SKU: HL.48182310
UPC: 888680839703. 9.0x12.0x0.086 inches.
“French composer and conductor, Henri Tomasi (1901-1971) published Gregorian Variations on a Salve Ragina 1964. As with his other wind compositions, Gregorian Variations for Trumpet and String Orchestra and Organ reduction was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Gregorian Variations on a Salve Regina is a highly unusual and modern work based on an old Marian Hymn (a song for the Virgin Mary). The variations exploit tonality, rhythm and structure amongst other aspects. This Tomasi piece is suitable for advanced trumpeters, providing an exciting, alternative addition to the instrument's repertoire.â€.
SKU: M7.DUX-1191
ISBN 9783868491227.
16 weltbekannte populäre Melodien aus allen Bereichen der Musik. Der Bläser findet unvergessene Standards und Classics, Pop-Songs, Filmmusik und Evergreens. Die passende Playalong Doppel-CD ist mit der Bestellnummer D1190 separat erhältlich. Der Ausgabe liegt ein 32-seitiger Einleger mit der Solo-Stimme bei.
SKU: PR.114419070
ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.
Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .
SKU: HL.48182419
UPC: 888680831585. 9.25x12.25x0.096 inches.
Brief Encounters by Jacques Casterede is a set of three pieces for Bb or C Trumpet and Piano. Written for the Paris Conservatoire contest, the pieces are difficult (8,9) and last 8 minutes. The three pieces are: - Divertissement, Allegro Brillante (tempo 120) - Pavane, Andante Sost. (tempo 66) - Scherzo, Allegro con spirito (tempo 112) Jacques Casterede (1926-2014) was a renowned composer and pianist. He has won the Grand Prix de Rome in 1953 and has composed numerous melodic pieces including ballets, concertos, symphonies, ensemble and chamber music..
SKU: HL.49003109
ISBN 9790220115080. UPC: 073999867374. 9.0x12.0x0.128 inches.
SKU: HL.48181292
UPC: 888680867157. 9.0x12.25x0.07 inches.
“Sarabande et Finale is a nice piece by Raymond Gallois Montbrun for Bb or C Trumpet and Piano accompaniment. Quite difficult, this piece is great for recitals or concert. Starting with the Piano for just six measures before the Trumpet Solo, the sarabande has a slow tempo. The finale is faster, Allegro, and features a period with solo Piano before evolving into Vivo. It features the score and parts for Bb or C Trumpet. Raymond Gallois Montbrun (1918-1994) was a French violinist and composer who won the Premier Grand Prix de Rome and the Grand Prix de Paris. He later became the director of the Paris Conservatoire. He composed many symphonic pieces, an opera, a quartet and many pieces for Solo Piano, Violin and Piano and other instruments.â€.
SKU: HL.48185526
UPC: 888680906979. 9.0x12.0x0.068 inches.
Initially composed in 1907 for Bass Voice and Piano, Habanera by Maurice Ravel was transcribed for Trumpet and Piano for this edition. Based on a Cuban Contradanza, it features a special habanera rhythm and is generally performed with sung lyrics. In this edition, the Trumpet is a substitute for the Voice. While composing this piece, Maurice Ravel</I> was also working on two works with Spanish influence: The Spanish Rhapsody and The Spanish Hour. This edition, which can be used for recitals and exams, will enlighten Trumpet players. Maurice Ravel (1875-1937) is a French composer is really famous for his Impressionist compositions. He wrote numerous pieces, including Daphnis and Chloe and the famous Bollero..
SKU: HL.48185602
UPC: 888680854287. 9.0x12.0x0.105 inches.
1.Tout Simplement; 2.Gentille Melodie; 3.Course en Roller; 4.Un Soir a la Nouvelle Orleans; 5.Trompette de Vienne; 6.Swingin' Trumpet; 7.Douce Bossa (for B flat or C trumpet and piano).
SKU: HL.48183408
UPC: 888680869113. 9.0x12.0x0.13 inches.
Jean Baptiste Arban: Etudes caracteristiques No.1 - No.7 (C trumpet) (Trumpet & Piano).
