By John Frith. For trumpet or flugelhorn in B-flat and piano. Contemporary. Advanced. Solo part and piano accompaniment. Published by Cherry Classics

By John Kember. For Trumpet and Piano. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection. Faber Edition: Play Ballads. Intermediate. 32 pages. Published by Faber Music

(A Method for Individual and Group Learning (Teacher's Book)). By John Miller. For Trumpet and Piano. This edition: Teacher's Book. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection; Method/Instruction. Faber Edition: Basics. 56 pages. Published by Faber Music

By John Hartmann. Arranged by Tim Justus. For Trumpet and Keyboard. Brass - B-Flat Cornet (Trumpet) Solo; Solo. Heritage of the Cornet. 20th Century. Part(s). Duration 00:02:34

For Trumpet and Piano. Arranged by John Miller. Brass, Repertoire, Collections. Going Solo. Softcover Book. 44 pages. Faber Music #F0571514251. Published by Faber Music

Arranged by John Carter. For Piano, Trumpet. Sacred. Level: (Easy Moderate). Print Music Collection (Book & CD). 28 pages. Published by Hope Publishing

Edited by John Wallace. For Trumpet and piano. Level: Grade 2, 3. 32 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Chamber Music Piano, Trumpet

SKU: PR.114419070

Composed by Martin Amlin. With Standard notation. 20+16 pages. Duration 9 minutes. Theodore Presser Company #114-41907. Published by Theodore Presser Company (PR.114419070).

ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.

Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .