SKU: CY.CC2891
Jim Pugh's magical arrangement of the Traditional Christmas carol We Three Kings for Trombone Sextet begins with a mysterious Gregorian style chant and then opens up into a funky jazz section including an improvised solo for the 1st player.This 5-minute work for advanced performers concludes in total relaxation as in a child-like dream on Christmas morning.
SKU: CY.CC2603
Joshua F'it de Battle of Jericho is a well-known African-American spiritual, most likely composed by slaves in the early 19th century. Early versions used the word f'it for fought. The words harken to the biblical story of the Battle of Jericho, where Joshua led the Israelites to victory against Canaanite armies.Put into perspective, Joshua's battle is really against slavery and the desire for freedom, like the themes of so many other spirituals from that era.This rousing arrangement in swing-style for 8-part Trombone ensemble by James Markey is about two minutes in length, featuring the 1st and 8th parts and is for advanced performers.The mp3 sound clip is taken from Mr. Markey's solo Bass Trombone album, on base, and includes star performers including Joseph Alessi, David Finlayson and Lisa Albrecht.
SKU: CY.CC3080
ISBN 9790530110577. 8.5 x 11 in inches.
Lo, How a Rose E'er Blooming is a German Christmas carol composed by an unknown author prior to the 17th century and is most often performed during the Advent season. First harmonized by Praetorius, the song has remained popular and has now been beautifully arranged for a moderately advanced 5-part Trombone Ensemble by Russell McKinney. Length of about 2 minutes.
SKU: SS.50001520
Partite is a continuous--that is, connected--set of variations on the chorale melody Herzliebster Jesu, was hast do verbrochen translated in some modern hymnals Ah Holy Jesus, how has Thou offended?. The basic form of the work is rather traditional--a theme played by bass trombone preceded by an introduction and followed by a series of variations. A more fundamental aspect, however, is the shape created by a succession of moods: the introduction is questioning, or perhaps questing; the statement of the theme is quiet but troubled; the three variations following become gradually more mocking and sarcastic, but are overcome by the serene and accepting final section, which incorporates one of J.S. Bach's most moving harmonizations of the chorale. Partite was commissioned by the University of Georgia Trombone Choir, Dr. Phillip Jameson, Director. It is dedicated to the memory of Mark A. Lea. Copyright 1987.
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