SKU: HL.44002208
UPC: 073999133349.
The concert band and brass band music of Philip Sparke is played and loved by musicians throughout the world, with most of his compositions being standard concert repertoire. In this book he has selected seven of his best-known works and presented the complete, unedited 1st part for each of the main instrument groups with a play-along CD concert band backing. Now everyone can play with some of the world's leading concert bands in the privacy of their own homes. Includes seven pieces: Hanover Festival * To a New Dawn * Portrait of a City * Time Remembered - Elegy for Band * Kaleidoscope - 5 Variations on the Brugg Song * The White Rose * and The Year of the Dragon.
SKU: HL.48181341
UPC: 888680867775. 9.0x12.0x0.075 inches.
“Born in Toulouse, Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile composer, Bitsch has composed orchestral works, chamber works and numerous pieces and studies for wind instruments. Four Variations on a Theme by Domenico Scarlatti is a significant addition to the Trumpet and Cornet repertoire. Suited to advanced level trumpeters and cornetists, Bitsch's Four Variations on a Theme by Domenico Scarlatti includes a variety of technical aspects as well as sublime musicality. In his latter years, Bitsch dedicated himself to the analysis of music by the Baroque masters. It is clear that his inspiration for Four Variations on a Theme by Domenico Scarlatti comes from his passion for and interest in the era. The variety of this exciting Bitsch piece is outstanding, creating a necessary, inspiring addition to the Trumpet and Cornet repertoire.â€.
SKU: BT.AMP-074-400
9x12 inches. English-German-French-Dutch.
This series aims to present the significant concert band works of Philip Sparke in a format that enables any player to study their music whether or not they get the chance to play these pieces with their own band. Voor dit boek heeft Philip Sparke zeven van zijn stukken voor harmonieorkest geselecteerd om muzikanten in staat te stellen ze te oefenen met behulp van professionele opnamen. Ideaal om eens wat nieuws te spelen of om indruk op dedirigent te maken door stukken in te studeren voordat de partijen zijn uitgedeeld! Inhoud: Hanover Festival • To a New Dawn • Portrait of a City • The Year of the Dragon • Kaleidoscope • The White Rose • Time RememberedPhilip Sparke wählte aus seinen Werken sieben Stücke aus, die Sie mit Unterstützung von professionellen Aufnahmen auf der CD zu Hause einstudieren können. Eine ideale Gelegenheit, einmal etwas Neues einzustudieren, oder Ihren Dirigenten mit den selbst erworbenen Künsten zu überraschen. Sept oeuvres du brillant compositeur anglais Philip Sparke avec accompagnement d’Orchestre d’Harmonie.
SKU: FL.FX073735
A piece that can be played from 7 years of instrument practice ; Instruments: 1 C Trumpetor 1 Bb Trumpet/Cornet 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX074170
Intrigues and festivities in the Middle Ages! - Pascal PROUST ; A piece to be played from 7 years of practice. ; Instruments: 1 Solo Trumpet; Difficuly Level: Grade 4.
SKU: CF.W2682
ISBN 9781491144954. UPC: 680160902453. 9 x 12 inches. Key: E major.
Edited by Elisa Koehler, Associate Professor and Chair of the Music Department at Goucher College, this new edition of Johann Nepomuk Hummel's Concerto in E Major for trumpet in E and piano presented in its original key.The concerto by Johann Nepomuk Hummel (1778–1837)holds a unique place in the trumpet repertoire. Like theconcerto by Joseph Haydn (1732–1809) it was written forthe Austrian trumpeter Anton Weidinger (1766–1852) andhis newly invented keyed trumpet, performed a few timesby Weidinger, and then forgotten for more than 150 yearsuntil it was revived in the twentieth century. But unlikeHaydn’s concerto in Eb major, Hummel’s Concerto a Trombaprincipale (1803) was written in the key of E major for atrumpet pitched in E, not E≤. This difference of key proved tobe quite a conundrum for trumpeters and music publishersin the twentieth century. The first modern edition, publishedby Fritz Stein in 1957, transposed the concerto down onehalf step into the key of E≤ to make it more playable on atrumpet in Bb, which had become the standard instrumentfor trumpeters by the middle of the twentieth century.Armando Ghitalla made the first recording of the Hummel in1964 in the original key of E (on a C-trumpet) after editinga performing edition in 1959 in the transposed key of E≤ (forBb trumpet) published by Robert King Music. Needless tosay, the trumpet had changed dramatically in terms of design,manufacture, and cultural status between 1803 and 1957, andthe notion of classical solo repertoire for the modern trumpetwas still in its formative stages when the Hummel concertowas reborn.These factors conspired to create confusion regarding thenumerous interpretative challenges involved in performingthe Hummel concerto according to