SKU: HL.48187808
UPC: 888680873585. 9.0x12.25x0.173 inches. French.
“André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto No. 2 for Trumpet was composed in 1955, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in Concerto No. 2 for Trumpet. The piece requires high, virtuosic skills due to its expansive use of extended techniques. For all advanced trumpeters, Jolivet provides an exciting, different piece for the instrument's repertoire.â€.
SKU: BR.MR-2239A
ISBN 9790004487877. 9 x 12 inches.
There are two known manuscript sources for the present edition of this sinfonia avanti l'opera. In the Dean and Chapter Library of Durham Cathedral it appears as the twelfth, and last, piece in a collection of late seventeenth-century Italian instrumental music. No composer is given and identification was only possible following the discovery, in 1993, of a concordant source in the Biblioteca Estense, Modena, where the work appears as the sinfonia to Perti's opera L'Inganno scoperto per Vendetta, first performed in Venice as part of the 1690/1 season.It is sometimes hard to ascertain the original functional purpose behind many of the trumpet works written by composers of the Bolognese school as it would appear that some were used as sonate da chiesa, to celebrate mass in the basilica of San Petronio, Bologna, whilst also serving as operatic sinfonie. To confuse the issue further, there are several instances of composers 'borrowing' each other's works: for example, it has recently been discovered that the Torelli trumpet sinfonia a 4 catalogued as G4 in Giegling was used as the overture to Perti's opera Nerone fatto Cesare (1693). So far as the present edition is concerned, however, stylistic considerations would appear to confirm that the work is indeed by Perti and that it was originally conceived as the overture to L'Inganno scoperto per Vendetta. A couple of clues hint at a secular raison d'etre: the Durham source is marked Serenatto (presumably a corruption of serenata, a term often used in lieu of sinfonia) and the last movement of the Modena source is marked Menuet, a term more often associated with sonate da camera than with works of ecclesiastical provenance.Both the Modena and Durham sources for the present edition are virtually note-perfect and occasional inaccuracies were easily corrected by comparing the sources with each other and with the part-books in Durham. Whilst the Modena source lacks the second violin part in the outer movements it contains fuller dynamic markings and tempi indications than the Durham source and these have been followed in the present edition with no editorial additions. Notation has been modernised and, in the piano reduction edition, right-hand arpeggio-figurations rendered more pianistic. Parts are provided for trumpet in D and B flat. I am grateful to the Dean and Chapter of Durham and to the Biblioteca Estense, Modena, for providing microfilm of the manuscripts. I should also record my thanks to Keith Wright for realising the figured-bass which appears in the full-score edition.Mark Latham, Brancepeth Castle, June 1997.
SKU: HL.48181847
UPC: 888680861278. 9.0x12.0x0.071 inches.
“Composed by Henri Tomasi, Tryptique can be played by a Bb or a C Trumpet with a Piano accompaniment. This piece is divided into three parts of approximately 2 pages each: 1. Scherzo, 2. Largo and 3. Saltarelle. The Saltarelle part includes the use of the sourdine and has numerous accidental alterations. With a high level of difficulty, this piece is ideal for contests and recitals. Henri Tomasi also composed a variety of concerti for Alto Saxophone and for Trombone, as well as some ballades.â€.
SKU: HL.48011152
UPC: 073999471687. 9.0x12.0x0.185 inches.
SKU: HL.48186726
UPC: 888680886844. 9.0x12.0x0.076 inches.
For B flat cornet (or C trumpet) and piano.
SKU: HL.48184387
UPC: 888680846510. 9.25x12.5x0.041 inches.
For trumpet (or trombone) and piano.
SKU: HL.49019208
ISBN 9790001179478. 9.0x12.0x0.142 inches.
The famous Wunderhorn song 'Wo die schonen Trompeten blasen' by Gustav Mahler forms the musical background of this work commissioned by the trumpet player Griseldis Lichdi.Heucke's one-movement trumpet sonata of approximately 15 minutes' duration plays constantly with the approaching of and distancing from Mahler's original. Elements of the sonata form, multi-part song and free variation forms combine to form a many-faceted and exciting rhapsody.
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