SKU: FL.FX073815
Here is a fun piece, slightly jazzy, which describes the chaos generated by a major alarm clock failure! From 6 years of trumpet practice. ; Instruments: 1 C Trumpetor 1 Bb Trumpet/Cornet 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073593
The Trumpet du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.This volume puts together 5 original pieces that can be played from 5 years of trumpet practice. ; Instruments: 1 Bb Trumpet 1 C Trumpet 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX073729
Some obsolete tunes coming straight out of an old photo album, for young instrumentalists from 4 or 5 years of instrument practice. - Pascal PROUST ; Instruments: 1 C Trumpetor 1 Bb Trumpet/Cornet 1 Piano; Difficuly Level: Grade 3.
SKU: HL.48186216
UPC: 888680830083. 9.25x12.0x0.063 inches.
Indy Vincent D' Rondino 4 Trumpets In E Flat Score/Parts.
SKU: AP.1-ADV1102
ISBN 9783892211198. UPC: 805095011029. English.
To succeed as a trumpet player you must perform your section part impeccably, in rapport with the lead player. Think with the lead player's brain. Play it with him or her. Blow up to, not over his or her volume and intensity. Don't wait to hear what the lead player does or you'll be late. Vibrato comes from the lead player. If he's not using it, you're not using it. Dan Collette's book on lead and section trumpet playing is a very well thought out and extremely useful tool for all aspiring and professional trumpet players. In a common sense approach and playing in a variety of styles, Dan demonstrates and clearly explains his perspective of lead and section playing. The trumpet sectional quartets by Steve Guttman are excellent and the execution of these etudes on the CD as played by Dan Collette playing all 4 parts is flawless and nothing short of inspiring. This work should prove itself to be required listening and reading for all serious trumpet players.
SKU: HL.48186991
UPC: 888680883140. 9.0x12.0x0.109 inches.
Rossini Caens Guillaume Tell Ouverture 4 Trumpett Score/Parts.
SKU: HL.48185068
UPC: 888680879532. 9.0x12.0x0.111 inches.
Basset Salute Mfb170 5 Trumpets Score/Parts.
SKU: MA.EMR-57296
Bb Major.
SKU: MA.EMR-50403
1. Majestic Place / 2. Winter Story / 3. Secret Agent / 4. Labyrinth Concertino / 5. Music Essence.
SKU: FL.FX071844
SKU: MA.EMR-45037
The Conquering Hero / Wedding March / Silent Night / Joy To The World / Impromptu / The First Nowell / Nobody Knows / The Little Mouse / Battle Hymn Of The Republic / Nobody Knows The Trouble I've Seen / Havah Nagilah / The Carnival Of Venice...
SKU: GI.G-8764INST
This mass setting includes Duncan’s highly favored through-composed Gloria of the same name, and it does not disappoint. Beautiful in their simplicity, the congregational melodies of the Alleluia and eucharistic acclamations can be complemented by an optional soprano descant and B-flat or C trumpet part. The penitential act, Gloria, and Lamb of God also include SATB choral writing. Overall, this mass setting is bright, joyful, and uplifting. It will truly inspire your singing assembly. This item includes ONLY parts for Solo Trumpet in Bb and C. Parts for Brass Quartet and Timpani are available in edition G-8764BR. These parts may not be used with the G-8764BR parts.
SKU: CF.W2682
ISBN 9781491144954. UPC: 680160902453. 9 x 12 inches. Key: E major.
Edited by Elisa Koehler, Associate Professor and Chair of the Music Department at Goucher College, this new edition of Johann Nepomuk Hummel's Concerto in E Major for trumpet in E and piano presented in its original key.The concerto by Johann Nepomuk Hummel (1778–1837)holds a unique place in the trumpet repertoire. Like theconcerto by Joseph Haydn (1732–1809) it was written forthe Austrian trumpeter Anton Weidinger (1766–1852) andhis newly invented keyed trumpet, performed a few timesby Weidinger, and then forgotten for more than 150 yearsuntil it was revived in the twentieth century. But unlikeHaydn’s concerto in Eb major, Hummel’s Concerto a Trombaprincipale (1803) was written in the key of E major for atrumpet pitched in E, not E≤. This difference of key proved tobe quite a conundrum for trumpeters and music publishersin the twentieth century. The first modern edition, publishedby Fritz Stein in 1957, transposed the concerto down onehalf step into the key of E≤ to make it more playable on atrumpet in Bb, which had become the standard instrumentfor trumpeters by the middle of the twentieth century.Armando Ghitalla made the first recording of the Hummel in1964 in the original key of E (on a C-trumpet) after editinga performing edition in 1959 in the transposed key of E≤ (forBb trumpet) published by Robert King Music. Needless tosay, the trumpet had changed dramatically in terms of design,manufacture, and cultural status between 1803 and 1957, andthe notion of classical solo repertoire for the modern trumpetwas still in its formative stages when the Hummel concertowas reborn.These factors conspired to create confusion regarding thenumerous interpretative challenges involved in performingthe Hummel concerto according to the composer’s originalintentions on modern trumpets. For those seeking the bestscholarly information, a facsimile of Hummel’s originalmanuscript score was published in 2011 with a separatevolume of analytical commentary by Edward H. Tarr,1 whoalso published the first modern edition of the concertoin the original key of E major (Universal Edition, 1972).This present edition—available in both keys: Eb and Emajor—strives to build a bridge between scholarship andperformance traditions in order to provide