the composer’s originalintentions on modern trumpets. For those seeking the bestscholarly information, a facsimile of Hummel’s originalmanuscript score was published in 2011 with a separatevolume of analytical commentary by Edward H. Tarr,1 whoalso published the first modern edition of the concertoin the original key of E major (Universal Edition, 1972).This present edition—available in both keys: Eb and Emajor—strives to build a bridge between scholarship andperformance traditions in order to provide viable options forboth the purist and the practitioner.Following the revival of the Haydn trumpet concerto, acase could be made that some musicians were influencedby a type of normalcy bias that resulted in performancetraditions that attempted to make the Hummel morelike the Haydn by putting it in the same key, insertingunnecessary cadenzas, and adding trills where they mightnot belong.2 Issues concerning tempo and ornamentationposed additional challenges. As scholarship and performancepractice surrounding the concerto have become betterknown, trumpeters have increasingly sought to performthe concerto in the original key of E major—sometimes onkeyed trumpets—and to reconsider more recent performancetraditions in the transposed key of Eb.Regardless of the key, several factors need to be addressedwhen performing the Hummel concerto. The most notoriousof these is the interpretation of the wavy line (devoid of a “tr†indication), which appears in the second movement(mm. 4–5 and 47–49) and in the finale (mm. 218–221). InHummel’s manuscript score, the wavy line resembles a sinewave with wide, gentle curves, rather than the tight, buzzingappearance of a traditional trill line. Some have argued that itmay indicate intense vibrato or a fluttering tremolo betweenopen and closed fingerings on a keyed trumpet.3 In Hummel’s1828 piano treatise, he wrote that a wavy line without a “trâ€sign indicates uneigentlichen Triller oder den getrillertenNoten [“improper†trills or the notes that are trilled], andrecommends that they be played as main note trills that arenot resolved [ohne Nachschlag].4 Hummel’s piano treatisewas published twenty-five years after he wrote the trumpetconcerto, and his advocacy for main note trills (rather thanupper note trills) was controversial at the time, so trumpetersshould consider all of the available options when formingtheir own interpretation of the wavy line.Unlike Haydn, Hummel did not include any fermatas wherecadenzas could be inserted in his trumpet concerto. The endof the first movement, in particular, includes something likean accompanied cadenza passage (mm. 273–298), a featureHummel also included at the end of the first movement ofhis Piano Concerto No. 5 in Ab Major, Op. 113 (1827). Thethird movement includes a quote (starting at m. 168) fromCherubini’s opera, Les Deux Journées (1802), that diverts therondo form into a coda replete with idiomatic fanfares andvirtuosic figuration.5 Again, no fermata appears to signal acadenza, but the obbligato gymnastics in the solo trumpetpart function like an accompanied cadenza.Other necessary considerations include tempo choicesand ornamentation. Hummel did not include metronomemarkings to quantify his desired tempi for the movements,but clues may be gleaned through the surface evidence(metric pulse, beat values, figuration) and from the stratifiedtempo table that Hummel included in his 1828 piano treatise,where the first movement’s “Allegro con spirito†is interpretedas faster than the “Allegro†(without a modifier) of the finale.6In the realm of ornamentation, Hummel includes severalturns and figures that are open to interpretation. This editionincludes Hummel’s original symbols (turns and figuration)along with suggested realizations to provide musicians withoptions for forming their own interpretation.Finally, trumpeters are encouraged to listen to Mozart pianoconcerti as an interpretive context for Hummel’s trumpetconcerto. Hummel was a noted piano virtuoso at the end ofthe Classical era, and he studied with Mozart in Vienna asa young boy. Hummel also composed his own cadenzas forsome of Mozart’s piano concerti, and the twenty-five-year-oldcomposer imitated Mozart’s orchestral gestures and melodicfiguration in the trumpet concerto (most notably in the secondmovement, which resembles the famous slow movement ofMozart’s Piano Concerto No. 21 in C Major, K. 467).
SKU: BT.DHP-1155652-401
ISBN 9789043147477. English-German-French-Dutch.
The first grand parade at Winter’s end, led by the trumpets...
The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote Spring Parade for trumpet players at the level ofapproximately one year’s study and paid special attention to an easy-to-follow, attractive musical style. As a result, Spring Parade is an ideal performance or competition work for young musicians.De eerste grote parade aan het eind van de winter, aangevoerd door de trompetten...
