SKU: MA.EMR-56150
1. Storm In My Soul / 2. Look In The Mirror / 3. Wild Heart / 4. Less Is More / 5. Funny Dream.
SKU: MA.EMR-56168
SKU: CY.CC3150
ISBN 9790530111185. 8.5 x 11 in inches.
Here is a brief description of this very fine new work The Secret of Ben Sogen for Trombone and Piano by the composer, Elizabeth Raum: I've always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for trombone, I found myself drawn to the Danish mythical character, Ben Sogen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Sogen is that he doesn't exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn't evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Sogen. The Hero Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers.
SKU: SU.32040021
Trombone & Piano Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Piano 5 (Advanced) See also Red Dragonfly, Concerto for Trombone and Band for the version with band accompaniment. See composer website for audio sample.
SKU: CY.CC2144
The Skye Boat Song, among the most popular of all Scottish folk tunes, deals with the flight of Bonnie Prince Charlie (Charles Edward Stewart) from Scotland to the Isle of Skye in 1746, after having been defeated on Culloden Moor by the English Army of King George II. The present setting, for either Tenor or Bass Trombone and Piano, is mostly lyrical and passes through a series of episodes that evoke watery images in various ways. A stormy episode which superimposes a more martial tune (relying heavily on the familiar scotch snappy rhythm) against a variation of the original folk tune leads to brief quotations from Mendelssohn's Hebrides overture (the Isle of Skye is part of the group of islands known as the Hebrides) before a short recapitulation of the theme.
SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: SU.32040180
Golden for Trombone and Piano is a virtuoso piece for the trombone with a wide range of expression, from Trouble and Worry (Mvt. I), to the wonder of Golden Lilies & Birds thru Hope and Peace (Mvt. II), to, despite life’s trials, Dancing with Joy (Mvt. III). Special and unique sounds include the trombone and piano echoing bird songs and the trombone playing ethereal tones into the open piano strings, they say it is breathtaking. Mvt. I Trouble & Worry Mvt. II Golden Lilies & Birds Mvt. III May I have This Dance? Difficulty Level: 5 (Advanced/Professional) See composer website for audio recording. Trombone & Piano Duration: 16'30 Composed: 2020 Published by: Amy Riebs Mills Music, LLC.
SKU: CY.CC3086
ISBN 9790530110638. 8.5 x 11 in inches.
Purcell's Sonata was originally written for Trumpet in D about 1694 and has been deftly arranged in the original key for alto trombone and piano or organ by Jeremy Niles Kempton. The 5-minute work for moderately advanced performers is in three movements: Fast - Slow - Fast.
SKU: MA.EMR-63204
1. Hello Christmas 2. Divine Christmas 3. Sweet Christmas Night 4. Jingle Bells 5. The Snow Angels 6. The Three Little Reindeer 7. Silver Bells 8. My Beautiful Christmas 9. Noel en Caleche 10. White Xmas 11. Wonderful Christmas 12. Peaceful Christmas.
SKU: MA.EMR-63190
SKU: YM.GTW01093352
ISBN 9784636933529.
20 songs arranged for solo trombone and piano. Trombone part with a book for piano accompaniment and Karaoke CD. 20Shou Chang Hao Du Zou Qu ,Gang Qin Ban Zou . Han Chang Hao Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Kono Michi; 3. Sato No Aki; 4. Oborozukiyo(A Night with a Hazy Moon); 5. Sakura Sakura; 6. Furusato(My Old Town); 7. Hamabe no Uta(A Song at the Seaside); 8. Yashi no Mi; 9. Hana; Yuyake Koyake; 11. Kojo no Tsuki(Moon over the Ruined Castle); 12. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 13. Satoukibi Batake(In a Large Field of Sugarcane); 14. Hana wa Saku(Flowers Will Bloom); 15. Haru yo Koi(Come spring!); 16. Kawa no nagare no Yo ni(As a River's Running); 17. Miagete goran Yoru no Hoshi wo(Look up at the Night sky); 18. Nada SouSou(Down Come My Tears); 19. Nagori Yukii(Snowfall at the end of the Winter); 20. Ito(String) 1. Zao Chun Fu ; 2. Zhe Tiao Lu ; 3. You Jian Chui Yan ; 4. Meng Long Yue Ye ; 5. Ying Hua ; 6. Gu Xiang ; 7. Hai Bin Zhi Ge ; 8. Ye Zi De Guo Shi ; 9. Hua ; 10. Wan Xia Jian Dan ; 11. Huang Cheng Zhi Yue ; 12. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 13. Gan Zhe Tian ; 14. Hua Zheng Zai Kai ; 15. Chun Tian ,Lai Ba ; 16. Chuan Liu Bu Xi ; 17. Yang Wang Xing Kong ; 18. Lei Guang Shan Shan ; 19. Can Xie ; 20. Xian.
