SKU: BT.AMP-304-400
ISBN 9789043138116. 9x12 inches. English-German-French-Dutch.
Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique. Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.
SKU: BT.DHP-1115161-400
ISBN 9789043142168. 9x12 inches. German.
Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liegen dabei klar auf der Hand: Die Instrumentalisten sparen mit diesem Buch nicht nur wertvolle Vorbereitungszeit, sondern auch bares Geld, denn wer früher mehrere Hefte anschaffen musste, hat mit Starke Töne bereits das Beste in einem Band versammelt. Somit befriedigt diese Ausgabe eine lang bestehende Nachfrage. In jeder Ausgabe ist jedes Stück mit einerKlavierbegleitung notiert; ursprüngliche Solostücke wurden eigens mit einer neu komponierten Begleitung versehen. Der Klavierpart ist in der Regel einfach bis mittelschwer, sodass die Begleitung auch von fortgeschrittenen Klavierschülern übernommen werden kann.Ein gro�er Vorteil für die Vorbereitung auf die praktischen Leistungsprüfungen ist die jedem Heft beiliegende CD, welche die auf einem echten Konzertflügel aufgenommenen Klavierbegleitungen enthält. Neben Einspielungen im Originaltempo sind die meisten Stücke zum leichteren Einstudieren auch in einer weiteren Version im langsameren Tempo zu hören.Mit Starke Töne ist in Zusammenarbeit mit dem BDB eine wertvolle Sammlung für alle Blasinstrumente und Klavier sowie für Schlagzeug entstanden, die selbstverständlich auch unabhängig von den Leistungsabzeichen das Unterrichts- und Vortragsrepertoire für jede dieser Besetzungen bereichert.
SKU: CY.CC3170
ISBN 9790530111406. 8.5 x 11 in inches.
The set of 24 Preludes for Piano, Op. 34 was composed in the winter of 1932-33. They represent all of the major and minor keys, inviting comparisons with similar collections by Bach and Chopin. Each movement has its own individual mood and there are sharp contrasts within each movement and between movements in style, rhythm and harmony. James Markey has brilliantly arranged eleven of these movements for Tenor Trombone and Piano for virtuoso level performers. The entire work is about 17 minutes in length. We are grateful to the Shostakovich estate and G. Schirmer for authorizing Mr. Markey's arrangement. Mr. Markey and pianist Virginia Perry can be heard performing this arrangement of the Preludes on his CD entitled Offroad released in 2003, which happens to be sold by Cherry Classics Music on this site and also available on iTunes and other music retailers.
SKU: BT.AMP-413-400
ISBN 9789043148559. English-German-French-Dutch.
Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Easy Christmas Carols is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introducesthe beginning player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. This book will provide invaluable additional material to complement any teaching method and includes both pianoaccompaniment and a demo/play-along CD.Philip Sparkes 15 Easy Christmas Carols sind Teil der Anglo Music Play-Along Reihe und richten sich an junge Instrumentalisten, die den Tonumfang von einer Oktave beherrschen. Auf jedes Instrument zugeschnitten, führen diese Ausgaben,für die einfache und zugleich ansprechende Melodien ausgewählt wurden die sich für diesen begrenzten Tonumfang eignen, den Anfänger an die weltweit beliebtesten Weihnachtslieder heran. Dieser Band bietet wertvolles Ergänzungsmaterial, das zu jederInstrumentalschule passt und sowohl eine Klavierbegleitung als auch eine Play-Along-CD enthält.Faisant partie de l’Anglo Music Play-Along Series, les 15 Easy Christmas Carols(15 chants de Noël faciles) de Philip Sparke visent les jeunes instrumentistes qui arrivent jouer un peu plus d’une octave. Adapté pourconvenir chaque instrument spécifique, ce recueil introduit le joueur débutant aux chants de Noël les plus populaires en sélectionnant des mélodies simples les plus intéressantes qui correspondent leur registre limité. Ce recueil fournit dumatériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.
SKU: BT.DHP-1196129-404
ISBN 9789043157391. Italian.
Ascolta, leggi & suona rappresenta oggi il testo di riferimento dedicato all’insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol’opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.
Incontra l’opera offre utile materiale complementare a tutti e tre i volumi della serieAscolta, leggi & suona e include arie famose, cori e ouvertures, proposti secondo un ordine di difficolt crescente. Una selezione delle più belle melodie mai scritte per l’opera, corredate da un quadro storico esplicativo.L’allievo potr esercitarsi da solo, utilizzando le tracce registrate disponibili online, scaricabili o ascoltabili in streaming. Questa edizione contiene l’accompagnamento pianistico, arrangiato sapientemente a un moderatolivello di difficolt .
SKU: BT.DHP-1125294-400
ISBN 9789043141802. 9x12 inches. English-German-French-Dutch.
Performance pieces for piano and trombone in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book ? arrangements of well-known tunes as well as original compositions ? are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team ? after all playing together is almost always at the heart of music!Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en trombone waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek ? zowel bewerkingen van bekende liedjes als originele composities ? zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team ? in de muziek draait het immers vrijwel altijd om samenspel!Es gibt immer Bedarf an Stu?cken fu?r Klavier und Posaune, in denen die Stimmen fu?r beide Spieler ähnlich schwer sind. Die 20 Stu?cke in diesem Buch ? die sowohl bekannte Melodien als auch originale Kompositionen umfassen ? richten sich an Instrumentalschu?ler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt SpaÃ?. Two is a Team ? denn schlieÃ?lich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!La littérature musicale semblerait être dénuée de morceaux de concert pour piano et trombone dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil ? arrangements dâ??airs connus et compositions originales ? sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec dâ??autres est un des grands plaisirs quâ??apporte la pratique de la musique !Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile unâ??esecuzione con lâ??accompagnamento del piano.
SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: BT.DHP-1185949-404
ISBN 9789043154499. Dutch.
Horen, lezen & spelen is tegenwoordig de standaard in het blaasmuziekonderwijs. Deze aantrekkelijke beginnersmethode (boek met cd) bevat liedjes, puzzels en spelletjes om leerlingen te helpen muziek te begrijpen, informatie over het instrument, en vooral veel stukjes die leuk zijn om te spelen. De drie delen van de methode die de basis van de serie vormen, worden aangevuld door verschillende boeken met extra materiaal dat correspondeert met de voortgang in de methode.
In Mijn eerste opera zijn beroemde aria’s, koren en ouvertures ingedeeld in oplopende volgorde van moeilijkheidsgraad; het boek kan worden gebruikt in combinatie met alle drie de delen van deserie Horen, lezen & spelen. Een aantal van de mooiste melodieën uit de wereld van de opera zijn hier bijeengebracht en voorzien van historische commentaar. Leerlingen kunnen pianobegeleidingen gebruiken die online klaarstaan om te streamen of te downloaden. Daarbovenop bevat deze uitgave tevens bladmuziek van de pianobegeleidingen, die vakkundig zijn gearrangeerd voor enigszins gevorderden.
SKU: PR.114414450
ISBN 9781598064087. UPC: 680160597635. 9x12 inches.
Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’__________________________________________Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivin’ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.
SKU: BT.DHP-1104777-401
ISBN 9789043134965. 9x12 inches. International.
Vocalise is the second part of Yagisawa Satoshi's Trombone Concerto. In this additional solo version it can be performed by Trombone or Euphonium and Piano. Vocalise is het tweede deel uit Satoshi Yagisawa's Trombone Concerto voor harmonieorkest. De koraalachtige melodie uit dit deel leent zich uitstekend voor uitvoering met pianobegeleiding. De warme, zachte klank van de tromboneof het euphonium komt hierin volledig tot zijn recht!Vocalise ist der zweite Satz aus Satoshi Yagisawas Trombone Concerto und kann in dieser Fassung von Posaune oder Euphonium mit Klavierbegleitung gespielt werden. Vocalise est le second mouvement extrait du Concerto pour Trombone composé par Satoshi Yagisawa. La musique chemine sur une texture qui sâ??apparente un choral et qui permet au soliste de dévoiler les teintes chaudes et douces de son instrument.
SKU: BT.DHP-1074429-400
ISBN 9789043133517. 9x12 inches. English-German-French-Dutch.