De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Spring Parade voor trompettisten die ongeveer een jaar leshebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Spring Parade een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.Die erste große Parade am Ende des Winters, angeführt von den Trompeten…
Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Spring Parade für Trompeter mit ungefähreinem Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einenleicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Spring Parade ideal als Vortrags- und Wettbewerbsstück für junge Musiker.Première grande parade au sortir de l’hiver, jeunes trompettistes en tête…
Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Spring Paradepour trompettistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, Spring Parade est la pièce idéale pour tout examen ou audition de jeunes musiciens.
SKU: CF.W2698
ISBN 9781491160305. UPC: 680160918881.
Soaring is a work commissioned by the G. Ray Bodley High School Bands under the direction of Terrance Caviness in Syracuse, New York. The work is dedicated to my dear friend David Bamonte, who is currently the Assistant Principal Trumpet of the Oregon Symphony in Portland, Oregon. David, Terry and I have been friends and colleagues for many years and were looking for a project to collaborate with each other. This work was originally written for Trumpet and Concert Band, but I quickly realized that it would work really well with a piano accompaniment as well. The result is the work you see here. As a trumpet player myself, I grew up studying the works of Arban, Clarke, Hindemith, Arutunian, Hummel, Haydn and the more modern sonatas by Kent Kennan and Halsey Stevens. This music is an homage to these great masters while keeping my original voice intact. At times, the piece is lush and lyrical while other moments showcase the power and majesty of the trumpet sound. The music is even a touch athletic while having a musical conversation with the piano. Enjoy the journey of discovering this exciting new work for you and your students. --Sean O'Loughlin.Soaring is a work commissioned by the G. Ray Bodley High School Bands under the direction of Terrance Caviness in Syracuse, New York. The work is dedicated to my dear friend David Bamonte, who is currently the Assistant Principal Trumpet of the Oregon Symphony in Portland, Oregon. David, Terry and I have been friends and colleagues for many years and were looking for a project to collaborate with each other. This work was originally written for Trumpet and Concert Band, but I quickly realized that it would work really well with a piano accompaniment as well. The result is the work you see here.As a trumpet player myself, I grew up studying the works of Arban, Clarke, Hindemith, Arutunian, Hummel, Haydn and the more modern sonatas by Kent Kennan and Halsey Stevens. This music is an homage to these great masters while keeping my original voice intact. At times, the piece is lush and lyrical while other moments showcase the power and majesty of the trumpet sound. The music is even a touch athletic while having a musical conversation with the piano.Enjoy the journey of discovering this exciting new work for you and your students.—Sean O'Loughlin.
SKU: MA.EMR-54722
Superhero / Summer Holiday / Rainy Afernoon / Lazy Samba / Rumba Rhythm / Setting Sail / Jasmine Blossom / New Year's Polka.
SKU: BT.HAGEH3807
Volume 2 carries on the methodical and didactic line established in volume 1 while ensuring that learning is fun! Continual progess is very important here, as are the development of various different musical and stylistic capabilities. Well-known songs and duets help improve embouchure, playing technique and general musicality. The accompanying CD includes playbacks for many of the exercises, because practising with a band is so much more fun. Of course, all exercises can also be played without the CD backing tracks. Trumpet Fox is among the most successful trumpet tutors of recent years. The complete set consistsof 3 instructional books. Ideal for individual and group lessons as well as private study. Also suitable for flugelhorn, cornet or tenor horn.
SKU: BR.MR-2263
John Eccles' Sonata in D major is still today regarded as one of the best English trumpet works of its time.
ISBN 9790004488232. 9 x 12 inches.
Three hundred years ago, John Eccles came in second in a competition to write music for Congreve's Masque The Judgment of Paris. His introductory sonata, designated as Symphony for Mercury in another source, soon became very popular and is still today regarded as one of the best English trumpet works of its time.John Eccles' Sonata in D major is still today regarded as one of the best English trumpet works of its time.
SKU: SP.TS460
ISBN 9781585607181.
Mitchell on Trumpet was written to provide the prudent student with the necessary skills to overcome any obstacle that they may encounter. The complete method starts at the very beginning and extends to the extreme limits of the horn through a gradual progression of 82 logically balanced lessons plus a companion set of warm-ups. The Warm-ups volume is a complete compilation of exercises and studies uniquely designed to maintain a strong, flexible embouchure, finger dexterity, sight-reading, range, and endurance at the highest level. The resources for maintaining these essential elements are found within this volume and are designed to be a faithful daily companion to the developing trumpet player and professional musician alike. Mitchell on Trumpet is a proven compilation of lessons that took many years to develop. It was designed to make the study of trumpet an enjoyable experience. You are continuing your study of a method revered by music educators around the globe; a method which stands unequaled by any other published approach for trumpet.
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