SKU: MB.WBM27
ISBN 9780998384252. 8.75 x 11.75 inches.
100 Hymns for Trumpet and Guitar is a collection of all-time favorite hymns arranged for trumpet solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo, and capo chords are shown where appropriate. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year.
SKU: HL.48182198
UPC: 888680835118. 9x12 inches.
“Parisian born composer, Roger Boutry (b. 1932) proves with his Trumpeldor for Trumpet and Piano, his ability as a virtuoso musician. Boutry won many prizes during his time at the Paris Conservatoire, as well as for his professional work. He has over 100 published works in which he successfully unites diverse modern and traditional trends. He was named Personality of the Year in 1989 for all of his artistic activities. Trumpeldor is highly rhythmic and syncopated, exploiting tonality and Trumpet technique to their full potential. The entire work is riveting for performers and audiences alike. Boutry's Trumpeldor for Trumpet and Piano accompaniment is an essential, varied addition to the advanced saxophonist's repertoire.&rdquo.
SKU: M7.AHW-1012
English.
A collection of method books, exercises, solos, embouchure and breath control studies, and duets directed to players at all levels of their development.
SKU: HL.50601991
ISBN 9781540052599. UPC: 888680940652.
SKU: M7.AHW-1013
Progressing from intermediate to more advanced levels of difficulty, these studies take the student through long tones, lip slurs and trills, interval and flexibility exercises. Useful for players of all levels.
SKU: M7.AHW-1603
'Improvisational Patterns: The Bebop Era' is a series of pattern books predicated on the belief that while certain patterns seem to transcend eras and styles, the greater body of improvisational material is of high specificity with regard to its time and place within the jazz continuum. The bebop era initiates the series since in the minds of many people, (the author included), this era is the common practice period of jazz music. While the patterns in this book are also highly specific, they enjoy a greater continuing currency than do the patterns of any other period in jazz's brief history. The many II V7, cycle and turnaround patterns are based on protracted studies of literally hundreds of solos by the jazz greats of the bebop era. Volume 1 is over 100 pages and volumes 2 and 3 are over 50 pages each, making this one of the biggest jazz improv books ever written.
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