SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: BT.DHP-1165691-401
ISBN 9789043150033. English-German-French-Dutch.
For young trombone players: impressive landscapes illustrated by the rich and majestic sound of the trombone. The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions forthe most diverse instrumentations. He wrote Fjords for trombone players at the level of approximately one year’s study and paid special attention to an easy-to-follow, attractive musical style. As a result, Fjords is an idealperformance or competition work for young musicians.Voor jonge trombonisten: indrukwekkende landelijke taferelen ge llustreerd door de rijke en majestueuze klank van de trombone. De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderdencomposities voor de meest diverse instrumentaties. Hij schreef Fjords voor trombonisten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor isFjords een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.Für sehr junge Posaunisten: Atemberaubende Landschaften werden durch den vollen und majestätischen Klang der Posaune dargestellt. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvreumfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Fjords für Posaunisten mit ungefähr einem Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischenStil. Dadurch eignet sich Fjords ideal als Vortrags- und Wettbewerbsstück für junge Musiker.Pour les très jeunes trombonistes : des paysages vertigineux illustrés par la sonorité ample et majestueuse du trombone. Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogued’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Fjords pour trombonistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, Fjords est lapièce idéale pour tout examen ou audition de jeunes musiciens.
SKU: HL.48181984
UPC: 888680846497. 9x12 inches.
“French composer, Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Procession for Trombone and Piano was published in 1959 and remains prominent in the advanced trombonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Procession for Trombone and Piano reflects Dubois' compositional characteristics as well as elements of grandeur, reflecting the title. A typical performance lasts about four minutes and fifteen seconds. Procession is essential to the advanced trombonist's repertoire. Dubois' work makes for an exciting and enjoyable performance for players and audiences alike.&rdquo.
SKU: CY.CC2543
Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya.
The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas espanolas, volume I from 1890, for Piano.
Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Trombone and Piano.
Trombonists will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire.
The Two Dances (in tenor clef) are about 6 1/2 minutes in length and can be performed by advanced musicians.
The mp3 sample is an excerpt of the Bass Trombone version taken from a live performance at the 2012 Academy of the West Festival performed by David Hagee and Luis Ortiz, Pianist.
SKU: PR.UE021701
ISBN 9783702472924. UPC: 803452070047.
Hudson (30 Modern Studies for Trombone Solo, UE021317) presents 16 short, original pieces, ranging from easy to intermediate levels, in a variety of styles from classical and lullaby to bossa nova and funky blues. Each of the pieces presents technical and musical challenges for the student, and each is suitable for recital performance. Students will work on articulation, breath control, proper phrasing, and dynamics, all wrapped up in attractive pieces.
SKU: CY.CC2863
Liszt composed the Romance oubliee around 1844 for Piano. It was forgotten until he heard Violist Hermann Ritter at the first performance of Wagner's Der Ring des Nibelungen at Bayreuth. He fashioned for Ritter a transcription of the work for Viola and Piano as well as ones for the Piano, Violin and Violoncello.In this short work, the listener hears the agonies of a troubled soul, beginning with a rhapsodic passage, continuing with a cadenza-like section, then a section with arpeggiated figures, finally settling into a peaceful ending.This 4 minute work is appropriate for advanced performers. With Mr. Sauer's arrangement we now have this lovely version for Trombone and Piano.
SKU: HL.48185571
UPC: 888680854089. 9x12 inches.
“Both Marcel Galiègue and Jérôme Naulais studied the Trombone at the Paris Conservatoire. Both musicians have performed in a large number of concerts and recordings and have taken part in many international Master Classes. Their collaboration for Open Air, therefore, makes for a well-informed compilation. As suggested by the title, Open Air focuses on breath control. With a typical performance lasting around three minutes and ten seconds, this Trombone work is a delightful, alternative piece for young trombonists. Open Air is a delightful addition to the intermediate Trombone repertoire.&rdquo.
SKU: BT.DHP-1125294-400
ISBN 9789043141802. 9x12 inches. English-German-French-Dutch.
Performance pieces for piano and trombone in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book ? arrangements of well-known tunes as well as original compositions ? are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team ? after all playing together is almost always at the heart of music!Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en trombone waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek ? zowel bewerkingen van bekende liedjes als originele composities ? zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team ? in de muziek draait het immers vrijwel altijd om samenspel!Es gibt immer Bedarf an Stu?cken fu?r Klavier und Posaune, in denen die Stimmen fu?r beide Spieler ähnlich schwer sind. Die 20 Stu?cke in diesem Buch ? die sowohl bekannte Melodien als auch originale Kompositionen umfassen ? richten sich an Instrumentalschu?ler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt SpaÃ?. Two is a Team ? denn schlieÃ?lich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!La littérature musicale semblerait être dénuée de morceaux de concert pour piano et trombone dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil ? arrangements dâ??airs connus et compositions originales ? sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec dâ??autres est un des grands plaisirs quâ??apporte la pratique de la musique !Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile unâ??esecuzione con lâ??accompagnamento del piano.
SKU: HL.48182892
UPC: 888680865207. 9.0x12.0x0.083 inches.
French pianist, arranger, composer and conductor, Jean Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass, Movement, composed in 1972 for Trombone and Piano, being no exception. With a typical performance lasting about six minutes, Defaye's Movement makes use of chromaticism, luscious melodic phrases, a wide range, large intervals, and complex rhythms, amongst other aspects. Defaye's passion for the Trombone is clear, through his exploitation of the instrument. For all aspiring trombonists wishing to vary and expand their repertoire, Movement by Jean Michel Defaye is essential..
SKU: HL.48184566
UPC: 888680853778. 9.0x12.0x0.069 inches.
“French pianist, arranger, composer and conductor, Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass, In the Style of Bach, composed in 1990 for Trombone and Piano being no exception. With a typical performance lasting about 3 and a half minutes, Defaye's In the Style of Bach reflects the compositional techniques of J. S. Bach by use of contrapuntal textures, modulations to related keys, long, even quaver and semiquaver melodic passages and contrasts in dynamics. For all aspiring trombonists wishing to vary and expand their repertoire, In the Style of Bach by Jean-Michel Defaye is essential.â€.
SKU: HL.48185728
UPC: 888680832025. 9x12 inches.
“French pianist, arranger, composer and conductor, Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass, In the Style of Vivaldi, composed in 2002 for Trombone and Piano, being no exception. With a typical performance lasting about four minutes, Defaye's In the Style of Vivaldi reflects the compositional techniques of Antonio Vivaldi by use of contrapuntal textures, modulations to related keys, long and even quaver and semiquaver melodic passages, syncopation and contrasts in dynamics. Defaye's passion to explore a variety of preceding composers is clear with In the Style of Vivaldi being a part of a series which explores the music of many great composers. For all aspiring trombonists wishing to vary and expand their repertoire, In the Style of Vivaldi by Jean-Michel Defaye is essential.&rdquo.
SKU: HL.48185634
UPC: 888680907723. 9.0x12.0x0.069 inches.
French pianist, arranger, composer and conductor, Jean Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass, In the Style of Debussy, composed in 2002 for Trombone and Piano, being no exception. With a typical performance lasting about five minutes, Defaye's In the Style of Debussy reflects the compositional techniques of Claude Debussy by use of chromaticism, evocative melodic passages, spread chords in the accompaniment and a calm nature. Defaye's passion to explore a variety of preceding composers is clear with In the Style of Debussy being a part of a series which explores the music of many great composers. For all aspiring trombonists wishing to vary and expand their repertoire, In the Style of Debussy by Jean Michel Defaye is essential..
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