Team up together! The pieces in this book are perfect for playing with a friend, a classmate, or even your brother or sister, since the piano part is not very difficult. The enclosed CD will be a great study aid. Nearly all the tunes have been written in the pop and swing rhythms of our time: you will definitely be successful performing them. Have lots of ‘fun on stage’! Samen sta je sterk. De stukken in dit boek zijn heel geschikt om uit te voeren met een vriend of vriendin, een klasgenoot, je zus of je broer achter de piano. De pianopartijen zijn namelijk niet zo moeilijk. Bovendien helpt de bijgevoegdecd met het instuderen ervan. Bijna alle nummers zijn geschreven in de pop- en swingritmes van onze tijd: je zult er vast en zeker succes mee hebben bij optredens. Veel ‘fun on stage’ gewenst!Die Stücke in Fun on Stage eignen sich prima für das Zusammenspiel mit Freunden, Klassenkameraden oder Familienmitgliedern, da die Klavierstimmen nicht sehr schwer sind. Die meisten Melodien wurden in modernen Pop- oder Swingstilen geschrieben. Die Demoversionen auf der CD werden auf verschiedenen Instrumenten vorgespielt. Außerdem sind auf der CD Begleitungen zum Mitspielen enthalten. Have fun on stage“ - viel Spaß auf der Bühne! Faites équipe avec un élève, un membre de la famille ou un ami pianiste pour interpréter les compositions originales réunies dans cet ouvrage. Les parties de piano sont relativement simples. Le compact disc inclus est une aide précieuse pour le travail de préparation. La plupart des mélodies s’appuient sur des rythmes swing-pop actuels qui séduiront votre public. Avec Fun on Stage, le plaisir de monter sur scène est intact ! Una pubblicazione ideale per suonare assieme agli amici, compagni di classe, ecc. Si tratta di brani scritti negli stili pop e swing, eseguiti sul CD da strumenti diversi. E' proposta anche una traccia play-along.
SKU: BT.AMP-311-401
9x12 inches.
Capriccio for Trombone is geschreven in opdracht van Brett Baker, trombonesolist en lid van de beroemde Black Dyke Band. Het is een eerbetoon aan Mike Moor, de onlangs overleden vriend en collega van zowel Brett als de componist.Capriccio weerspiegelt Mike’s opgewekte karakter, zijn tomeloze energie en liefde voor de brassbandmuziek. Eveneens verkrijgbaar voor trombone en brassband.Capriccio for Trombone wurde von Brett Baker, dem Solo-Posaunisten der berühmten britischen Black Dyke Band, in Auftrag gegeben. Es ist ein Tribut an den kürzlich verstorbenen Mike Moor, ein enger Freund und Kollege von Baker und dem Komponisten. Dieses Werk sollte Moors Gutmütigkeit, seine große Liebe zur Brass-Band-Musik und die unbezähmbare, enthusiastische Energie einfangen, die Mike in allen Dingen, die er tat, an den Tag legte. Ebenfalls erhältlich für Posaune und Brass Band.Capriccio for Trombone est une commande de Brett Baker, tromboniste soliste et membre du célèbre Brass Band Black Dyke Band. Cette oeuvre rend hommage au défunt Mike Moor, un ami commun du compositeur et du tromboniste. Cappricio for Trombone est une pièce de caractère jovial, dont la trame s‘appuie sur une figure de note récurrente et une incroyable multitude de changements d‘atmosphères et de chiffrages de mesure.
SKU: CY.CC2565
Haydn composed over 100 compositions, each in three movements, for his wealthy employer Nicolas Esterhazy, who played the six-string instrument called a Baryton, which in shape looked much like our modern day cello, but, of course, with six rather the cello four strings. His original scores were composed of three lines: the solo part, an inner filler part for viola and a bass part. I have realized the piano part. These transcriptions were created to give the solo trombonist an experience with classical music.The music is in an elegant style and a joy to perform as arranged by Mr. Trevarthen.The six works included in the collection are as follows:No. 2 in G (Theme and Variations)No. 26 in FNo. 49 in FNo. 55 in FNo. 77 in FNo. 95 in B-flatThe works are between 6 and 9 minutes in length each and suitable for moderately advanced performers.
SKU: CY.CC2494
Alexander Scriabin's music has been described as mystical, lyrical and idiosyncratic. He was a most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as sincere expression(s) of genius.
