SKU: FL.FX074029
A piece to be played from 1 year of practice. ; Instruments: 1 C Trumpet or 1 Bb Trumpet/Cornet 1 Piano; Difficuly Level: Grade 1.
SKU: YM.GTW01098118
ISBN 9784636981186.
For those who are looking for scores written in the original song keys for wind and brass, here you are! In this series, 40 popular J-POP songs are transposed for each instrument and can be played in the same keys as the original songs. (For example, if the original song is in C major, the score for trumpet in B-flat is re-transposed and written in D major to play in C major.) It is a great selection for a live session with other instruments such as piano or guitar. *Please note: the chord names are indicated in real tone notation for all scores in the series.
SKU: HL.50497560
ISBN 9784115490130. 9.0x12.0x0.14 inches.
SKU: HL.48185347
UPC: 888680838133. 9.0x12.0x0.229 inches.
Learn as you play Trumpet & Cornet is part of the award-winning series of tutor books for woodwind and brass instruments by Peter Wastall. Written for beginner to intermediate players to grasp the basics, this book features theory and exercises with some melodic concert pieces. Easy to use, the book is divided into different sections with clear comments and explanations, following every step necessary to acquire the beginner techniques. Peter Wastall is also the author of the series ''Practice Sessions'', which will introduce the player to some improvisations and ensemble pieces, and of ''Session Time'', which is more focused on jazz and rock themes..
SKU: HF.FH-7001
ISBN 9790203470014. 9 x 12 inches.
1. Wo soll ich fliehen hin BWV 5, 2. Denn du wirst meine Seele nicht in der Holle lassen BWV 15, 3. Es erhub sich ein Streit BWV 19, 4. O Ewigkeit, du Donnerwort BWV 20, 5. Ich hatte viel Bekummernis BWV 21, 6. Wir danken dir Gott, wir danken dir BWV 29, 7. Freue dich, erloste Schar BWV 30, 8. Der Himmel lacht, die Erde jubiliert BWV 31, 9. O ewiges Feuer, o Ursprung der Liebe BWV 34, 10. Jesu, nun sei gepreiset BWV 41, 11. Gott fahret auf mit Jauchzen BWV 43, 12. Schauet doch und sehet BWV 46, 13. Nun ist das Heil und die Kraft BWV 50, 14. Jauchzet Gott in allen Landen BWV 51, 15. Christen, atzet diesen Tag BWV 63, 16. Lobe den Herrn, meine Seele BWV 69, 17. Wachet! Betet! Betet! Wachet! BWV 70.
SKU: HF.FH-1053
ISBN 9790203410539. 9 x 12 inches.
14 Studien; 15. Kavatine aus Beatrice di tenda (V. Bellini); 16. Fantasie uber Actaon (Auber); 17. Brillante Fantasie; 18. Variationen uber Norma (Bellini); 19. Variationen uber die Tyrolienne; 20. Variationen uber Le petit Suisse; 20. Kaprice und Variationen ; 21. Fantasie und Variationen uber ein deutsches Thema; 22. Thema und Variationen uber Siehst du den glanzenden Schein; 23. Kavatine und Variationen; 24. Variationen uber ein beliebtes Thema (Weber); 25. Variationen uber den Karneval von Venedig; 26. Konzertstuck uber die Oper Il crociato in egitto (Meyerbeer); 27. Erstes Solo; 28. Wiedersehensfreude; 29. Bolero; 30. Polka; 31. Erinnerung an Kroll; 32. Cornet-Polka.
SKU: HL.48183877
UPC: 888680851347. 9.0x12.0x0.129 inches.
French and English text.
SKU: HF.FH-7003
ISBN 9790203470038. 9 x 12 inches.
1. ,,Erhalt uns, Herr, bei deinem Wort BWV 126, 2. ,,Herr Jesu Christ, wahr' Mensch und Gott BWV 127, 3. ,,Auf Christi Himmelfahrt allein BWV 128, 4. ,,Gelobet sei der Herr, mein Gott BWV 129, 5. ,,Herr Gott, dich loben alle wir BWV 130, 6. ,,Lobe den Herren, den machtigen Konig der Ehren BWV 137, 7. ,,Man singet mit Freuden vom Sieg BWV 149, 8. ,,Erschallet, ihr Lieder BWV 172.
SKU: CL.080-0059-24
Eb Alto Saxophone solo with piano accompaniment.
SKU: CF.W2682
ISBN 9781491144954. UPC: 680160902453. 9 x 12 inches. Key: E major.
