.
Improvisation is at the heart of jazz, but knowing how to play stylistically correct in a large jazz ensemble is also a necessity. How to Play Lead Trombone in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together. How to Play Lead Trombone in a Big Band by Mark Kellogg is an annotated guide written to help trombonists explore the joys and challenges of playing in a large jazz ensemble. Topics covered include the distinct roles of lead and section players in a big band; playing with a cohesive section sound; and performing with an even sense of balance, intonation, and rhythmic feel. These insightful comments are conveyed by taking a detailed look at seven compositions and addressing the specific challenges of each work. The CD which accompanies this text provides a helpful aural guide, enabling the trombonist to listen to each example or to play along with the recording. The variety of jazz styles covered in this volume include medium swing, funk, bossa, fast swing, and Afro-Cuban feels. Composers and arrangers of these pieces include some of the most innovative and respected voices of the genre, such as Clare Fischer, Bill Dobbins, Jim Snidero, Heiner Wiberny, and Joey Sellers. This publication is designed for use by trombonists of all ages and experience levels.
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