SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: SU.32040021
Trombone & Piano Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Piano 5 (Advanced) See also Red Dragonfly, Concerto for Trombone and Band for the version with band accompaniment. See composer website for audio sample.
SKU: IS.TRP4193EM
ISBN 9790365041930.
Jef Van Hoof (1886 – 1959) composed his Divertimento for trombone and orchestra in 1935. It was dedicated to his friend, trombonist Jules De Haes, who for many years played in the Antwerp Brass Ensemble, originally founded by Van Hoof. This edition of the Divertimento for trombone and piano reduction was first published by Metropolis Music Publishers in 1952. The work is in two parts, the first of which Moderato molto explores the expressive side of the instrument, while the second part, a Scherzo, is bright, rhythmic, and allows for the soloist to show off a bit.
SKU: HL.48181221
UPC: 888680867829. 9.0x12.0x0.056 inches.
Concerto in F minor by G.F. Handel is a piece transcribed for Trombone and Piano by Andre Lafosse, soloist at the Paris Opera. Quite difficult, for it to be played well this piece will require the skills and abilities of advanced players. This concerto is a really melodious piece to play in recitals. It is divided into four sections: I. Grave II. Allegro III. Sarabande ? Largo IV. Allegro The Piano introduces first and the third parts, which are quite slow compared to the second one and the final. G.F. Handel was a German composer famous for his operas, oratorios and concertos..
SKU: FL.FX071559
Latin music divided into three parts of 32 mes. each: the first is for students with 1-2 years of experience (only long values and small chromatisms are used), the second is for those who have 2 or 3 (add dotted quarter / eighth notes and intervals of fourths), the third is for those at the end of the first cycle (flow from eighth in addition). This piece can follow the students for three years and / or allow 3 students with different levels to play together.
SKU: FL.FX072632
As its title suggests, this tournerie, the second of the series, must be interpreted with emphasis on the regularity of tempo as well as with a vigorous pulse. Trombonists should play without adding jazzy nor lyrical effects. Priority given to groove, a bit like in Piazzolla's tangos. - Denis LELOUP ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4; Duration: 4 mn 40 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Denis LELOUP;.
SKU: FL.FX071925
The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...
SKU: FL.FX073766
This piece for trombone with keyboard accompaniement (church organ, piano or synthesizer) is a beautiful and very intimate melody. Not very challenging in terms of rhythm and ambitus, it is suited from 4 years of instrument practice. ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX073816
A perfect Piece for exams or auditions - from 1 year of Trombone practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 1.
SKU: FL.FX073703
This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... - Jerome NAULAIS ; A pice that can beplayed from 6 years of instrument practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073754
This piece is a tribute to a small island off the west coast of Finistere, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. - Jerome NAULAIS ; A piece that can be played from 3 years of instrument practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 2.
SKU: FL.FX073742
A piece that can be played from 7 years of instrument practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073011
A nice piece in a jazz / piano bar style for trombone and piano, from 6-7 years of instrument practice. - Arnaud MEIER ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX071108
This Trombone concerto was dedicated and created by Fabrice MILLISCHER ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073477
A page for young trombone players from 5 years of instrument practice. They will employ all their agility, will present it to a large audience, take some risks... as acrobats and jugglers... - Pascal PROUST ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX072988
A perfect Piece for exams or auditions - from 5 years of Trombone practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX072987
SKU: FL.FX072768
Bright and colorful composition, with melodic lines based on a set of syncopes and provided with a cadence. It is intended for interpreters with technical and musical levels already confirmed. - Alain LOPEZ ; A Piece for students from 7 years of instrument practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX072793
Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... - Pascal SAINT-LEGER ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX073492
A playful and rhythmic piece for a concert or exam from 6 years of practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073062
A musical journey to propose to young instrumentalists with 4 years of musical experience. ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX073480
The walk of a friendly little animal, for young musicians at the end of their first year of learning. - Pascal PROUST ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 1.
SKU: FL.FX073047
We play this music with images of a fun little movie in our head... For a hearing or an exam from 6 years of practice. ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX072968
A piece for instrumentalists with 6 years of musical experience. ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073503
The solemnity of this piece is particularly suitable for a ceremony. - Jerome NAULAIS ; An original composition to be played from 5 years of instrument practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX073552
The young musicians will love playing this piece that will find its place in an exam or a concert. - Pascal SAINT-LEGER ; A piece that can be played from 2 years of instrument practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 2.
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