Edited by Elisa Koehler, Associate Professor and Chair of the Music Department at Goucher College, this new edition of Johann Nepomuk Hummel's Concerto in E Major for trumpet in E and piano presented in its original key.The concerto by Johann Nepomuk Hummel (1778–1837)holds a unique place in the trumpet repertoire. Like theconcerto by Joseph Haydn (1732–1809) it was written forthe Austrian trumpeter Anton Weidinger (1766–1852) andhis newly invented keyed trumpet, performed a few timesby Weidinger, and then forgotten for more than 150 yearsuntil it was revived in the twentieth century. But unlikeHaydn’s concerto in Eb major, Hummel’s Concerto a Trombaprincipale (1803) was written in the key of E major for atrumpet pitched in E, not E≤. This difference of key proved tobe quite a conundrum for trumpeters and music publishersin the twentieth century. The first modern edition, publishedby Fritz Stein in 1957, transposed the concerto down onehalf step into the key of E≤ to make it more playable on atrumpet in Bb, which had become the standard instrumentfor trumpeters by the middle of the twentieth century.Armando Ghitalla made the first recording of the Hummel in1964 in the original key of E (on a C-trumpet) after editinga performing edition in 1959 in the transposed key of E≤ (forBb trumpet) published by Robert King Music. Needless tosay, the trumpet had changed dramatically in terms of design,manufacture, and cultural status between 1803 and 1957, andthe notion of classical solo repertoire for the modern trumpetwas still in its formative stages when the Hummel concertowas reborn.These factors conspired to create confusion regarding thenumerous interpretative challenges involved in performingthe Hummel concerto according to the composer’s originalintentions on modern trumpets. For those seeking the bestscholarly information, a facsimile of Hummel’s originalmanuscript score was published in 2011 with a separatevolume of analytical commentary by Edward H. Tarr,1 whoalso published the first modern edition of the concertoin the original key of E major (Universal Edition, 1972).This present edition—available in both keys: Eb and Emajor—strives to build a bridge between scholarship andperformance traditions in order to provide viable options forboth the purist and the practitioner.Following the revival of the Haydn trumpet concerto, acase could be made that some musicians were influencedby a type of normalcy bias that resulted in performancetraditions that attempted to make the Hummel morelike the Haydn by putting it in the same key, insertingunnecessary cadenzas, and adding trills where they mightnot belong.2 Issues concerning tempo and ornamentationposed additional challenges. As scholarship and performancepractice surrounding the concerto have become betterknown, trumpeters have increasingly sought to performthe concerto in the original key of E major—sometimes onkeyed trumpets—and to reconsider more recent performancetraditions in the transposed key of Eb.Regardless of the key, several factors need to be addressedwhen performing the Hummel concerto. The most notoriousof these is the interpretation of the wavy line (devoid of a “tr†indication), which appears in the second movement(mm. 4–5 and 47–49) and in the finale (mm. 218–221). InHummel’s manuscript score, the wavy line resembles a sinewave with wide, gentle curves, rather than the tight, buzzingappearance of a traditional trill line. Some have argued that itmay indicate intense vibrato or a fluttering tremolo betweenopen and closed fingerings on a keyed trumpet.3 In Hummel’s1828 piano treatise, he wrote that a wavy line without a “trâ€sign indicates uneigentlichen Triller oder den getrillertenNoten [“improper†trills or the notes that are trilled], andrecommends that they be played as main note trills that arenot resolved [ohne Nachschlag].4 Hummel’s piano treatisewas published twenty-five years after he wrote the trumpetconcerto, and his advocacy for main note trills (rather thanupper note trills) was controversial at the time, so trumpetersshould consider all of the available options when formingtheir own interpretation of the wavy line.Unlike Haydn, Hummel did not include any fermatas wherecadenzas could be inserted in his trumpet concerto. The endof the first movement, in particular, includes something likean accompanied cadenza passage (mm. 273–298), a featureHummel also included at the end of the first movement ofhis Piano Concerto No. 5 in Ab Major, Op. 113 (1827). Thethird movement includes a quote (starting at m. 168) fromCherubini’s opera, Les Deux Journées (1802), that diverts therondo form into a coda replete with idiomatic fanfares andvirtuosic figuration.5 Again, no fermata appears to signal acadenza, but the obbligato gymnastics in the solo trumpetpart function like an accompanied cadenza.Other necessary considerations include tempo choicesand ornamentation. Hummel did not include metronomemarkings to quantify his desired tempi for the movements,but clues may be gleaned through the surface evidence(metric pulse, beat values, figuration) and from the stratifiedtempo table that Hummel included in his 1828 piano treatise,where the first movement’s “Allegro con spirito†is interpretedas faster than the “Allegro†(without a modifier) of the finale.6In the realm of ornamentation, Hummel includes severalturns and figures that are open to interpretation. This editionincludes Hummel’s original symbols (turns and figuration)along with suggested realizations to provide musicians withoptions for forming their own interpretation.Finally, trumpeters are encouraged to listen to Mozart pianoconcerti as an interpretive context for Hummel’s trumpetconcerto. Hummel was a noted piano virtuoso at the end ofthe Classical era, and he studied with Mozart in Vienna asa young boy. Hummel also composed his own cadenzas forsome of Mozart’s piano concerti, and the twenty-five-year-oldcomposer imitated Mozart’s orchestral gestures and melodicfiguration in the trumpet concerto (most notably in the secondmovement, which resembles the famous slow movement ofMozart’s Piano Concerto No. 21 in C Major, K. 467).
