SKU: CY.CC3161
ISBN 9790530111307. 8.5 x 11 in inches.
Jesu, meine Freude was composed sometime between 1723 and 1727, most likely for the St. Thomas Church in Leipzig. It is the longest and most musically complex of Bach's six motets, originally for 5-part choir comprising eleven movements. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble of eleven movements is about 19 minutes in length. Because of its length, it is possible to divide the music into three sections and perform each section separately. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: CY.CC3172
ISBN 9790530111420. 8.5 x 11 in inches.
Motet Lobet den Herrn, BWV 230, for four part chorus has no known date of composition and was first published in 1821. It has a different character from the previous motets in that it was not written for a funeral and has no chorale melody, but rather a joyous Hallelujah. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is is inspired from text drawn from Psalm 117 and is about 6 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: CY.CC3158
ISBN 9790530111277. 8.5 x 11 in inches.
Bach's Motet Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) BWV 226 was composed in 1729. The Motet was written for the funeral of the blessed rector Ernesti, Professor of poetry at Leipzig University. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for double 4-part choir of three movements is about 7 1/2 minutes in length and appropriate for advanced performers. The top voices in each choir have parts supplied in both alto and tenor clef.
SKU: CY.CC2947
ISBN 9790530057667.
Bach's Toccata and Fugue in D minor BWV 565 is possibly the most famous work in the organ repertoire. It was written as early as 1704 while the composer was in his teens, which could explain some of its unusual features. It first appeared in publication in 1833 by way of Felix Mendelssohn.The first appearance of this work as a transcription and recording for brass came in 1979 by Frederick Mills and the Canadian Brass, becoming an iconic work in the ensemble's repertoire.Ralph Sauer has had a great deal of success with his transcriptions of Bach's works. This work of about 9 minutes in length for 8-part Trombone Ensemble of advanced performers is brilliantly thought out and can be the cornerstone of a concert program.
SKU: CY.CC3167
ISBN 9790530111376. 8.5 x 11 in inches.
Motet Komm, Jesu, komm, BWV 229, for double choir, was most likely composed for a funeral written in Leipzig and first performed in 1731-32. It's biblical text was written as a poem by Paul Thymich. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is in two movements and about 7 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: CY.CC2824
Bach's Fantasia & Fugue in C minor, BWV 537 is a work for Organ written around the year 1723 while the composer was in residence in Weimar.Bach composed many of his greatest organ works during this period.The music of the Fantasia is lush and ornate. The Fugue is an amazing 130 bars in length.This work was transcribed for orchestra in 1921 by Edward Elgar who mourned after the death of his wife. He was to orchestrate the Fugue and Richard Strauss agreed to do the Fantasia, however after two years Elgar completed the entire work as Strauss never held up his part of the bargain.Mr. Sauer has subtly added phrasings, breaths and articulations to the original score to aid in the performance for Trombone choir.The music is about eight minutes in length and is appropriate for advanced performers.
SKU: CY.CC2849
* The Prelude in E-flat, subtitled “St. Anne†gets its nickname from the similarity of its fugue theme and a hymn tune by William Croft, however, scholars feel there is no realistic connection, as Croft's work was only known in the British Isles.* Originally written for organ in 1736, this great music is the crowning achievement of a large volume of works for that instrument.* Mr. Sauer's 11-minute arrangement of this monumental Bach Prelude is brilliantly worked out to the last detail for an 8-part Trombone choir of advanced performers.
SKU: CY.CC5010
ISBN 9790530111437. 8.5 x 11 in inches.
The mysterious Prelude and Fugue in B-flat minor BWV 867 is special in that its fugue has five voices, has a leap of a minor 9th, and concludes with a hyperstretto (remember the theory class you slept through), the overlapping of ALL five voices offset by only one note. This seven minute work of genius beautifully arranged by Jim Tranquilla of the iTromboni ensemble is appropriate for advanced performers.
SKU: CY.CC2378
The Toccata in e minor comes from the keyboard Partita, BWV 830 first published in 1731. This work is not only grand in length, but also in expression having a very serious tone. The many moods of the work have been beautifully portrayed by Ralph Sauer's elegant transcription. All parts have equal weight in importance in this setting.
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