viable options forboth the purist and the practitioner.Following the revival of the Haydn trumpet concerto, acase could be made that some musicians were influencedby a type of normalcy bias that resulted in performancetraditions that attempted to make the Hummel morelike the Haydn by putting it in the same key, insertingunnecessary cadenzas, and adding trills where they mightnot belong.2 Issues concerning tempo and ornamentationposed additional challenges. As scholarship and performancepractice surrounding the concerto have become betterknown, trumpeters have increasingly sought to performthe concerto in the original key of E major—sometimes onkeyed trumpets—and to reconsider more recent performancetraditions in the transposed key of Eb.Regardless of the key, several factors need to be addressedwhen performing the Hummel concerto. The most notoriousof these is the interpretation of the wavy line (devoid of a “tr†indication), which appears in the second movement(mm. 4–5 and 47–49) and in the finale (mm. 218–221). InHummel’s manuscript score, the wavy line resembles a sinewave with wide, gentle curves, rather than the tight, buzzingappearance of a traditional trill line. Some have argued that itmay indicate intense vibrato or a fluttering tremolo betweenopen and closed fingerings on a keyed trumpet.3 In Hummel’s1828 piano treatise, he wrote that a wavy line without a “trâ€sign indicates uneigentlichen Triller oder den getrillertenNoten [“improper†trills or the notes that are trilled], andrecommends that they be played as main note trills that arenot resolved [ohne Nachschlag].4 Hummel’s piano treatisewas published twenty-five years after he wrote the trumpetconcerto, and his advocacy for main note trills (rather thanupper note trills) was controversial at the time, so trumpetersshould consider all of the available options when formingtheir own interpretation of the wavy line.Unlike Haydn, Hummel did not include any fermatas wherecadenzas could be inserted in his trumpet concerto. The endof the first movement, in particular, includes something likean accompanied cadenza passage (mm. 273–298), a featureHummel also included at the end of the first movement ofhis Piano Concerto No. 5 in Ab Major, Op. 113 (1827). Thethird movement includes a quote (starting at m. 168) fromCherubini’s opera, Les Deux Journées (1802), that diverts therondo form into a coda replete with idiomatic fanfares andvirtuosic figuration.5 Again, no fermata appears to signal acadenza, but the obbligato gymnastics in the solo trumpetpart function like an accompanied cadenza.Other necessary considerations include tempo choicesand ornamentation. Hummel did not include metronomemarkings to quantify his desired tempi for the movements,but clues may be gleaned through the surface evidence(metric pulse, beat values, figuration) and from the stratifiedtempo table that Hummel included in his 1828 piano treatise,where the first movement’s “Allegro con spirito†is interpretedas faster than the “Allegro†(without a modifier) of the finale.6In the realm of ornamentation, Hummel includes severalturns and figures that are open to interpretation. This editionincludes Hummel’s original symbols (turns and figuration)along with suggested realizations to provide musicians withoptions for forming their own interpretation.Finally, trumpeters are encouraged to listen to Mozart pianoconcerti as an interpretive context for Hummel’s trumpetconcerto. Hummel was a noted piano virtuoso at the end ofthe Classical era, and he studied with Mozart in Vienna asa young boy. Hummel also composed his own cadenzas forsome of Mozart’s piano concerti, and the twenty-five-year-oldcomposer imitated Mozart’s orchestral gestures and melodicfiguration in the trumpet concerto (most notably in the secondmovement, which resembles the famous slow movement ofMozart’s Piano Concerto No. 21 in C Major, K. 467).
SKU: FL.FX074182
Here's how a little theme can travel in various musical styles and also around the world... - Jerome NAULAIS ; A piece to be played from 6 years of practice. ; Instruments: 1 C Trumpet or 1 Bb Trumpet/Cornet 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073735
A piece that can be played from 7 years of instrument practice ; Instruments: 1 C Trumpetor 1 Bb Trumpet/Cornet 1 Piano; Difficuly Level: Grade 4.
SKU: MA.EMR-54865
Possible instrumentations:Cornet & CD Play Back / Play AlongCornet & Piano (+ CD Play Back / Play Along optional)Trumpet & CD Play Back / Play AlongTrumpet & Piano (+ CD Play Back / Play Along optional).
SKU: MA.EMR-54867
SKU: FL.FX072875
Cor Hydrae, the heart of the snake, is the name given to the brightest star in the constellation Hydra... A musical journey to propose to young instrumentalists with 4 years of musical experience. - Pascal PROUST ; Instruments: 1 C Trumpetor 1 Bb Trumpet/Cornet 1 Piano; Difficuly Level: Grade 3.
SKU: MA.EMR-33619
Possible instrumentations:Trumpet & OrganTrumpet & Piano.
SKU: HL.50487645
ISBN 9790080134931. Bach (23 x 30,2 cm) inches. Hungarian, English, German.
The fourth volume of the present trumpet tutor is built upon the first three volumes. It consists of three parts: a) everyday exercises, b) studies, c) scale exercises.
SKU: MA.EMR-29730
SKU: FL.FX073747
This piece is a tribute to a small island off the west coast of Finistere, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. - Jerome NAULAIS ; A piece that can be played from 3 years of instrument practice ; Instruments: 1 C Trumpetor 1 Bb Trumpet/Cornet 1 Piano; Difficuly Level: Grade 2.
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