The Three Etudes for Trombone and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression.
Mr. Sauer has once again brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the Trombone world. Those who do will be richly rewarded with the depth of musicanship found in these works.
SKU: CY.CC2441
Satie's strange but beautiful pieces were composed in the 1890's and were notated without barlines or time signatures. They consist of mysterious, hypnotic melodies supported by simple chord structures and are full of cryptic comments such as counsel yourself carefully and be clairvoyant. There are few restictions on interpretation. Mr. Sauer's beautiful arrangements of these six short works total about 15 minutes in length and are suitable for advanced performers.
SKU: CY.CC2543
Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya.
The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas espanolas, volume I from 1890, for Piano.
Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Trombone and Piano.
Trombonists will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire.
The Two Dances (in tenor clef) are about 6 1/2 minutes in length and can be performed by advanced musicians.
The mp3 sample is an excerpt of the Bass Trombone version taken from a live performance at the 2012 Academy of the West Festival performed by David Hagee and Luis Ortiz, Pianist.
SKU: CY.CC2591
Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano.The three movements are titled:1. The Periwinkle (La Pervenche)2. The Brook (Le Ruisseau)3. The Evening (Le Soir)The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is G above middle C.
SKU: CY.CC2919
Gliere's beautiful character pieces, Six Album Leaves from Op. 51 are from a larger collection of twelve originally written for Cello and Piano in 1911 while the composer was living in Berlin. The composer most likely was inspired by Schumann's versions which were unknown in Russia. The pieces are full of eastern sounding melodies and exploit the singing nature of the Trombone. Mr. Sauer has brilliantly arranged six of these for advanced performers.
SKU: CY.CC2687
Strauss's most well-known opera, Der Rosenkavalier has a most convoluted plot. However, knowing all its ins and outs are not necessary with Ralph Sauer's gorgeous arrangement of the suite of Waltzes for Trombone with Piano accompaniment. Written at the very end of the Romantic era in the early 20th century, the melodies are beautiful, the harmonies lush and the rhythms intoxicating. For advanced performers this 12 minute work will be a great addition to any recital.
SKU: CY.CC2773
A wonderful collection of Traditional Christmas Carols in a jazz style for Trombone and Piano arranged by British arranger and Trumpeter, Keith Terrett. The Carols included are: Ding Dong Merrily On High, Silent Night, We Three Kings, Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas. The Trombone part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is moderate. Mr. Terrett makes use of different mutes for a wide range of colors.
SKU: BT.EMBZ14176
English-German-Hungarian.
They are arrangements from 'Játékok' made in the following sequence of movements: Fanfare I. - Dirge I. - Beating I. - Dirge II. - Fanfare II. - Hommage á Paganini (La nuova campanella) - Appendix: Beating II. Kurtág dedicated the work composed in 1978 to the trombone artist Erika Bereczki. Its premiére was given with the participation of Steven Kovács Tickmayer in Amsterdam in 1997. This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.Diese Übertragung einiger Stücke aus ‚Játékok' hat die folgende Satzfolge: Fanfare I. - Klagegesang I. - Schläge I. - Klagegesang II. - Fanfare II. - Hommage á Paganini (La nuova campanella) - Appendix: Schläge II. Kurtág hat das 1978 komponierte Werk der Posaunenkünstlerin Erika Bereczki gewidmet, die Uraufführung fand 1997 unter Mitwirkung von Steven Kovács Tickmayer in Amsterdam statt.
SKU: XC.LS1806
UPC: 812598030112. 12 x 9 inches.
The Legacy Solo Series contains masterworks meticulously edited and set beautifully by one of the most popular composers of music for students today, Larry Clark. These solos are routinely found on many state festival lists throughout the United States and are perfect for use at an adjudicated solo festival or recital. Commonly featured on college audition lists, these works are a cornerstone of the solo repertoire. Piano players will enjoy piano reductions that are clean and feature the solo line in concert pitch for easy rehearsal. Each Legacy Solo, compatible with Smartmusic, comes with beautifully set parts and piano accompaniment. Piano recordings for rehearsal or performance of each piece are available for download from the Excelcia Music Publishing website.
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