SKU: CY.CC2543
Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya.
The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas espanolas, volume I from 1890, for Piano.
Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Trombone and Piano.
Trombonists will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire.
The Two Dances (in tenor clef) are about 6 1/2 minutes in length and can be performed by advanced musicians.
The mp3 sample is an excerpt of the Bass Trombone version taken from a live performance at the 2012 Academy of the West Festival performed by David Hagee and Luis Ortiz, Pianist.
SKU: CY.CC2494
Alexander Scriabin's music has been described as mystical, lyrical and idiosyncratic. He was a most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as sincere expression(s) of genius.
The Three Etudes for Trombone and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression.
Mr. Sauer has once again brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the Trombone world. Those who do will be richly rewarded with the depth of musicanship found in these works.
SKU: FL.FX074268
On October 31, 2020, day falls, giving way to a starless night. I put on my best Halloween costume to go get some candy with my friends. But not everything goes as planned ... - Adeline COLLART ; Composition for the 15th National Trombone Competition Antoine Courtois 2021. From 3 years of instrument practice. ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Adeline COLLART.
SKU: HL.14022614
English.
An approachable set of four pieces for the progressing trombonist by veteran Royal Opera House trombonist and Royal Academy of Music teacher, Harold Nash. Each piece in the set explores a different human emotion, covering pride, sadness, contentment and joy, with much scope for expression. With parts for either treble clef or bass clef Trombone.
SKU: FL.FX073048
I remember well when I began to write these pieces: I sat down at the piano in the conservatory, which was almost completely empty at the time... and I improvised the first chords of the first piece. After that I wrote the theme. The music rang loudly in that large auditorium and I could hear how it echoed about the empty corridors of the conservatory... it reminded me of the overture from Charles Gounod's Faust, as my hands still played out the melodies, stretching the limits of the theme which would become, in a sense, the introduction to the whole cycle. I could feel that the story was emerging: a story born from within the music. - Anton GLADKIKH ; Hoffmanniada is a collection of six short pieces for trombone and piano composed in a style inspired by the great Russian composers of the twentieth century. Sometimes melancholic and romantic, sometimes cheerful and virtuoso, the writing subtlety of Anton Gladkikh perfectly exploits the qualities of power and finesse of both instruments. Fabrice MILLISCHERThis original piece is the first opus of FLEX Editions collection directed by Fabrice MILLISCHER. It is built of 6 movements: 1 - Et finalement ca tourne, 2 - Autonomie de la volonte, 3 - Les lettres, 4 - Lilite, 5 - Quand Dieu crea le temps, 6 - Le jeu des Demiurges ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 5.
SKU: CY.CC2709
--Four Pieces from Opus 11 arranged for Trombone and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910.--The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War.--About 12 minutes in length, these four movements are appropriate for advanced performers.
SKU: FL.FX072490
Here are a few pieces for trombone and piano. I wrote them following the progression of my son Valentin (to whom I dedicate them) who started the trombone in September 2011. I thank Yann Sevin, Professor at Evry and Yves Demarle, for their help. I hope pianists will also enjoy playing the accompaniment. Good luck to all! - Denis LELOUP.
SKU: CY.CC2275
Faure's Les Berceaux (The Cradles), Opus 23 No. 1 written in 1879 is a song set from a poem by Prudhomme. The song's melody is simple, flowing, lyrical and sad. It beautifully describes ships as they head out to sea carrying men, lured by the mystery of the seas, rocked in the water and cradled by women and held back by the soul of The Cradles. Faure's magical enchanting style in this 3 minute work is captured perfectly by Jason Beghtol's fine arranement for Intermediate Trombone.
SKU: BT.AMP-387-400
ISBN 9789043135856. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