SKU: MA.EMR-29730
Possible instrumentations:Trumpet & OrganTrumpet & Piano.
SKU: FG.55011-529-3
ISBN 9790550115293.
Venezuelan trumpet virtuoso Pacho Flores asked Tuomas Turriago to write a piece for their recital in Tampere (Finland) in April 2019. The composer tells: My half-Colombian soul fell in love with the Venezuelan merengue at once when it was introduced to me by Pacho, and it has been an important construction material in my music ever since. It was featured in my children's opera Prinsessa Papupata (2013-15) as well as in my Sonatas for Tuba and Piano (2010) and Alto Saxophone and Piano (2018), just to mention a few works. In Tanguerengue I decided to combine two of my favourite rhythms, tango and merengue. Hence the name Tanguerengue. This is one of my happiest compositions and gives an enormous amount of room for groovy rhythmical play and limitless trumpet virtuosity. The form is one typical of virtuoso works, a slow introduction followed by a fast movement. The career of the composer, pianist and conductor Tuomas Turriago (b. 1979) has been very versatile, the main motivator being a passion for music, regardless of instrument, style or genre. As a pianist, he has focused on chamber music, and has worked as a lecturer in collaborating piano at Tampere Music Academy since 2004. He has been soloist of various Finnish orchestras and has performed at numerous music festivals in Finland and all over Europe, the US, Colombia, Near East and Far East.
SKU: BT.9781472920522
ISBN 9781472920522.
Anyone can take the stage and stand in the spotlight with this fun and festive Christmas repertoire book. A selection of popular carols and songs to complement the best-selling Abracadabra tutorial books, with a CD ofspecially-arranged backing tracks in a jazzy big-band style. Abracadabra Christmas: Trumpet Showstoppers provides fantastic material for lessons in the lead up to Christmas and will add glitter and sparkle to anyChristmas concert performance!
SKU: AP.1-ADV1102
ISBN 9783892211198. UPC: 805095011029. English.
To succeed as a trumpet player you must perform your section part impeccably, in rapport with the lead player. Think with the lead player's brain. Play it with him or her. Blow up to, not over his or her volume and intensity. Don't wait to hear what the lead player does or you'll be late. Vibrato comes from the lead player. If he's not using it, you're not using it. Dan Collette's book on lead and section trumpet playing is a very well thought out and extremely useful tool for all aspiring and professional trumpet players. In a common sense approach and playing in a variety of styles, Dan demonstrates and clearly explains his perspective of lead and section playing. The trumpet sectional quartets by Steve Guttman are excellent and the execution of these etudes on the CD as played by Dan Collette playing all 4 parts is flawless and nothing short of inspiring. This work should prove itself to be required listening and reading for all serious trumpet players.
SKU: AP.BWI00455
UPC: 029156141368. 9x12 inches. English.
Solo for Bb trumpet with piano accompaniment. Written by Henry Purcell and arranged by Major Herman Vincent.
SKU: HL.49012938
ISBN 9781847612069. UPC: 841886000506. 9.0x12.0x0.215 inches.
These 13 pieces are intended for live performances. They are varied in style and enjoyable to play. The pianist is an equal partner to the trumpet player, sharing responsibility for musical completeness. Titles include: White Water Rafting; Steam Train; Parachuting; Gliding; Dodgems; Rock Jumping. The accompanying CD gives full performances of the pieces to listen to as well as accompaniments alone so that students can play along. White Water Rafting * Sailing * Parachuting * Steam Train * Gliding * Dodgems * In a Rowing Boat * Motor Cycle and Side-car * On Roller Blades * Rock Jumping * Country Cycle Ride * March Behind the Band * An Evening Stroll.
SKU: HL.48185294
Berthomieu Florilege Musical No.12 Lm052 Trumpet Solo Book.
SKU: SP.TS460
ISBN 9781585607181.
Mitchell on Trumpet was written to provide the prudent student with the necessary skills to overcome any obstacle that they may encounter. The complete method starts at the very beginning and extends to the extreme limits of the horn through a gradual progression of 82 logically balanced lessons plus a companion set of warm-ups. The Warm-ups volume is a complete compilation of exercises and studies uniquely designed to maintain a strong, flexible embouchure, finger dexterity, sight-reading, range, and endurance at the highest level. The resources for maintaining these essential elements are found within this volume and are designed to be a faithful daily companion to the developing trumpet player and professional musician alike. Mitchell on Trumpet is a proven compilation of lessons that took many years to develop. It was designed to make the study of trumpet an enjoyable experience. You are continuing your study of a method revered by music educators around the globe; a method which stands unequaled by any other published approach for trumpet.
SKU: SU.50029210
Published by: Seesaw Music.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version