SKU: BR.DV-32027
ISBN 9790200425192. 9 x 12 inches.
Bicinia - unaccompanied duos - have been known to us from the fifteenth century onwards. So quite early on it was customary tu practise this type of musical exercise, which later, especially during the Romantic period, achieved great popularity as the duo or duett. Equal numbers of this sort of instrumental duo were composed for nearly all wind and string instruments. On the other hand, only a small amount of compositions for two trumpets have come down to us. In order to play any music which progresses beyond pure fanfare on a natural (valueless) trumpet, it is necessary to make use of the clarion register (the top third of the natural harmonic). And if such a melody is to be accompanied by a second part, only the few natural notes lying below it are left, or else this high register itself, which calls for great virtuosity on the part of the trumpeter. As well as this, we must remember the fact that trumpet-playing was only allowed for the trumpeters of a royal court, army, staff, or for the field-trumpeter of a prince, plus a few council, city, and church musicians, who were bound by strict guild and corporation rules. Thus in spite of the preference for its festive sound, the spread and handing down of trumpet music was almost reduced to nothing under these circumstances. As well as this, pride of place and profession rivalry and envy amongst musicians contributed in large part. In England the situation was somewhat freer. Here pretty little trumpet duos originated, including, amongst others, those written by Handel for his master-trumpeter Valentin Snow and the Royal Sergeant-trumpeters of the Shore family. An especially happy exception was the diocese of Olmiitz. Here there was a capable group of musicians of the chapel royal with the brilliantly talented group of trumpeters and the field-trumpeter Pavel Vajvanovsky, who also composed himself. These trumpeters in the service of his prince-bishop played many sacred and secular pieces, all for several instruments. It was for them also that Heinrich Ignaz Franz Biber wrote the 12 double trumpet sonatas we present here. On the other hand, the representatives of the authorities in Germany ensured strict observation of all edicts and regulations. Even the celebrated Bach-trumpeter and towm-piper Gottfried Reiche was never allowed to be portrayed with a proper trumpet due to the priveleges of court and field trumpeters. In order to represent him as one of the greatest masters of his time and art, however, the painter placed an instrument similar to a corno-di-caccia in his hand, together with a sheet with a small piece for virtuoso clarion. When we try in spite of these difficulties and adverse circumstances to gather a collection of musically valuable and characteristic examples of popular pieces for two trumpets from the seventeenth and eighteenth centuries, it is in the first, place in order to acquaint modern trumpeters with something of the wealth of music, which can also be well played on a modern trumpet with valves. The originally used trumpets correspond to modern ones in the keys of C and D, but this does not mean that many of the pieces cannot be transposed to a more comfortable register. On top of this, we have tried to give a picture of the baroque court and field trumpeter, as well as of the mysterious clarion trumpeter, with the help of musically popular material. The origin of most of the pieces used is no longer clearly discernable. In most cases we possess second- or third-hand copies which have been handed down, and show signs of frequent use. A few cases where modernization of the second part obviously did not take place until the invention of stops, have been re-shaped into their supposed original form. A series of further dynamic details were left, and marked as optional suggestions in brackets. Kurt Janetzkyz.T. mit Pauken und B.c.
SKU: HL.48181769
UPC: 888680862831. 9x12 inches.
“After hearing Castérède's Sonatina for Trumpet and Piano, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Castérède's Sonatina is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatina for B flat or C Trumpet and Piano is full of musically appealing features. Elements include exquisite use of ornamentation, exploiting Trumpet technique to its full potential, and clever uses of shared melody between the Trumpet and Piano. From the lively, harmonically rich first movement to the luscious melodies of the second, this Sonatina provides an enjoyable listen and fun piece to learn for all trumpeters. &rdquo.
SKU: HL.48181441
UPC: 888680841515. 9.0x12.0x0.064 inches.
“Guillaume Balay (1871-1943) served in the French military as a prolific Cornet player, having won first place in the 1894 Cornet Award competition at the National Academy of Music in Paris. His compositions were popular in the Cornet and brass repertoire at the time, including his Prelude and Ballad, adaptable to Cornet or Saxhorn with Piano accompaniment. This Balay work remains within the brass repertoire to this day and is suitable for intermediate to advanced level players. The Prelude is in 4/4 meter and exploits the full range of the instruments. There is also much use of flourishing semiquaver passages. The Ballad is a much more measured than the first movement and is in 2/4 time. The texture is predominantly melody-dominated homophony with the occasional use of call-and-response between the melody instrument and Piano accompaniment. This quirky, two-movement piece by Balay provides the intermediate to advanced Cornet or Saxhorn player with a fun, alternative performance piece.â€.
SKU: HL.44003638
ISBN 9789043104098. UPC: 073999504453. English-German-French-Dutch.
6 solo parts for Bb trumpet/cornet and Bb flugelhorn from concert band works by famous Dutch composer Jacob de Haan, including: Free World Fantasy * Hanseatic Suite * Variazioni in Blue * The Universal Band Collection * Queen's Park Melody * Concerto d'Amore.
SKU: SP.TS281
ISBN 9781585604753. UPC: 649571102814.
Reflect on this past century with 20 unforgettable jazz standards that first defined popular American music with Essential Jazz Standards for Horns from Santorella Publications. Every page is packed with toe-tapping favorites certain to make anyone dance and sing along. Share these memorable tunes with family and friends and spread the sheer joy a song can evoke. This best-selling collection is arranged in accommodating keys for clarinet, trumpet, alto sax, flute and trombone by Jonathon Robbins. Now everyone can have some fun and play along! Essential Jazz Standards for Clarinet is available with or without a piano accompaniment CD. Alexander's Ragtime Band - I Want a Girl - Hot Time in the Old Town Tonight - For Me and My Gal - Chinatown, My Chinatown - Melancholy Baby - Little Brown Jug - Fascination - You Made Me Love You - Moonlight Bay - Bill Bailey - Rock-a-Bye Your Baby - Oh, You Beautiful Doll - When the Saints Go Marching In - Swanee - St. Louis Blues - After You've Gone - A Pretty Girl Is Like A Melody - They'll Be Some Changes Made - Baby Face.
SKU: AP.1-ADV14703
UPC: 805095147032. English.
With this book/audio downloads set you will learn essential jazz rhythms first-hand from world-class professionals! With this book and audio set you will learn essential jazz rhythms first-hand from world-class professionals ! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (f.i., pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying audio downloads the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the accompaniment) with your teacher or a friend.
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