SKU: BT.SLB-02032701
230 X 305 inches. French-English-Italian.
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d’amore, the subject of a manual he wrote entitled Tecnique de la viole d’amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called “original†part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the “original†version for violoncello, on which the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.Henri Gustave Casadesus nourrissait une profonde passion pour les instruments anciens, qu’illustrent notamment plusieurs photographies qui le représentent avec la viole d’amour, un instrument pour lequel il écrivit le traité Technique de la viole d’amour. Le Concerto en ut mineur fut publié pour la première fois en 1947 par Mica Salabert. Dans la première édition imprimée du Concerto en ut mineur, la partie du violoncelle soliste était qualifiée d’« originale » tandis que la partition, d’après la préface citée, est la version d’Henri Casadesus, réadaptée pour alto, violon ou violoncelle. Toutefois, d’après l’analyse du style de la pièce et des recherches musicologiques successives jamais contestées du reste par la famille Casadesus il apparaît que la version « originale » pour violoncelle, de laquelle découlerait l’adaptation, n’est pas attribuable non plus Johann Christian Bach, mais aurait été composée selon sa manière deux siècles après. En dépit de cela, ce concerto a connu une bonne fortune et est encore étudié et interprété aujourd’hui par les altistes et les violoncellistes.
SKU: HL.49019600
ISBN 9790001177269. UPC: 884088945336. 9.25x12.0x0.112 inches.
The Sonata for Viola and Piano (1984) is not based - as is common in the 'classical' sonata form - on the dualism of two opposing themes. 'The Sonata ends with the chorale Aus tiefer Not schrei ich zu dir in whose adaptation inner conflict and contrast remain the formative means until the end.' (Putz) A rewarding contemporary piece for competitions and concerts.
SKU: FL.FX071960
Easy variations on a famous popular theme. For an auditon or exam on folk songs, and with a piano accompaniement adapted to the young musicians.
SKU: M7.SAE-5-07
ISBN 9790707665411.
This is a unique arrangement for viola and piano, a work that preserves the beauty of the original work, an master piece for sacred music, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.
SKU: M7.SAE-7-07
ISBN 9790707665435.
This is a unique arrangement for viola and piano, a work that preserves the beauty of the original work, an icon for Romanian classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.
SKU: PO.PE126
ISBN 9781877564260.
Meditation is an ideal recital work for advanced secondary school students and above looking to perform contemporary music. It was originally written for viola and piano and later was adapted for both alto saxophone and clarinet. The work was written to highlight the lyrical qualities of the solo instrument with a piano accompaniment. As such, Meditation provides an opportunity for the soloist to shine through individual expression making it perfect for solo recitals and competitions.
SKU: M7.SAE-31-06
ISBN 9790707665848.
This is a unique arrangement for viola and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.
SKU: HL.369720
ISBN 9781705144404. UPC: 840126992328. 9.0x12.0x0.08 inches.
A fantastic new adaptation of a popular piano solo piece by the Pulitzer-prize winning composer William Bolcom - a perfect recital piece, arranged by Kenneth Martinson!
SKU: PR.114424550
UPC: 680160693566. 18 x 12 inches.
Originally commissioned by Jessica Heller Knopf for the 2012 World Saxophone Congress in St. Andrews, Scotland, and adapted for viola and piano in 2024 for Profs. Patrick Yim and Kiu Tung Poon, THE SOULFUL AND THE PERPETUAL is in two movements. “The Soulful” is lyrical and expressive, with moving, gripping melodies. “The Perpetual” is a moto perpetuo, symbolizing consistency and perseverance. The virtuosic cadenza features ever-moving patterns of fast notes, reaching toward the exquisite with fluency and agility.
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